I am so excited to release Real Lens Flares today. Ray-traced lens flares based on 3D models of real lenses! maxon.net/en/red-giant-c…
We’ve added two new amazing tools to Magic Bullet Looks: Optical Diffusion and the best film Halation emulation I’ve ever seen. And an all-new color management system with the beginnings of @AcademyACES support. maxon.net/en/red-giant-c…
When you use Magic Bullet Looks as your ACES view transform, it’s easy to add a tasteful bloom with Optical Diffusion. The results completely transform a 3D render.
The new Halation tool in Looks is, well, probably overkill for such a subtle effect. But I’ve always wanted to do a truly accurate simulation of this beloved film artifact.
Optical Diffusion is based on our Optical Glow engine and comes with over 50 presets based on real lens filters that we photographed and profiled.
Real Lens Flares has been a dream of mine for years, and we’re just getting started with what’s possible with this new engine.
I literally cannot stop playing with Real Lens Flares.
(This is my job.)
More toys on sticks unreasonably transformed by Real Lens Flares.
I’m equally excited by the #C4D releases today. @redshift3d CPU allows us to standardize around Redshift everywhere in #MaxonOne, which will make everything easier.
For more on the new #C4D modeling and simulation additions, check out @ricknroll’s round up of demos:
Meanwhile I’ll be here doing ridiculous things with Real Lens Flares.
Magic Bullet also does some heavy lifting here to turn a handful of flat layers in @AdobeAE into a “spinner,” before even adding the flares. Two passes of Optical Diffusion, plus Halation, all rendering in @AcademyACES for lovely color blending and highlight handling.
I’m not even mad that @tvaziri tricked me into whitewashing this fence. This gave me some ideas for new features in Real Lens Flares.
Yes, blending layers in Add mode overexposes. But if that looks bad, the problem is your color pipeline, not your blend modes. (It took me many years to learn this!)
Screen without gamma management looks nice because it builds highlight rolloff into the blend. Add rapidly accumulates past 1.0 and looks harsh. Screen was essential in an 8-bit, gamma-encoded color pipeline.
In linear float, the harshness of Add is reduced considerably, but not all the way. The full answer is to composite in linear float with a view transform that has highlight rolloff built-in, such as ACES.
There’s a glorious golden era of hanging foreground miniature work in the James Bond franchise, overseen by Derek Meddings and John Richardson. Here’s a classic from FOR YOUR EYES ONLY.
As the helicopter appears to enter the warehouse, it's actually just flying alongside the abandoned Becton Gas Works building. The portion of the building it flies behind is a miniature, close to the camera. The effect is entirely in-camera.
It’s a seamless effect. The model lines up perfectly with the real building, and previous angles of the building are carefully chosen to hide the portion that gets augmented. More important, the filmmakers trust that the audience has no ability to manage this kind of continuity.
There are some nasty regressions in Shortcuts in the iOS 14.5 public betas. I’m getting concerned that they won’t be fixed for release.
I was enjoying a journaling workflow I set up where I write little notes in @agiletortise Drafts throughout the day, and then compile them into a @dayone entry at the end of the day.
But it’s busted now because it relies on the date stamp of the Draft, and third-party actions return null for date objects. (FB FB9015006)
My iMac Pro has been the most stable, reliable computer I’ve ever owned. The cooling system is a masterpiece. It’s lasted me over three years and shows no signs of needing replacement.
It’s also probably among the oldest Macs you could own that outperform the cheapest Mac you can now buy. I hope Apple replaces it this year with an ingeniously-cooled wall of M1 madness behind a bevel-less screen.
A “pro” (or just maxed-out) iMac is a sweet spot between what Apple does well and the needs of media professionals. Apple’s new chips could make this even more true. Excited to see what’s next.