One of the tapes I digitized is a casting tape from the early 1990s. Actresses doing a read for a potential part. I wondered how many would hit in today's google-filled world. Quite a few.
The audition, by the way, is for Annie Sez, a chain of clothing stores huge at one time. Landing a spokeswoman/appearance role in this would be well worth it for an actress.
"Jason, this seems like a weird way to spend time."
I like pattern matching, the arcs of working actors fascinates me, the auditioning parties all clearly say their name at the start of each clip, and google is free.
@Wendy_Makkena At this point, it becomes harder to discern the names. A number of these actresses might have changed their name, not done other work, or I just can't make the name out enough for google's fuzzy matching.
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Does everyone know the story that the reason birth parents are very very very hard to discern with the adoption system is because a scandal happened where children were swiped from poor young moms to give to families and the law was passed so they couldn't be returned easily?
In NY this was all started in 1935, and was undone in 2019. This wasn't to protect anything except rich adopting families from running into issues where the birth parents could be found.
The wonder of @jmechner's "The Last Express" reminds me that for some people, not hearing about a game means it PROBABLY? wasn't good or great? But, like cinema, a variety of factors, and the effort needed to keep titles in the public mind across decades, is probably why.
The Last Express comes out in 1997 and is a tour-de-force of combining basically indie-filmmaking budgets with computer graphics tools to make something we just don't really see again in this way. Rotoscoped actors on a train of mystery.
As he has done with Karateka and the original Prince of Persia, @jmechner has been on a tear lately revisiting The Last Express and ensuring it's 1. On Steam, 2. Talking about the production process for making this game, and dropping amazing behind the scenes shots.
Well, I went from zero knowledge about the fact someone is uploading AMERICAN AIRLINES REEL TO REEL TAPES THAT PLAYED ON THE MUSICAL CHANNELS IN THE AIR IN THE 1960s to knowing we have nearly 100 hours of them, so:
So, it appears the uploader uses us as a backend for an app you can play on Alexa and some mobile apps and man, I'm not even the slightest bit bothered because you can listen to them on the Archive and until 8 minutes ago I had not a scintilla of knowledge this was an thing.
Also, I just multiple spelling errors writing this because my brain is still trying to wrap around the miracle of all that comes together to allow us to have this sort of bizarre treasure just.... existing. Thanks, Mr. Cromwell
I actually tried to get GET LAMP on Netflix in 2010. Really! I contacted them and the people there didn't know what to do, and they told me to call some guy in the midwest.
The midwest guy was very nice. He told me he had a room stacked with DVDs sent in so maybe he could look at it, but maybe not. So that's Netflix in 2010.
Now it's a decade later. I got to see where they went.
I wasn't expecting any streaming service to save the day, but what always struck me with Netflix particularly is how unabashedly short-shelf life the titles, and then also the access to those titles were.