In a 2014 essay, Louise Simonson describes the affordances of the comics medium that necessitated Storm’s punk transformation and the foreknowledge that the creative team had of the inevitable backlash that would arise. #xmen 1/3 Image
“Comics is a short form – and we deal in symbols. Storm, the serene, controlled weather goddess had a billowing cape and long, flowing hair. But this wild Storm needed a new look – and she got one. We were expecting outrage! And we got it!” 2/3 Image
“We’d done it on purpose, manipulated the symbols so the readers would know at a glance that Storm had changed. Kitty took one look and – like some of our readers – burst into tears!” 3/3 Image

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More from @ClaremontRun

May 19
In Classic X-Men #6, simply titled “A Love Story,” Claremont uses a near-wordless sequence to create an intimate portrayal of Jean Grey’s world as she plans and anticipates her date with Scott, unaware of the cruel fate that awaits her. 1/7 #xmen Image
Importantly, the story reveals that Jean had been planning on seducing Cyclops. A note from roommate Misty Knight, and the (maybe) subtle action of hiding a photo of her parents from her nightstand make this abundantly clear. 2/7 Image
Canonically, Jean only consummated the relationship in the Dark Phoenix Saga, which places her sexual agency in the hands of the cosmic entity, not her own, especially after the resurrection retcon that the Phoenix was entirely foreign – not Jean at all. 3/7 Image
Read 7 tweets
May 18
Tangentially connected to Claremont's work, I wrote a thing: theconversation.com/youth-oriented… via @ConversationCA
In keeping with Claremont's subversive representation of queer characters for young readers, the article looks at the importance of LGBTQ+ positive characters in contemporary comics, shining a spotlight on @Gingerhazing and @JamesTheFourth, among others.
The original draft actually specifically mentioned Claremont (through an interview with Tynion IV that you can find linked in the article), and which we did a thread on last month that you can find here:
Read 4 tweets
May 18
Wolverine’s first solo series launches with a 6-page intro story about a bear that immediately establishes who Logan is, the duality that defines him, and his capacity to symbolize and disrupt perceptual boundaries between animal and person. #xmen #wolverine 1/9 Image
The miniseries is built around the conflict between the primal and the civilized, with particular emphasis on destabilizing the distinction between the two of them by portraying the violence of civility as well as the nobility of the primal. 2/9 Image
The grizzly encounter demonstrates this principle perfectly. The bear is terrifying and deadly, but only because of the interference of man. A good comparison might be to Grendel, with Logan thereby cast in the Beowulf role. 3/9 Image
Read 9 tweets
May 17
“Once Upon a Time – and only once – I got the chance to work with George Pérez.” In a 2004 essay introducing Uncanny X-Men Annual #3, Claremont describes his enduring joy at getting to collaborate with the late great comics legend. #xmen 1/5 Image
John Byrne was “slammed” and “we needed a penciller of his caliber who could handle team choreography, action galore, physical and emotional characterization, spectacular visuals, special effects, the works!” 2/5 Image
“So an invitation was sent to one of the House SuperStars; to our delight/amazement/surprise, George accepted.” 3/5 Image
Read 6 tweets
May 15
An important aspect of Storm’s duality, and one that contrasts her passion and will quite starkly, is her sense of interiority and self-isolation. Perhaps even moreso than iconic loner, Wolverine, Ororo often needs to withdraw and be alone. #xmen 1/11 Image
While her self-isolation can be read as part of her burden-of-leadership arc, we actually see it manifest quite clearly when Cyclops is still leading the X-Men. 2/11 Image
We first see it in the aftermath of the team’s battle with Garokk, which saw Storm desperately try to save the villain from death, but overcome by her own claustrophobia, she failed. She grieves alone, and Wolverine can see clearly that she needs her space to do so. 3/11 Image
Read 11 tweets
May 10
Wolverine #8 may be amongst the strangest stories that Claremont has ever written - a bizarre, deeply comedic take on the longstanding rivalry between a pair of iconic Marvel superheroes that seems to exist entirely out of time, genre, and expectation. #xmen 1/7
The basic premise is a chance encounter between Logan and Hulk. Hulk (somehow) doesn’t recognize Logan in his Patch persona, but Logan knows Hulk all too well and trades on their pre-existing rivalry through a series of elaborate pranks (mostly pants-based). 2/7
The most glaring strangeness of the story comes from the many anachronisms. The story is set in modern times, yet plays like very much like a comedic iteration of Casablanca, even featuring some references to the classic film. 3/7
Read 7 tweets

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