According to former Marvel EIC Jim Shooter, where most Marel writers took a hands-off approach to recruiting artistic talent to work with them, Claremont instead actively participated in scouting artistic talent for UXM. #xmen 1/5
Shooter observes that “Chris was very good at finding artists. I mean, other writers, they just let the editor find an artist. Chris is out bird-dogging artists all the time.” 2/5
“He was actively looking for artists. I know one time in Chicago, Chicago Con, this guy comes over asked me if I’d look at his samples and I did. They were really great. I said, ‘This is really good.’ I said, ‘Listen, give me your information, I’m going to see what we can do’”3/5
“So, he did. And as I’m walking away, I see Claremont. I said, ‘Chris, you should see this guy’s work.’ I said, ‘Dude, this guy’s good.’ And he says, ‘Really?’ And he runs over, and he looks, and he comes running back and says, ‘I want him on the X-Men.’” 4/5
“I said, ‘Well, we’ll talk to Louise or Ann, or something…’ I said, ‘Yeah, if they’re okay with him, it’s fine with me. I think he’s good.’ [He was] Marc Silvestri.” 5/5
You can find the full interview here. We quoted it in a different context last week as well, but there’s just so much in it; I’m probably not even finished with it yet on this page: comicbookhistorians.com/jim-shooter-bi…

• • •

Missing some Tweet in this thread? You can try to force a refresh
 

Keep Current with The Claremont Run

The Claremont Run Profile picture

Stay in touch and get notified when new unrolls are available from this author!

Read all threads

This Thread may be Removed Anytime!

PDF

Twitter may remove this content at anytime! Save it as PDF for later use!

Try unrolling a thread yourself!

how to unroll video
  1. Follow @ThreadReaderApp to mention us!

  2. From a Twitter thread mention us with a keyword "unroll"
@threadreaderapp unroll

Practice here first or read more on our help page!

More from @ClaremontRun

May 29
In his chapter on “Marvel, X-Men, and the Negotiated Process of Expansion” from the book “Convergence Media History,” scholar Derek Johnson describes how the aggressive expansion of the X-line was necessitated by the emergence of the direct market in comics. #xmen 1/7
“Comic distribution in the 1980s had shifted away from mass-market drug stores and newsstands towards the ‘direct’ market, where specialty retailers gauged audience demand and ordered products directly from the publisher on a no-returns basis.” 2/7
“With retailers eating the cost of unsold titles, the market for content contracted, with only those titles which retailers felt confident they could sell reaching the shelves.” This meant that name recognition and intellectual property suddenly became much more important. 3/7
Read 8 tweets
May 28
The relationship between comics and nationalism is well-researched, and in Classic X-Men #29, Claremont defies the established comics treatment of The Cold War by revisiting and recontextualiing Colossus’s relationship to his motherland. #xmen 1/7 Image
CXM 29 debuts in Jan 1989, very much during The Cold War between the US and USSR, a war that was largely fought through the media at a time when sympathetic portrayals of Soviet citizens with a genuine love for their country was still quite abnormal. 2/7 Image
In his 1975 debut, Colossus was portrayed by Wein as brash/aggressive. Claremont would progressively push the character toward a more sympathetic portrayal, emphasizing both his vulnerability and his internal conflict with the excesses of American capitalism. 3/7 Image
Read 7 tweets
May 19
In Classic X-Men #6, simply titled “A Love Story,” Claremont uses a near-wordless sequence to create an intimate portrayal of Jean Grey’s world as she plans and anticipates her date with Scott, unaware of the cruel fate that awaits her. 1/7 #xmen
Importantly, the story reveals that Jean had been planning on seducing Cyclops. A note from roommate Misty Knight, and the (maybe) subtle action of hiding a photo of her parents from her nightstand make this abundantly clear. 2/7
Canonically, Jean only consummated the relationship in the Dark Phoenix Saga, which places her sexual agency in the hands of the cosmic entity, not her own, especially after the resurrection retcon that the Phoenix was entirely foreign – not Jean at all. 3/7
Read 7 tweets
May 18
Tangentially connected to Claremont's work, I wrote a thing: theconversation.com/youth-oriented… via @ConversationCA
In keeping with Claremont's subversive representation of queer characters for young readers, the article looks at the importance of LGBTQ+ positive characters in contemporary comics, shining a spotlight on @Gingerhazing and @JamesTheFourth, among others.
The original draft actually specifically mentioned Claremont (through an interview with Tynion IV that you can find linked in the article), and which we did a thread on last month that you can find here:
Read 4 tweets
May 18
Wolverine’s first solo series launches with a 6-page intro story about a bear that immediately establishes who Logan is, the duality that defines him, and his capacity to symbolize and disrupt perceptual boundaries between animal and person. #xmen #wolverine 1/9 Image
The miniseries is built around the conflict between the primal and the civilized, with particular emphasis on destabilizing the distinction between the two of them by portraying the violence of civility as well as the nobility of the primal. 2/9 Image
The grizzly encounter demonstrates this principle perfectly. The bear is terrifying and deadly, but only because of the interference of man. A good comparison might be to Grendel, with Logan thereby cast in the Beowulf role. 3/9 Image
Read 9 tweets
May 17
“Once Upon a Time – and only once – I got the chance to work with George Pérez.” In a 2004 essay introducing Uncanny X-Men Annual #3, Claremont describes his enduring joy at getting to collaborate with the late great comics legend. #xmen 1/5 Image
John Byrne was “slammed” and “we needed a penciller of his caliber who could handle team choreography, action galore, physical and emotional characterization, spectacular visuals, special effects, the works!” 2/5 Image
“So an invitation was sent to one of the House SuperStars; to our delight/amazement/surprise, George accepted.” 3/5 Image
Read 6 tweets

Did Thread Reader help you today?

Support us! We are indie developers!


This site is made by just two indie developers on a laptop doing marketing, support and development! Read more about the story.

Become a Premium Member ($3/month or $30/year) and get exclusive features!

Become Premium

Don't want to be a Premium member but still want to support us?

Make a small donation by buying us coffee ($5) or help with server cost ($10)

Donate via Paypal

Or Donate anonymously using crypto!

Ethereum

0xfe58350B80634f60Fa6Dc149a72b4DFbc17D341E copy

Bitcoin

3ATGMxNzCUFzxpMCHL5sWSt4DVtS8UqXpi copy

Thank you for your support!

Follow Us on Twitter!

:(