I had no idea that just an hour from my parents’ home in Bengaluru near Nelamangala, there was a dreamland full of Hindu art treasures with a close link to Amar Chitra Katha, my favorite comic series. So indebted to @Ramyarohini for motivating me to visit Omthara Kala Kuteera (1)
Until Ramya made me aware, I credited Anant Pai solely for the success of Amar Chitra Katha. Looks like there has been a big omission and you will know that when you visit Omthara. GK Ananthram is the brain behind Amar Chitra Katha. (2)
Only after he pestered his boss Mirchandani he got the budget to publish the comic series in Kannada which became a runaway hit. Impressed, the publishers (India Book House) decided to publish ACK in English & other languages. (3)
Anant Pai who ran Indrajal comics was then brought in to run ACK in the late 1960s and the rest is history. (4)
Coming back to GK Ananthram, he has not only published and edited thousands of Kannada and English books but has created a heritage museum in Omthara that brings to life the stories from Ramayana and the Puranas that we have been hearing from childhood.(5)
Whether it is the ornately painted wooden doors or the rock carvings or the elaborately sculpted statues or the hand-made floor tiles or stucco work, you will be left speechless at the Bhagirathan efforts that have gone into showcasing Sanatana Dharma (including Buddha). (6)
National award-winning artisans from Odisha, Tamil Nadu, and Kerala have mainly been employed to create the priceless works on display. The entire place is located in the midst of verdant surroundings & you can see peacocks moving around while birds call out to each other. (7)
The mood was set for me from the moment I saw the sculpture of a meditating Hanuman sitting right below a Parijata bush. It looked so real that I wondered if I was disturbing his Dhyana. (8)
I was also fascinated by Annapoorneshwari and made my mother pose next to her. After all, it is she in whom Annapurna first manifested herself to me. There are other masterpieces in the garden such as Shiva in the form of Dakshinamoorthi and Amruta Mrityunjaya. (9)
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"I am surprised you voted for Trump, Deepa ji" - got this DM from a dharmika follower. ("Shame shame" - the background music😃) For me, the balance tilted to him emphatically. (1)
On one side of the balance was Trump's bombastic rhetoric, threats, insults and mockeries, and playing to the crowd. (yes, those are not to my liking!) (2)
Almost 200 cases were flung on him and nothing was proven. There is also the baseline performance during his first term in many metrics such as jobs and spending. (3)
Zakir Naik says that if a man watches a woman wearing makeup on TV, and if he does not get turned on within 20 mins then something is wrong with him & he needs medical examination. Contrast this with the noble institution of Brahmacharya in Sanatana Dharma. (1)
India's traditional system requires students to follow Brahmacharya - a period dedicated to cultivating self-control. Gurus worked with students to make it happen. (2)
Gurus explained why it was important for a student to try and convert sexual energy and in fact, every energy including anger into an upward-moving spiritual energy (ojas), which would give laser-like focus. (3)
Today, we find temples dedicated to Hanuman in every nook and cranny of India. Did you know that it was not always like this? (1)
Even though Hanuman is a very important character in the Ramayana and is extolled for his virtues, the temples being built and patronized by all sections of society until 15th century were mostly for the myriad forms of Shiva, Vishnu, Durga, Lakshmi and other major deities. (2)
According to many, Goswami Tulsidas made Hanuman popular with Ramcharitmanas & Hanuman Chalisa. The role of these 2 outstanding works in magnifying the popularity of Hanuman in northern India cannot be denied, but there is one Guru who is often overlooked - Madhvacharya. (3)
Visiting Warangal Fort was a distressing experience. I’ve avoided Hampi for years to forget the destruction of one of the most beautiful cities in the world by inhuman bigots. But I had not reckoned on Warangal Fort being such a foreshadowing of the mutilating of Hampi. (1)
Warangal fort’s destruction preceded the Hampi massacre. All the elements of hate were visible - hate for artistic beauty simply because it shows human figures depicting deities, hate for connecting with the divine in any way other than what the Book says, hate for diversity. (2)
But such is the power of divine beauty infused into stones by sculptors that it shone brilliantly even from the pieces of the original. (3)
As a result of @ranjanigayatri speaking up, many music lovers are now advancing excellent arguments to destroy the myth of casteism in Carnatic music. Here, friend Swaminathan points out how @tmkrishna's nonsense has been indulged for too long. (1) theprint.in/opinion/carnat…
"...there have been numerous non-Brahmin giants in Carnatic music such as Veena Dhanammal, TN Rajaratnam Pillai, MK Thiagaraja Bhagavatar, Palani Subramanya Pillai, Karakurichi Arunachalam, Madurai Somu, Kumbakonam Naina Pillai, Annavarapu Ramaswamy..." (2)
"...Mandolin U Shrinivas, KJ Yesudas etc. Music academy’s own roster of Sangita Kalanidhis is studded with them – Ponniah Pillai (1933), Dwaram Venkataswamy Naidu (1941), Palladam Sanjiva Rao (1943), Kumbakonam Rajamanickam Pillai (1948), Mysore Chowdiah (1957)..." (3)
The most special temple I visited in my Dharwad trip was the Bhuvaraha & Narasimha temple at Halasi. Again just by chance. The same prof who suggested that I visit Degaon asked me to look up Halasi. “There’s something about that temple,” he said with a gleam in his eye. (1)
Varaha & Narasimha are 2 avatars of Vishnu that appeal to me at a visceral level. If I close my eyes, I can often see Varaha diving into the depths of the nether world to rescue Bhoomi Devi and bringing her out with his snout. (2)
Somewhere I had read that when Bhaktas saw a huge boar emerging they could sense it was not some ordinary boar. And when they saw his eyes, they knew it was Bhagwan himself. So I like to dream about those eyes! (3)