It's #NationalWritingDay today, so let's look back at a few famous literary rejection letters!
Everyone's a critic...
“An endless nightmare. I think the verdict would be ‘Oh don’t read that horrid book.'”
Rejection letter quote for War Of The Worlds, a novel by H.G. Wells.
“I don’t dig this one at all.”
From a rejection letter for On The Road, a novel by Jack Kerouac.
“Too radical of a departure from traditional juvenile literature.”
From an initial rejection letter for The Wonderful Wizard Of Oz, a novel by L. Frank Baum.
“We feel that we don’t know the central character well enough.”
Rejection letter quote for The Catcher In The Rye, a novel by J.D. Salinger.
“Hopelessly bogged down and unreadable.”
From a rejection letter for The Left Hand Of Darkness, a novel by Ursula K LeGuin.
“An absurd and uninteresting fantasy which was rubbish and dull.”
A scathing rejection letter for Lord Of The Flies, a novel by William Golding.
“Apparently the author intends it to be funny - possibly even satire - but it is really not funny on any intellectual level.”
From a rejection letter for Catch-22, a novel by Joseph Heller.
"Your pigs are far more intelligent than the other animals, and therefore the best qualified to run the farm.”
A somewhat pedantic rejection letter for Animal Farm, a novel by George Orwell.
"First, we must ask, does it have to be a whale?"
Rejection letter quote for Moby Dick, a novel by Herman Melville.
Whatever you do as a writer, stick to it. Success involves knocking on many doors before you decide which one you're going to kick down! #NationalWritingDay
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Today in pulp I'm looking back at one of the greatest albums of all time.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.
Today in pulp I'm looking back at a very popular (and collectable) form of art: Micro Leyendas covers!
Micro Leyendas (mini legends) are a Mexican form of fumetto, small graphic novels normally pitting the everyday hero against the weird, the occult and the unfathomable.
The art of Micro Leyendas is bold, macabre and very funny. The books often tell a cautionary tale of revenge or humiliation, much like a modern folk tale.
Today in pulp: what makes a good opening sentence for a pulp novel?
Now this is a tricky one…
The opening sentence has an almost mythical status in writing. Authors agonise for months, even years, about crafting the right one. Often it’s the last thing to be written.
Which is odd, because very few people abandon a book if they don’t like the first sentence. It’s not like the first sip of wine that tells you if the Grand Cru has been corked! Most people at least finish Chapter One.
The Time Machine, Brave New World, 1984: these weren’t the first dystopian novels. There's an interesting history of Victorian and Edwardian literature looking at the impact of modernity on humans and finding it worrying.
Today in pulp I look at some early dystopian books…
Paris in the Twentieth Century, written in 1863, was the second novel penned by Jules Verne. However his publisher Pierre-Jules Hetzel rejected it as too gloomy. The manuscript was only discovered in 1994 when Verne’s grandson hired a locksmith to break into an old family safe.
The novel, set in 1961, warns of the dangers of a utilitarian culture. Paris has street lights, motor cars and the electric chair but no artists or writers any more. Instead industry and commerce dominate and citizens see themselves as cogs in a great economic machine.