Pulp Librarian Profile picture
Jun 23, 2022 11 tweets 4 min read Read on X
It's #NationalWritingDay today, so let's look back at a few famous literary rejection letters!

Everyone's a critic...
“An endless nightmare. I think the verdict would be ‘Oh don’t read that horrid book.'”

Rejection letter quote for War Of The Worlds, a novel by H.G. Wells.
“I don’t dig this one at all.”

From a rejection letter for On The Road, a novel by Jack Kerouac.
“Too radical of a departure from traditional juvenile literature.”

From an initial rejection letter for The Wonderful Wizard Of Oz, a novel by L. Frank Baum.
“We feel that we don’t know the central character well enough.”

Rejection letter quote for The Catcher In The Rye, a novel by J.D. Salinger.
“Hopelessly bogged down and unreadable.”

From a rejection letter for The Left Hand Of Darkness, a novel by Ursula K LeGuin.
“An absurd and uninteresting fantasy which was rubbish and dull.”

A scathing rejection letter for Lord Of The Flies, a novel by William Golding.
“Apparently the author intends it to be funny - possibly even satire - but it is really not funny on any intellectual level.”

From a rejection letter for Catch-22, a novel by Joseph Heller.
"Your pigs are far more intelligent than the other animals, and therefore the best qualified to run the farm.”

A somewhat pedantic rejection letter for Animal Farm, a novel by George Orwell.
"First, we must ask, does it have to be a whale?"

Rejection letter quote for Moby Dick, a novel by Herman Melville.
Whatever you do as a writer, stick to it. Success involves knocking on many doors before you decide which one you're going to kick down! #NationalWritingDay

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More from @PulpLibrarian

May 11
He was the terror of London; a demonic figure with glowing eyes and fiery breath who could leap ten feet high. The penny dreadfuls of the time wrote up his exploits in lurid terms. But who was he really?

Today I look at one of the earliest pulp legends: Spring-Heeled Jack! Image
London has always attracted ghosts, and in the 19th Century they increasingly left their haunted houses and graveyards and began to wader the capital's streets.

But one apparition caught the Victorian public attention more than most... Image
In October 1837 a 'leaping character' with a look of the Devil began to prey on Londoners. Often he would leap high into the air and land in front of a carriage, causing it to crash. It would then flee with a high-pitched laugh.

The public soon named him "Spring-Heeled Jack." Image
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Apr 26
It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.

This is the story of Agatha Christie's 11 lost days... Image
By 1926 Agatha Christie's reputation as a writer was starting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage. Image
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard. Image
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Apr 23
Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.

Let me try and set it out. Image
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing. Image
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines. Image
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Apr 18
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain! Image
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable. Image
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior. Image
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Apr 15
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.

This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world. Image
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with. Image
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Apr 10
Al Hartley may have been famous for his work on Archie Comics, but in the 1970s he was drawn to a very different scene: God.

Today in pulp I look back at Hartley's work for Spire Christian Comics - a publisher that set out to spread the groovy gospel... Image
Spire Christian Comics was an offshoot of Spire Books, a mass-market religious paperback line launched in 1963 by the Fleming H. Revell company. The point of Spire Books was to get religious novels into secular stores, so a move into comic books in 1972 seemed a logical choice. Image
The idea was to create comic book versions of popular Spire Books like The Cross and the Switchblade; David Wilkinson's autobiographical tale of being a pastor in 1960s New York. It had already been turned into a film, but who could make it into a comic? Image
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