It's #NationalWritingDay today, so let's look back at a few famous literary rejection letters!
Everyone's a critic...
“An endless nightmare. I think the verdict would be ‘Oh don’t read that horrid book.'”
Rejection letter quote for War Of The Worlds, a novel by H.G. Wells.
“I don’t dig this one at all.”
From a rejection letter for On The Road, a novel by Jack Kerouac.
“Too radical of a departure from traditional juvenile literature.”
From an initial rejection letter for The Wonderful Wizard Of Oz, a novel by L. Frank Baum.
“We feel that we don’t know the central character well enough.”
Rejection letter quote for The Catcher In The Rye, a novel by J.D. Salinger.
“Hopelessly bogged down and unreadable.”
From a rejection letter for The Left Hand Of Darkness, a novel by Ursula K LeGuin.
“An absurd and uninteresting fantasy which was rubbish and dull.”
A scathing rejection letter for Lord Of The Flies, a novel by William Golding.
“Apparently the author intends it to be funny - possibly even satire - but it is really not funny on any intellectual level.”
From a rejection letter for Catch-22, a novel by Joseph Heller.
"Your pigs are far more intelligent than the other animals, and therefore the best qualified to run the farm.”
A somewhat pedantic rejection letter for Animal Farm, a novel by George Orwell.
"First, we must ask, does it have to be a whale?"
Rejection letter quote for Moby Dick, a novel by Herman Melville.
Whatever you do as a writer, stick to it. Success involves knocking on many doors before you decide which one you're going to kick down! #NationalWritingDay
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What are the pulp archetypes? Pulp novels are usually written quickly and rely on a formula, but do they use different archetypal characters to other fiction?
Let's take a look at a few...
The Outlaw is a classic pulp archetype: from Dick Turpin onwards lawbreakers have been a staple of the genre. Crime never pays, but it's exciting and trangressive!
Some pulp outlaws however are principled...
As Bob Dylan sang "to live outside the law you must be honest." Michel Gourdon's 1915 hero Dr Christopher Syn is a good example. A clergyman turned pirate and smuggler, he starts as a revenger but becomes the moral magistrate of the smuggling gangs of Romney Marsh.
Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?
Let's find out...
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say.
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile.
Today in pulp I look back at the publishing phenomenon of gamebooks: novels in which YOU are the hero!
A pencil and dice may be required for this thread...
Gamebooks are a simple but addictive concept: you control the narrative. At the end of each section of the story you are offered a choice of outcomes, and based on that you turn to the page indicated to see what happens next.
Gamebook plots are in fact complicated decision tree maps: one or more branches end in success, but many more end in failure! It's down to you to decide which path to tread.