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Jul 18, 2022 10 tweets 4 min read Read on X
While Claremont left the series before unravelling his full plans for Meggan, we do get a sort of AU glimpse of the elemental nature of her powers and their symbolic potential in the background of Excalibur 17, presenting her as life/sex/joy/harmony incarnate. #xmen 1/10 Image
The issue presents the aftermath of the legendary “Warlord” issue of the Cross-Time Caper. It’s essentially a denoument for that story mixed with an interesting new story about Rachel’s pursuit of identity. Meggan is barely in it, but there’s a lot happening for her still. 2/10 Image
Centring all of this, however, is a jubilant, planet-wide party and in a couple brief pages of that, Meggan comes to life – quite suddenly – as a jubilant, confident and powerful woman in complete control over every aspect of her environment (contrary to her usual portrayal) 3/10 Image
The story presents her as a subtle conduit for the collective celebration, bringing people together as if she were the personification of the planet itself. “And wherever the mood was most joyous, there you’d find Meggan. Almost as if she was somehow their inspiration.” 4/10 Image
Brian, who rarely has a kind word for Meggan, takes notice. “That was magnificent – as are you. I’ve never seen you more lovely.” She responds “I’m but a reflection of this world, my Lionheart. All its beauty and passion and life so long enchained….” 5/10 Image
“…desperately yearning for release through me.” And with that she embraces Brian signalling the sexual connotation of the scene. This is, of course, greatly enhanced by the sexual atmosphere of the party itself, which borders on a PG-13 orgy scene. 6/10 Image
In these elements: sex, life, cohesion, joy, song and dance, and cosmic exchange, Meggan is very much connecting to the Phoenix mythology that C had originally built around Jean Grey. Dancing around the fire in ecstatic joy, she becomes a sort of Wicca-inspired Earth Goddess 7/10 Image
She even brings the dead back to life shortly thereafter by pairing with the Phoenix. She also speaks in Shakespearean dialect as she undertakes this mission, which is a bit jarring but signals an enhanced intellectual capacity and wisdom. 8/10 Image
The overall suggestion is that Meggan finds on this planet what had eluded her on Earth: complete elemental harmony - allowing her to unite the people in joy and to even repel the evils around them, up to and including death itself. 9/10 Image
It’s a provocative glimpse into what she could be to Earth 616 if whatever barriers that surrounded her there were somehow lifted, thus creating a bit of foreshadowing for the character – a sort of “chekhov’s gun” that adds a sense of anticipation to her character. 10/10 Image

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More from @ClaremontRun

Nov 22
In the Classic X-Men #2 backup story "First Friends" Claremont finally fills in one of the most notorious gaps in his own X-Men continuity: the initial cultivation of Ororo’s friendship with Jean. #xmen 1/8 Image
In the story that unfolds, Jean has invited Ororo alone to a social gathering at her Manhattan loft. Her logic is “There are so many guys in the X-Men, we gals have to stick together” thus establishing an intentional construction of a sororal community. 2/8 Image
From there Claremont falls into some of his familiar interpretations of feminine bonding: being naked in front of each other, wearing each other’s clothes, and going shopping together. This isn’t to say these things can’t work, of course, just that he does this a lot. 3/8 Image
Read 8 tweets
Oct 10
Arguably the most poignant costume transformation in UXM is that of Storm’s embrace of a costume that signifies the punk subculture (or counterculture) and digging a bit deeper into what it represents can illuminate the full significance of that shift on her character. 1/8 #xmen Image
The punk movement is often badly misunderstood in the popular zeitgeist. It isn’t about wrecking, it’s about resisting. Even the concept of anarchism contains a number of beautiful ideals at its core, including an enhanced commitment to community and love. 2/8 Image
Claremont shows complete awareness of the significance of Ororo’s transformation in the form of Kitty’s reaction, which surfaces the same misconceptions about what punk fashion represents. Kitty comes around, though, and so too does the reader. 3/8 Image
Read 8 tweets
Oct 3
The Cross-Time Caper is easily the most famous story arc from Claremont’s Excalibur, but it’s also a misnomer. Rather than ‘time’ (or even dimensions) the caper is actually built around a tour of famous fictional settings. 1/7 #xmen #excalibur @GoshGollyWow Image
The story begins with a dive into a world of Arthurian Romance in the spirit of Thomas Mallory’s “Le Morte D’Arthur” or T.H. White’s “The Once and Future King.” This initial foray sets the tone for juxtaposing Excalibur with a different fictional universe. 2/7 Image
From there, the team lands into a metatextual alternate version of the Marvel Comics Universe itself; After that they find themselves in Edgar Rice Burroughs’ John Carter of Mars; after that: a Manga universe with direct connections to Dirty Pair and Speed Racer. 3/7 Image
Read 7 tweets
Sep 26
Though Jim Lee gets most of the credit for the 1990s X-Men aesthetic, Scott Williams’ inks played an immeasurable role in taking Lee’s line art from house style to the forefront of comics illustration thanks to harmonious collaboration. #xmen 1/10 Image
In a recent interview with Syfywire, legendary inker Scott Williams talks about some of the misconceptions surrounding what inkers actually do and about how his 30 year partnership with Jim Lee in particular has thrived on mutual influence. 2/10 Image
Williams immediately dispels the tragic misconception that inkers are tracers, describing a much stronger artistic contribution: "There are a lot of times where deadline strikes and the penciler is not able to give all the information within a given page that is required.” 3/10 Image
Read 10 tweets
Sep 5
UXM 261 feels more or less like a backdoor pilot for “Hardcase and the Harriers” but it also features some strong initial character development of Jubilee, defining the complex dualities and opposing extremes that readers identify with in Jubilation. #xmen #Jubilee 1/10 Image
The issue opens with Jubilee expressing her frustration at the Southeast-Asian cuisine she’s exposed to in contrast to her abiding love for American junk food (something Wolverine provides, thus showcasing his bond with her). 2/10 Image
Though a small and simple bit, the scene dramatizes Jubilee’s representational complexity as an Asian-American. This is actually important for a series that, since GSXM #1, was built around characters embodying essentialist national types. 3/10 Image
Read 10 tweets
Aug 29
At the time of Colossus’s 1975 debut, America was embroiled in “The Cold War” with the USSR, a war that was often fought through media propaganda. Though Piotr was built around familiar US symbols of Soviet people, Claremont developed him away from type. #xmen 1/8 Image
Steel and agriculture were dominant symbols of the USSR at the time (seen on their flag), so a farm-boy who turns to living steel is right in-line with type from the get-go. His costume also features the colours of the Soviet flag and he espouses communist philosophy. 2/8 Image
In “Asymmetric Warfare: The Vision of the Enemy in American and Soviet Cold War Cinemas,” Andrey Shcherbenok establishes US mass culture’s tendency to portray Soviet persons in media as homogenized, generic enemies, overdetermined by their hate of America. 3/8 Image
Read 8 tweets

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