Marshal Kim Jong-Un disrupts international conference of musicologists, with surprising new theory.
Theory of Marshal Kim Jong-Un upends all prior notions of musical and auditory convention.
Musical theorem of Marshal Kim Jong-Un is peer-reviewed.
Results will be published momentarily.
Publication of theory begins:
Musical theorem of Marshal Kim Jong-Un is this:
(Foreign media sources must credit DPRK News Service.)
Musical theorem of Marshal Kim Jong-Un is that most western “hit” “rock” “music” is stolen from songs of peasants and disfavored minorities.
CASE ON POINT:
Marshal Kim Jong-Un demonstrates that “Call Me,” internationally known hit by jaded New York critical darlings “Blondie,” is mere rework of “Children of the Grave,” by obscure English peasant orchestra “Black Sabbath.”
Marshal Kim Jong-Un demonstrates that “Call Me,” internationally known hit by jaded New York critical darlings “Blondie,” is mere rework of “Children of the Grave,” by obscure English peasant orchestra “Black Sabbath.”
“Call Me.”
“Children of the Grave.”
As Marshal Kim Jong-Un points out, rustic English primitives receive no royalties from “Blondie” for theft of their music and culture.
Meditate upon this.
Meditate upon this.
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