The Cultural Tutor Profile picture
Aug 9, 2022 18 tweets 7 min read Read on X
The Importance of Beauty in the Ordinary

(and the danger of things being bland)

A short thread...
Ordinary beauty is a powerful concept which seems to have gone missing.

And it's not about lavishing everything with ornament or masterful artistic quality.

Nor is it about a single aesthetic or style, because there are many different ways for something to be beautiful.
Ordinary beauty is about a minimum level of intention to create something which is more than merely functional.

It's the presence of some aesthetic value, even a small amount.

It's the difference between these two welcome signs:
The result of ordinary beauty is that our world becomes a place we *want* to live in.

That shouldn't sound revolutionary, but it is.

When the simple things have aesthetic quality, it reminds us that there is something *more* to being human than work, stress, and commuting.
It's also a form of public trust.

When the things around you look like this, why the hell should you care about them?

Because when no effort has been made to humanise the world you're living in, why would we think the world cares about you either?
But when there's some considered aesthetic value to public buildings, it creates a shared sense of respect and belief.

It facilitates community and social trust in a subtle but profound way.

Just compare these two town halls...
Libraries are another great example.

Important public buildings, intended for the community, and supposed to be places of learning, scholarship, and inspiration.

But you wouldn't know it based on how libraries are now built.
And it creates a sense of pride in your town and community.

When things look a bit *nicer* people are more inclined to maintain them, clean them, and look after them.

No wonder the UK's new phone boxes are all graffitied and destroyed...
Even drainpipes can have aesthetic charm!
A lack of ordinary beauty has catastrophic social, environmental, cultural, and psychological implications.

It creates cities and towns and public spaces people *don't like* being in.

And perhaps worse, it seems those spaces *don't like* people either.
Studies have proven that ugly or bland urban spaces are psychologically harmful.

People become more stressed and less happy.

Is it any wonder people are so unhappy when their towns and cities look like this?!
Even the simple addition of trees can utterly transform an urban environment:
Tellingly, people actually walk *faster* in uglier urban spaces. Head down, thinking about whatever problems are affecting their lives...

That's what a lack of ordinary beauty does. It disconnects us from the world in a very literal way.
Meanwhile, ugly buildings are much more likely to be demolished in the future, thus incurring a huge additional and unnecessary economic and environmental cost.
We don't yet know the consequences of a bland world.

But when kids are being educated in schools that look like prisons, when public buildings inspire no trust or belief, when people actively dislike walking down the streets...

It can't be good.
Why has beauty in the ordinary died?

Perhaps it reflects a deep cultural shift. Perhaps the 21st century is all about spreadsheet economics and bureaucratic budgets.

Ordinary beauty has no place in such a world; aesthetics are no longer an important factor.
And so, while it's easy to feel like the blandness of the modern world is inevitable, we shouldn't resign ourselves to it.

Ordinary things - even bins, to come full circle - can possess that quality which makes human existence more than automatic: beauty.
Alas, that's probably enough for now. Time to listen to Bruckner's 5th Symphony...

What are some other examples of beauty in the ordinary?

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More from @culturaltutor

Jun 19
This 143 year old church in Glasgow is going to be demolished and replaced with a block of 32 flats.

New homes are needed, but this is surely not the way to do it. Image
Image
The Hillhead Baptist Church in Glasgow, built in 1883, is not an extraordinary historical building.

It's a typical and relatively plain neoclassical (using the word colloquially) church, made of stone.

But it's still rather pretty and it's been around for a very long time. Image
It was given listed status in 1970 and concerns over its condition were raised in 2000.

In 2004 the congregation left and it bounced between proposed developers (deteriorating all the while) until 2017, when the current developer took over.

The roof was removed in 2022. Image
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Jun 18
Which would you want to live in? Image
Art Nouveau was about imbuing every single part of a building, including all its furniture and fittings, with the curves of nature.

Rather than being inspired by the past, by historical decorations, this was about finding a new and authentic source of ideas. Image
But they didn't just imitate nature; the designers of Art Nouveau adopted its general principles.

And the result is that every single thing they designed makes you feel like you've never seen it before.

A century later and even their fireplaces still look futuristic. Image
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Jun 10
Who's to blame for boring architecture? Image
Politics and architecture don't map onto one another very well; trying to understand what leads to good architecture through political "isms" doesn't really get us anywhere.

While the USSR was building a baroque metro system, the USA was building modernist skyscrapers: Image
So the architecture debate is very strange, because opposing "sides" feel obliged to defend things that don't match their other views.

Some people want more "traditional" architecture, and others defend "modern" architecture.

These are, broadly speaking, the supposed "sides". Image
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Jun 8
Taking decoration away from buildings is like creating a world where trees never have any leaves: Image
The biggest difference between how we build now and how we used to build (in terms of appearance) is that we no longer decorate anything.

There are thousands of other changes (regulations, materials, size) but this is the one that people notice. Image
And this was, partly, a conscious aesthetic choice.

If you look at the early modernists like Adolf Loos and Le Corbusier, they are very open about their belief that decoration was no longer necessary.

As Loos said, famously: Image
Read 25 tweets
Jun 3
The truth about minimalism: Image
"Minimalism" is badly misunderstood, but that's not really anybody's fault, because we're living in a time where it feels like minimalism is the dominant aesthetic.

Everything from buildings to bollards are designed the same way: simple, no details, little variety or colour. Image
And so, because they're simple, we call it "minimalism".

But minimalism was never just about keeping things simple.

The point of minimalism is using beautiful materials to make useful things (like this chair), not making things as bland and greyscale as possible. Image
Read 25 tweets
Mar 3
Friedensreich Regentag Dunkelbunt Hundertwasser is the best modern architect you've never heard of.

His philosophy was simple. As he said:

"The straight line is godless and immoral."

If there's any building you can think of, he made it look like something from a dream... Image
Accommodation at a children's hospital in Essen, Germany, from 2005: Image
A kindergarten in Frankfurt, opened in 1995: Image
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