What might we make of claims of a culture's purportedly inventive past?
In this new article, just out in EASTS, I explore ideas around such a "tradition of invention" that became prevalent in elite and popular discourses in early twentieth century China.
I argue that proponents took prior inventiveness not only as a technonationalist point of pride but also as an indication that a better future ushered in by technological advances was possible. Yet...
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... their firm focus on past accomplishments would lead many of them to either ignore or downplay ongoing technoscientific developments, reinforcing rather than alleviating the sense of inferiority that prompted their celebration of ancient inventions to begin with.
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Along the way, I tell the story of how the "four great inventions" (四大發明), as the most notable expression of the tradition of invention, came to be, building upon and adding to the work of scholars like Iwo Amelung.
Please DM me if you would like a copy.
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Most of my grad students know this already (as it is often one of the first readings I recommend to them), but a book on writing that has greatly influenced the way I write is Eric Hayot's (@ehayot) "The Elements of Academic Style." [1/9]
While the book is a trove of sensible advice about various aspects of writing as art and craft, the real gem within, I think I can safely say, is what Hayot calls the "Uneven U." He introduces this concept first in relation to paragraph structure. A premise here is that... [2/9]
... paragraphs are made of up statements (sentences or clauses) that may be ranked from 1 to 5, in which 1 represents the most grounded and concrete piece of evidence and 5 an abstract statement of the highest order (see attached list for the levels as he defines them). [3/9]