St Helen's, Barmby on the Marsh overlooks flood meadows in the East Riding; these wetlands are an important habitat for snipe, teal and wigeons. On the edge of this dramatic landscape are the massive cooling towers of Drax power station.
The oldest part of the church is the nave of c1489 which might have started life as a tithe barn! The distinctive tower, built with home-made red bricks and topped with a copper copola, replaced a medieval tower in 1773, and the chancel was added during the restoration of 1854.
Highlights of this eclectic building include a medieval parish chest — dug out of a single tree trunk, opulent Victorian stained glass, a coffin-shaped grave board, an eccentric timber-based 17th century font and charming Georgian trompe l'oeil 'panelling' on the north door.
When St Helen's came into our care in October 2020, it urgently needed new roofs, new drainage, structural pinning, and replastering. But its beauty and character shone through.
And we’re thrilled to announce that after completion of significant repairs, St Helen's, Barmby on the Marsh is now open daily!
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
1/10
‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
2/10
Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
1/7
Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
2/7
Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
1/8
Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
2/8
Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
1/8
In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
2/8
After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.
Across the centuries, the saintly dedication of a parish church can change — and at Manordeifi in Pembrokeshire, it is thought that the church's dedication has shifted several times throughout its long history.
1/8
A Christian place of worship at Manordeifi is believed to have stood on the site of the present church since the 7th century. The earliest church here was reportedly dedicated to St Llawddog.
2/8
A son of the Prince of Usk and a renowned as a miracle-worker, Llawddog became the focus of a popular local saintly cult. As such, there are thought to be four other churches in the region that were also originally dedicated to him.