Telika Mandir is located within the Gwalior Fort in Madhya Pradesh, built by Emperor Mihira Bhoja of Pratīhār Empire,
Dedicated to Bhagavān Shiva , Vishnu and Matrikas, this temple is masterpiece of Pratīhāra Style
this temple badly damaged by Qutb-ud-din Aibak and his successor Iltutmish in 1232 CE the temple was restored by the Hindus after the desecration by Iltutmish forces telika temple has icons and inscriptions related to all three major traditions Shaivism, Vaishnavism and Shaktism
temple is based on a Pratihara-Gopagiri style North Indian architecture. the temple is a classic example of a design based on "musical harmonics" in architecture, one that Hermann Goetz called as a masterpiece of late Gupta era Indian art.
The temple sanctum plan seems rectangular rather than the typical square, one that makes it the oldest surviving Hindu temple with a rectangular plan in Central India. According to Michael Meister and Hermann Goetz, the temple was broadly assumed in the colonial era to have been
a Vishnu temple that was later converted into Shiva temple, the temple may have actually started as a temple dedicated to the Matrikas (mother goddesses), but one that included the motifs of Vaishnanism and Shaivism.
Telika temple has a rectangular triratha sanctum plan that sits on a jagati platform that is a square of 60 feet (18 m). It has a large kapili projecting portico of about 11 feet (3.4 m) towards the east. the tower rises about the rectangular sanctum to a height of 80 feet (24m)
It likely had amalaka, kalasha and other ornaments on top, but these are all lost to history. The walls of temple has numerous niches for statues, but it is all empty now and show signs of damage the niches are topped by tall pediments,
The outer dimensions of the sanctum are 60x40 feet with an 80 feet tower above. the doorway into the temple is 35 feet (11 m) high, and it is ornate. Above the doorway is a relief of Garuda, the vahana of Vishnu. Inside, there is another doorway above which is a Ganesha relief
The temple is approached through a flight of stairs leading to a banded doorway containing sculptures of river goddesses Ganga and Yamuna with their waists leaning towards the center, each with a boy and a girl on the lower part.
Above them are amorous couples in various stages of courtship, there are male and female dvarapalas along the outer and inner doorways, both genders carrying weapons and a kind expression of welcome, and possibly symbolizing the theology in Shaiva and Shakta traditions
Above the river goddess flanked eastern doorway are piled up chaitya-hall style gavaksha ornamentation, which reminds one of the Buddhist designs. The doorway leads to the sanctum sanctorum or garbha griha. there is a decorative sculpture of Garuda at the entrance to the temple.
Kunwar Bikramajit’s Victory over Darya Khan in 1631
The painting depicts a historical battle in which the Rājput Prince Bikramajit Bundella attacked and defeated Darya Khan Rohilla, a renegade Mughal general who had declared war on his former masters
Bikramajit is seen on horseback with a raised rifle on the right side of the battlefield, while his warriors charge ahead armed with sabres, lances, bows and rifles. Afghan army sporting full beards, is depicted in a state of chaotic flight towards the left side of the picture
In the middle a man has been pulled down from his horse and is now having his throat cut. The victim is presumably the Afghan leader Darya Khan
This coloured aquatint was made by Robert Havell and son from plate 11 of JB Fraser's 'Views in the Himala Mountains'. Fraser is alleged to have been the first European to visit and map Gangotri, which is the source of the Ganges
He admitted in his journal to a quiet sense of satisfaction at this achievement. Having met many pilgrims on the way, he wrote: "We were now in the centre of the stupendous Himalas, the loftiest and perhaps the most rugged range of mountains in the world
The following verse is a famous but rare Rajputana ballad, which can still be heard from the old timers of Chittorgarh. This ballad has been passed down through several generations. It contains the words of Raja Jaimal Rathore, commander of the Chittor fort during the 3rd siege,
conveyed to the Mughal Emperor Akbar by the Dodia Thakur of Lava - Sanda Sihaldar Ji *:
" Jaimal likhe Jawab jad Sun je Akbar Shah Aan phire Garh Utra Tuta Sir Pat Sah Hai Garh Mano Ghu Ghani Asur Tere Simhaar Uncheyea Garh Chittod Ri Bhedi Mohi Deewar
The English translation is -- Oh Shahinshah Akbar! Listen carefully the answer of our chief - Jaimal. You can not set your foot in our pious fort of Chittor, as long as Jaimal Rathore is alive. Unless you walk over my corpse, you cannot enter our Garh - Chittor. Because,