Doing three film festivals back to back (Edinburgh, FrightFest, Venice) was either a brilliant idea or a terrible idea. History does not yet relate which.
At least when I get back, I’ll have nine whole days before the LFF screenings start.
Travel is so *weird*. Last night: fun at the Phoenix for the closing night of FrightFest. Tonight: this.
Took a midnight stroll around San Marco. Let’s just say I’m glad I didn’t rewatch Don’t Look Now before I came here. #Venice
The last time I was in Venice (Inter-Railing in 1990), me and @ChrisWa78969192 slept under a bush across the water and woke up to a glorious view of San Marco. My mission this Venice trip is to see if that bush still exists. #Venice
Best bit was seeing them all arrive by boat. #Venice
Then randomly met Lino Musella, co-star of Roberto De Paolis’ Princess. Was surrounded by press people but no-one else recognised him, because they hadn’t seen the film I’d just come out of. #Venice
Tessa Thompson just smiled at me on the stairs on the way up to the press room, so I think my Venice might have peaked. #Venice
Greta Gerwig, Adam Driver, Noah Baumbach, Don Cheadle and Jodie Turner-Smith at the Venice press conference for White Noise. #Venice#WhiteNoise
Would love to know why My Good Friend Raffey Cassidy isn’t at this press conference, given that she’s definitely in the building and was the first to arrive (and is doing junkets tomorrow). #Venice
First film this morning was Baumbach’s White Noise, which is apparently EMBARGOED until 7pm or so. Missed the first few minutes due to learning VALUABLE LESSONS about the Vaporetto. #Venice#WhiteNoise
Next up was Roberto De Paolis’ Princess, which I’m pretty sure is also EMBARGOED (confirmation needed). #Venice#Princess
I will say this though, my hat is off to Princess’ fox wrangler. That was some A+ fox wrangling. #Princess#Venice#foxwrangling 🦊
Next up was Living, Oliver Hermanus’ 1953-set British adaptation of Kurosawa’s Ikiru. Gorgeous production design, and maybe Bill Nighy’s best performance to date. Does justice to the original film, which is maybe the highest possible praise. #Venice#Living
Living screened in the new Sala Corinto, which I think I’m right in saying has been specially built for the festival, like they do at the #LFF with the Embankment Cinema. Have to say, exceptional air conditioning in both screens so far. #Venice
Next up was Todd Fields Tar, starring Cate Blanchett and an international dream cast that included both Noémie Merlant *and* Nina Hoss. Film is EMBARGOED, so more tomorrow. No bats in the screen this time - good work, Venice’s bat-catcher. #Venice#Venezia79
First up at #Venice this morning: Alejandro G. Iñárritu’s Bardo.
Absolutely *loving* how many #Venice films will be playing at the #LFF. Already looking forward to those lie-ins.
*Loved* The Origin of Evil (L'origine du mal), a twist-filled thriller with yet another fabulous performance from Laure Calamy. She’s having quite the year. #Venice#Venezia79
Tar embargo has lifted. It’s *fantastic*. Uncut Gems levels of tension, with a career-best performance from Cate Blanchett. Currently my favourite film of the festival and if I see any films that are better than Tar and Living, it will be one hell of a #Venice. #Venezia79
Also, if Blanchett doesn’t get an Oscar nomination for Tar, there is officially no justice. Opens early next year in the UK, i.e. at the height of awards season. #Tar#Venice#Venezia79
Here’s the teaser trailer, quite a bit of which isn’t actually in the movie. #Tar#Venice#Venezia79
Next up was Desperate Souls, Dark City and the Legend of Midnight Cowboy, an engaging doc on -yes!-Midnight Cowboy. Does a great job of contextualising the film and it has some nice behind the scenes footage, but it could have done with a bit more Hoffman. #Venice#Venezia79
Next up was Frederick Wiseman’s A Couple, which was not, as I mistakenly assumed, a documentary about a couple, but instead about Sophie Tolstoy’s letters to Tolstoy. #Venice#Venezia79
I will say this, given that there are multiple films here that are three hours plus, it’s kind of remarkable that Wiseman’s isn’t one of them. It’s only 65 minutes! #Venice#Venezia79
Next up: A Compassionate Spy. Fascinating doc about Ted Hall, who worked on the Alamo Project and decided to leak secrets of the atomic bomb to the Soviets in the interests of parity. Story told through extensive, moving interviews with Hall and his wife, Joan. #Venice
It’s been quite a while since I studied history (33 years, if we’re counting), but there was a casually mentioned fact in the film that made my jaw drop. cc @preachypeach#Venice
First film today was Bones and All, which is, of course, EMBARGOED. I went into this completely cold, knowing only that Guadagnino directed it and Chalamet was in it, and I highly recommend doing that, if you can. #Venice#Venezia79
SHORT THREAD OF FILM RECOMMENDATIONS FOR EASTER WEEKEND. By platform.
@BBCiPlayer Recommendation: Full Time (2021). Just in case you *still* haven’t watched it, despite me banging on about it for over a year.
NETFLIX RECOMMENDATION: Past Lives (2023).
Is there a better film than Past Lives on @NetflixUK right now? No. No, there isn’t. Make your family watch it this weekend if they haven’t seen it.
@NetflixUK AMAZON PRIME RECOMMENDATION: The One I Love (2014).
A proper Hidden Gem, this. The less you know about it going in, the more fun you’ll have with it. And then you’ll tell all your friends to watch it too. #HiddenGems
#PreCodeApril thread for 2022. Please check the hashtag regularly - it was an absolute treasure trove last year.
This is my Pre-Code Films list on @letterboxd. If you’re looking for recommendations, the top 90 or so are in approximate order of preference. letterboxd.com/filmfan1971/li…
Here’s last year’s insanely long #PreCodeApril thread.
A short thread of #PreCode podcast episodes for #PreCodeApril. I’ve yet to find a podcast dedicated exclusively to Pre-Code movies, so if you come across one (or start one), please let me know. #PreCodePodcasts