Dr. Thala Siren Profile picture
Sep 9, 2022 17 tweets 3 min read Read on X
“Fan-baiting” is a form of marketing used by producers, film studios, and actors, with the intent of exciting artificial controversy, garnering publicity, and explaining away the negative reviews of a new and often highly anticipated production. 1/10
Fan-baiting emerged as a marketing strategy in 2016/17, after fans of beloved franchises such as Ghostbusters and Star Wars objected to what they saw as poor writing choices, sloppy scripts, and cheap alterations to plot lines and characters for the sake of shock value. 2/10
Along side these critics, there was a small group of bigoted but vociferous commentators who objected to the inclusion of black and female actors in roles traditionally held by white male actors. Some of these individuals began publicly harassing actors. 3/10
Bigots have always attacked diversity on screen, but in a highly polarized political climate, instances of harassment on garnered disproportionately massive media coverage, which provided production studios with both free publicity and a new defence against actual critics. 4/10
Studios seized the opportunity to discredit criticism of poor writing & acting, insinuating that these, too, were motivated by bigotry. What used to be accepted as standard critiques were increasingly dismissed as part of the ignorant commentary of a “toxic fandom.” 5/10
Soon, it became standard practice before release to issue announcements specifying diverse casting choices, coupled with pre-emptive declarations of solidarity with the cast whom they now counted on to receive disparaging and harassing comments. 6/10
Actors who are women and/or BIPOC became props & shields for craven corporate laziness and opportunism. The studios save money both by avoiding expensive veteran writers as well as by offloading publicity to news outlets and social media covering the artificial controversy. 7/10
“Fan-baiting” works. It brings in a new sympathetic audience whose endorsement is more about taking a public stance against prejudice than any real interest in the art. “Fan-baiting” also permits studios to cultivate public skepticism over the legitimacy of poor reviews. 8/10
“Fan-baiting” also compels reviewers to temper their criticism, for fear of becoming associated with the “toxic fandom” and losing their professional credibly, resulting in telling discrepancies between critic and audience review scores. 9/10
The true nature of “fan-baiting” is never so clear as when a script is well-crafted and audience reviews are accordingly positive, exposing the announcements, declarations of solidarity, & grooming of skepticism for what they really are: cynical corporate marketing tactics. 10/10
Put another way, media corporations have found a way to monetize the racism that they set their actors up to receive. 11/10
Amazon knows exactly what it's doing. One of the first images released was of Disa. On cue, a couple bigots said the predictable, allowing a giddy Amazon to release its pre-prepared scripted statement denouncing the "pushback". It's the new business model. complex.com/pop-culture/am…
Fan-baiting isn't "black people getting cast". Rather, it's corporations banking on black people getting harassed to inflate publicity. Hence, diversity casting is in part motivated by the hope that the corporation can maximize harassment and, consequently, $$$.
Racism and sexism are the main issues. A secondary issue - one that is being overlooked - is corporate monetization of bigotry. Even while a studio purports to be "challenging bigotry" it is also counting on bigots being bigoted, and doing its best to direct them to the actors.
Solution: Media corporations should (a) hire experienced writers and give them the time required to write great characterization and plots for these actors, (unlike Amazon and Disney) and (b) accept critique rather than suggest all critique is motivated by bigotry.
As evidenced by the success and great reviews of HBO's "House of the Dragon" in comparison to Amazon's Rings of Power, both of which feature a diverse cast, the problem is the quality of writing, not the complexions of the actors.
For those of you who like this thread on #fanbaiting, know that it is an example of structural racism: the individuals involved may not be personally racist, but the profit motive of the corporations who employ them orients them to make decisions that harm racialized peoples.

• • •

Missing some Tweet in this thread? You can try to force a refresh
 

Keep Current with Dr. Thala Siren

Dr. Thala Siren Profile picture

Stay in touch and get notified when new unrolls are available from this author!

Read all threads

This Thread may be Removed Anytime!

PDF

Twitter may remove this content at anytime! Save it as PDF for later use!

Try unrolling a thread yourself!

how to unroll video
  1. Follow @ThreadReaderApp to mention us!

  2. From a Twitter thread mention us with a keyword "unroll"
@threadreaderapp unroll

Practice here first or read more on our help page!

More from @DrThalaSiren

Sep 15, 2022
Race in fantasy is treated differently depend on whether it takes place on modern Earth (e.g., Harry Potter, Black Panther) or on a secondary world (e.g. Lord of the Rings). Fantasy on modern Earth must reflect existing racial dynamics. Fantasy on secondary worlds does not. 1/5
Races in secondary worlds are often distinguished by features like eyes, height, ear shape, beards, feet - not skin color. So you can have two members of the same fantasy race with different skin colors since skin color is not how beings are racialized on secondary worlds. 2/5
So, Tolkien may have mentioned in passing that (some) elves had fair skin, but this is actually irrelevant to his racial classes. If a hobbit and an elf both had fair skin, it would not mean they are of the same race. Skin color is only relevant to modern Earth stories. 3/5
Read 8 tweets
Sep 13, 2022
Is lore important in adapting a book? Depends on whether the lore is central to the narrative. Daenerys Targaryen has purple eyes in the lore but not in HBO’s Game of Thrones adaptation. This change was of little consequence as it didn’t affect the plot or characterization. 1/5
Likewise, the skin color of Tolkien’s elves, dwarves, and hobbits in Amazon’s Rings of Power has no bearing on plot or distinction of races, and so the show need not be limited to white actors. Black or white, no one is confused about which characters are dwarves or elves. 2/5
Where ethnicity or the color of the character’s skin does indeed bear on the plot and character (e.g., the lore of Black Panther, Magneto, or Red Skull) changes become exceedingly difficult, if not impossible. 3/5
Read 7 tweets

Did Thread Reader help you today?

Support us! We are indie developers!


This site is made by just two indie developers on a laptop doing marketing, support and development! Read more about the story.

Become a Premium Member ($3/month or $30/year) and get exclusive features!

Become Premium

Don't want to be a Premium member but still want to support us?

Make a small donation by buying us coffee ($5) or help with server cost ($10)

Donate via Paypal

Or Donate anonymously using crypto!

Ethereum

0xfe58350B80634f60Fa6Dc149a72b4DFbc17D341E copy

Bitcoin

3ATGMxNzCUFzxpMCHL5sWSt4DVtS8UqXpi copy

Thank you for your support!

Follow Us!

:(