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Sep 24 27 tweets 11 min read
We systematically studied the #BoycottBollywood activity on social media with attention to drivers and network characteristics.

TL;DR:
1 Ideated by key RW influencers
2 Trended by Sushant Singh Rajput fans
3 Presents South film industry as morally superior

Thread / full paper
We found 1,438,221 tweets from 167,989 accounts, posted b/w Aug 1, and Sep 12, 2022 that used the #BoycottBollywood hashtag.

336 accounts had over 1000 tweets on Bollywood in this period, suggesting organized behavior in a subset of accounts.
We mapped the timeline of when activity peaked, these tend to be just before the release of a film. The bigger budget films tend to get more attacked than the smaller budget films. Most trolling excludes South films, with the exception of Liger
The pattern of trending hashtags to undermine a film is also reflected in the downvoting of films on rating platforms like Google and IMDB.
We found a large number of ghost accounts. 12,889 out of 167,989 accounts that had at least once sent an anti-Bollywood message had 0 followers. This suggests collusive behavior, since an account with no followers has no incentive to flood Twitter with messages.
Several ghost accounts have over 100 tweets in the study period alone, some have thousands.

Most of these do not tweet only about #BoycottBollywood

We thus infer these are likely 'mercenary' accounts or bots that can be employed for a range of topics.
Every ghost account, except one, that solely tweets out #BoycottBollywood content has been created in the last 2 years, suggesting an uptick in anti-Bollywood activity

This is also seen in the rise of accounts using the #BoycottBollywood that were created within the last month.
This trend is also attributable to accounts being de-platformed or suspended. We found that 1950 accounts from our sample had been suspended or banned by the end of the study period, most were high-frequency tweeters.

Such accounts are quickly replaced at little overhead.
Influencers played a key role in propagating #BoycottBollywood, which is only a subset of the larger anti-Bollywood sentiment. Among known journalists, the only organization that repeatedly does this is Sudarshan TV
Politicians avoided this subject – only VHP member Sadhvi Prachi, UP state minister Dinesh Pratap Singh, Andhra BJP Gen Sec Vishnu Vardhan Reddy, and Delhi BJP State Secretary Vaishali Poddar were among major politicians who tweeted for a boycott
Key drivers of the discourse were influencers with high popularity and credibility on right-wing networks including Vivek Agnihotri, Anand Ranganathan, ISKCON Spokesperson Radharamn Das, and venture capitalist Asha Motwani.
A small number of accounts belonging to, or claiming to belong to non-Indian persons played an important role in pushing Bollywood boycotts. These influencers also reappear in many other causes of the right-wing in India.
Two drivers of the conversation are @KreatelyMedia and @ErayCr – both central nodes with high in-degree engagement & ability to go viral quickly.

Attacks are typically aimed at individuals, at films. or characterizations in films, not just the abstract notion of Bollywood
Several key influencers openly use anti-Muslim content, making no attempt to mask it with innuendo.

Influencers who drive the conversation on Twitter are also called on television, where they make the same points.

This expands the sense of this being a broad movement.
BoycottBollywood also uses many of the key tropes from the public discourse that are hot button issues for the right, including “Love Jihad” – Muslim actors who marry Hindu women are particularly attacked
Sushant Singh Rajput is central to the BoycottBollywood case. The SSR community was the first to trend these hashtags, and its key leaders have now turned to general attacks on Bollywood.

Such communities are cohesive and can be quickly weaponized to come after the next target
We also found a number of cases of misinformation, often spread by key accounts with significant online following. Importantly, these accounts do not remove the misinformation, even after it is debunked.

As long as these stay online, someone will believe them, or want to.
We see a images and memes presenting differences between both the narratives and individual stars in Bollywood and in the south. presenting Bollywood as degenerate and separated culturally from the rest of India, while the South Indian film industry retains “traditional” values.
Unlike in Bollywood where a number of Muslim stars are at the top, this is largely not the case in the south, ex Kerala where there are a number of lead actors and filmmakers who are Muslim

Attacks in the south tend to be fan club based or around regional tiffs such as KA vs TN
The Liger boycott is interesting since it was attacked by many of the same accounts that trolled Bollywood films. It is clear here that the system can be gamed, in that any producer can be held ransom with a sufficiently organized troll army.
We also found individuals seeking to use Boycott hashtags as a means of direct financial value through online sales. Several accounts that use boycott hashtags solely to increase footfalls to their Twitter accounts.
The overlaps between BoycottBollywood and other hashtags used by the same community are interesting. While SSR is the most direct connection, we see a lot of Kejriwal trolling and HarGharTiranga messaging in the same community
The connection with SSR is even clearer when we look at the most called-out accounts. The overwhelming majority of mentioned handles are related to the SSR case, only @GemsOfBollywood gets close
However, if you look at who the community of people engaged in BoycottBollywood are retweeting overall, we find a number of key BJP leaders, including @narendramodi. We also see the huge footprint of @KreatelyMedia
The grunt work of actually consistently tweeting and retweeting messages is largely done by insignificant accounts with little following, with the clear explicit intent of hitting trending targets
However, as we look at the visualization of the overall network, we see that there is no single clear pattern.

In effect, there is is a mix of organized trolling and genuine interest in BoycottBollywood.

A good number of people online now likely see Bollywood negatively
This is work by the exceptional @SheyrilAgarwal

A link to the full paper and interactive charts is availale here:

joyojeet.people.si.umich.edu/boycottbollywo…

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More from @joyopal

Jul 12
If you plan to leave your homeland to do PhD research on your homeland in another country, a few things to keep in mind about your likely new title -- an area scholar, something you didn't know you were, till you transgressed a boundary.
Doing a PhD in institutions in the homeland can be difficult for various reasons

1. there are few top-tier places, those are super competitive
2. the funding/research infra elsewhere may be better
3. some heavyweight advisors are themselves reduced to 'area scholars' wherever
Doing a PhD in other countries can be much more lucrative:

1. You have (some) access to their jobs
2. Should you choose to return, the foreign PhD still holds weight
3. Should you choose to get the degree in India, the door doesn't open the other way as easily
Read 10 tweets
Jul 11
For students considering a PhD in the HCI or associated fields, if you don't see being a professor/academic when you finish, seriously reconsider doing the PhD.

At the very least, definitely reconsider mentioning this straight off to someone who you may want as an advisor.
Non-academic jobs in tech, including industry labs that are on a spectrum from similar to academia (eg @MSFTResearch, less so @hplabs) to work that is more systems-focused such as @googIeresearch or @Meta, or of course product groups in any big tech.
Industry research jobs differ in a few ways

Pros:
You can get scale-level problems and the pleasure of productizing, if thats your thing
You can get experienced dev staff to implement ideas, very difficult in academia
You'll make more money
Read 12 tweets
Jun 30
Our work "Insights Into Incitement: A Computational Perspective on Dangerous Speech on Twitter in India" just won an honorable mention @acmcompass.

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1/n
Dangerous speech is actively propagated, rewarded, and endorsed in increasingly polarized, and subsequently radicalized echo chambers.

It is distinct from explicit hate speech, and machine language classifiers often miss, or misclassify it.
Our data on key polarizing events shows that "dangerous users" are more active on Twitter as compared to other users as well more influential in their networks, in terms of a larger following.

They also interact significantly with verified accounts.
Read 8 tweets
Jun 29
The consistent anti-Bollywood trending emerges from a group of dedicated Sushant Rajput fans whose networks, history & output give insight into the radicalization of online populations & organized trolling in India.

It's also a failure story of Twitter as a platform

Thread:
The community treats the death of Sushant in the same way that religious communities treat dogma. There can be no evidential argument on it. In this it is closer to the communities that spread theories about the death of Diana Spencer than typical online fan-clubs
There are various people engaged in SSR tweeting. Some were fans before his passing, some came on after his death mid-pandemic, some simply distrust the government on other fronts and find a community with a common goal.

Each plays different roles in the conspiracy ecology
Read 31 tweets
Jun 28
In light of recent events in India, our paper "Narrative Building in Propaganda Networks on Indian Twitter" out today at #WebSci22 sheds some light on how hyper-partisan information is repeated, especially through a selection of influencers who consistently go viral.

A thread:
We curated and studied a large amount of data (over 80 million tweets in Hindi and English tweets from over 26000 politicians and 6000 influencers), for propagandist content.
For each event, we outline how we classify tweets, detect propaganda, extract narratives (ie how the propaganda is framed), and finally estimate impact of each thread. These are detailed in the full paper.
Read 8 tweets
Mar 13
Rejoicing an Indian film winning IMDB's GOAT rating?

As someone who studies these things, we only won the population war.

You can go watch Kashmir Files to confirm if it is the greatest film ever, or I can explain with data, if that does anything for you, why @IMDb is broken Image
Kashmir Files has a near total top end rating. Films don't get rated as magnificent universally. Usually there is a spread of people who love, hate, and most importantly, have moderate opinions.

See for instance comparison with Godfather and Dark Night, high rated films on IMDB Image
This places it well above every Indian film ever made. This also puts Vivek Agnihotri in the category of Coppola, Spielberg, Tarantino, Scorcese, Kurosawa among others whose films hit that note.
Read 13 tweets

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