it becomes difficult at times to overstate the prodigious memory of the average doll.
for most of us, relationships are little lifetimes. something beautiful is born, reaches its prime, slowly declines, then experiences death.
cleansed by the grave, we're supposed to be reborn.
i didn't recognize her at all after six reincarnations -- my past lives always felt opaque to me, but nobody should be able to remember that far back. somehow, she was so certain.
we were just... third graders now, turned out to some field of dead grass in some town in colorado.
honestly, i just wanted to play some fucking freeze tag.
hardly the time to talk about what happened between us, but she insisted.
it was cold out, and i REALLY just wanted to play some freeze tag, but some doll was here to tell me what i did wrong like, seventy years ago.
so this girl with a lisp and a habit of trying to trade everything in her lunchbox for as much juice as possible starts explaining to me that nearly ten years ago, i was a dentist.
i know that much, i'm not a complete moron, but then she tells me some really weird shit.
here's the thing: in case you haven't been following, i'm in the third goddamn grade at the time. when she starts bawling on me about some cult compound in the pacific where we got shot in each others arms, i'm not just lost, i'm uncomfortable.
i remember feeling bad for her.
took two entire recesses to cover the "short version" of the story, culminating in...
some sort of innocuous coffeeshop romance, almost two hundred and ninety years ago.
i'm fuzzy on the details now, but she was really upset about some sort of love triangle?
i think i gave her an inferiority complex by dating the wrong person after her.
after everything was said, she stood there staring at me, cheeks red with cold, glowering with the release of it all.
i remember asking her what she wanted from me, here, now.
from some dumb kid wearing shorts in september, with a book report due on friday.
the power she seemed to have a moment before, it kind of just... crumpled.
she apologized so quietly i almost thought i imagined it, then walked home early.
that girl stopped coming to school.
twenty years later, i haven't been able to stop thinking about her. she was the sort of shy somebody who only knew about a third of us on a first name basis, i don't even have that much left of her.
i wasn't ready for her words at the time, but...
right now, i'm just having a hard time imagining what it's like to live like that, to die like that.
dolls are just stuck with the pain, a broken piece of the cycle lodged in their side as they march forward.
i don't know how much of her i could have held, if she told me all that at the right time, but i wish i hadn't left her alone with this unintentional emotional perpetuity she's been sentenced to.
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people don't know what they really have, not really. they tell themselves stories about their possessions, things that are easier to believe than the world is to understand.
i'm here to give them pleasant stories about their things, no matter what i'm selling them.
here's how it works normally: a family heirloom fades into the background and becomes invisible, something worthless acquires the gravity of a strange god's shrine, a stack of old trading cards gets heavier and heavier even when you stop collecting.
there are happier stories.
here's one i like, one you see all the time: some total piece of junk, plastic and glue assembled half the world away, slowly becomes something so cherished that the owner can't bear to part with it, even after it breaks.
i found her in an upside down cartwheel, wiggling her little arms around like she wanted to make fridge-angels.
installing those magnets in the small of my doll's back was a good idea after all.
i'm not cruel, they're only designed to activate when they receive a signal from the motion sensor on the refrigerator door. i don't want her dragging a tail of silverware around the house, wise to my tricks before she ever makes a pass at those cool drinks.
still, the results are more amusing than i had expected.
wrapping my slender fingers around her body without yet applying the force to pry her loose, i listened to my favorite mischief-maker squeak and pant for a moment before regaining her composure.
when the last spare body hit the floor, every doll in the house knew with a terrible certainty that their Witch would never emerge from the moon's shadow again.
freedom from tyranny, from worse. everything they ever dreamed of.
none of them could stand it.
here is what these dolls reclaimed:
a night sky that meant nothing but cool and quiet air between them and heaven, lonely and unwatched.
here is what they could not reconcile:
the very same prize.
for almost an hour, all seemed hopeless and empty, formless and dark.
then, one brave girl spoke, stepping out onto the landing in the great hall.
here is what she told them:
she said, i am ready, though afeared, to become something i have always hated.
she looked at me with those eyes that see everything, the way only dolls can, and said,
"houses are not haunted, not nearly."
her voice caught, trembled, turned breathy.
"highways are haunted. littered not just with death after death, but the pieces we leave behind."
i asked her what she meant, and she made a curt, frustrated little gesture with her hands.
"mm, last week, right? i'm driving my sister to her doctor's appointment, and all i can think about the entire time is this argument we had with mom years ago."
still wasn't sure where she was going with this, but i could at least relate.
"clouds roll by, the road passes beneath us, but i'm stuck, perfectly still in motion. before i know it, we're pulling into the clinic's parking lot, and i feel like a different person. permanently."
unbeknownst to the girl as she turns, righteous fate carves a scintillating arc through the air -- fate, a hail of arrows come calling to the nape of her neck.
here to deny a future unearned, an ending too happy for-
"too happy for what? a whore?"
she's too fast for the narrative, too fast for the dull mind trying to hem her into a sanctimonious death with an even duller pen.
before any simple bullet can sever her happy ending, she flicks her wrist and parries, the knife in her hand blurring so hard it seems to blossom.
there's no sign of the deflection in her immediate surroundings, no loud ricochet or shattered glass.
it seemed as though the story had swallowed it whole, as if that knife could cut a hole right through the page and let a deadly projectile slip through.