A guide to the vocabulary of classical architecture:
The parts of a column:
The entablature is what rests on top of a column.
Here are its different parts:
And here are the Classical Orders
An "order" refers to the design, shape, and proportion of a column and its entablature:
Flutes
The decorative notches running along the length of some columns
Volutes
The distinctive swirls of Ionic capitals
Pediment
The triangular gable which rests on the entablature
(You also get them above doors and windows)
Tympanum
The inside part of the pediment, often decorated with sculptures and paintings
Portico
An porch supported by columns
Colonnade
Any series of columns, whether part of a building or standalone
Intercolumniation
The spacing between columns, defined as a multiple of the columns' diameter. Proportion is vital in classical architecture.
Such pycnostyle (1.5 diameters) or diastyle (3 diameters).
Crepidoma
The platform on which the main structure rests. Each layer is smaller than the one below, thus forming steps.
The lower layers are called stereobates. The highest is called the stylobate.
The number of columns in the portico of a classical building has its own name.
Tetrastyle (4) e.g. north facade of the White House
Hexastyle (6) e.g. Temple of Concord (below)
Octastyle (8) e.g. the Parthenon
Decastyle (10) e.g. University College London
Cella: the internal, main area of a temple
Pronaos: the entrance part
Pilaster
A purely decorative column which is in "two dimensions" so to speak
Dentils
Those small decorative supports that look like teeth running along the bottom of a cornice
Superimposed Order
When two or more orders are placed above one another in a building
Attic Story
An additional element between the entablature and the pediment (if there is one at all) usually used for decorative purposes
Aedicule
A small recess with its own columns and pediment.
Acroterion
Decorative element at the corners or top of a pediment
Triglyphs are the three-banded clusters along the frieze in a Doric order.
And metopes are the empty spaces between, usually used for sculptures and decoration.
That's probably enough for now.
This has covered some of the fundamentals of classical (and therefore also of neoclassical) architecture.
Look out for these elements in future.
Knowing what things are called is the first step to understanding them better.
Indeed, in a very simple way, being able to point out a pediment rather than "that triangular bit" allows you to engage much more deeply with a building.
And it brings architecture to life.
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This is Mount Nemrut in Turkey, one of the strangest ancient ruins in the world.
It's a colossal, 2,000 year old burial mound on top of a mountain, surrounded by huge stone heads.
Who built it? A king who wanted to become a god...
First, where is Mount Nemrut?
It's in the Taurus Mountains, a range in south-eastern Turkey. And, rising to more than 2,000 metres, it's one of the tallest mountains in the region.
It was part of the ancient Kingdom of Commagene, a small state that fought both with and against the Roman Republic, and eventually became part of the Roman Empire.
The tomb-temple at Mount Nemrut was built in 62 BC, when Commagene was an independent kingdom.
In Medieval Europe landscape painting wasn't a genre of its own, and it hardly featured in art at all.
Notice how the background of this 11th century mural indicates the landscape merely by the generic sketch of a castle and an isolated, highly stylised tree:
This changed in the 14th century with Giotto, a revolutionary painter from Florence.
He introduced proper landscapes into his paintings: rocks, trees, flowers, and skies.
But Giotto's version of nature remains highly stylised; this is not a "realistic" landscape.
This is the American Radiator Building, a 101 year old black and gold skyscraper that's half Gothic, half Art Deco.
It's famous, but not as famous as it should be — so here's a brief history of one of the world's coolest skyscrapers...
In 1923 the American Radiator Company wanted to build a new office in New York.
This was the Golden Age of Skyscrapers: the Woolworth Building was ten years old, and the Empire State and Chrysler were less than a decade away.
So it was going to be a skyscraper... but what sort?
Enter Raymond Hood, an architect who had just won the competition to design Chicago's Tribune Tower.
Even though it hadn't yet been completed, his Neo-Gothic design was so well-received that the American Radiator Company wanted him to design their new skyscraper.
When you hear the word "Brutalism" what comes to mind?
Maybe something like this: an uninspiring line of highrises, the sort people tend to call boring, generic, or even oppressive.
But that isn't real Brutalism — and it never has been.
Brutalism has become a byword for any modern building made primarily of concrete.
But that would be like saying Gothic Architecture is anything built from stone, or that Islamic Architecture is anything with ceramic tiles for decoration.