A guide to the vocabulary of classical architecture:
The parts of a column:
The entablature is what rests on top of a column.
Here are its different parts:
And here are the Classical Orders
An "order" refers to the design, shape, and proportion of a column and its entablature:
Flutes
The decorative notches running along the length of some columns
Volutes
The distinctive swirls of Ionic capitals
Pediment
The triangular gable which rests on the entablature
(You also get them above doors and windows)
Tympanum
The inside part of the pediment, often decorated with sculptures and paintings
Portico
An porch supported by columns
Colonnade
Any series of columns, whether part of a building or standalone
Intercolumniation
The spacing between columns, defined as a multiple of the columns' diameter. Proportion is vital in classical architecture.
Such pycnostyle (1.5 diameters) or diastyle (3 diameters).
Crepidoma
The platform on which the main structure rests. Each layer is smaller than the one below, thus forming steps.
The lower layers are called stereobates. The highest is called the stylobate.
The number of columns in the portico of a classical building has its own name.
Tetrastyle (4) e.g. north facade of the White House
Hexastyle (6) e.g. Temple of Concord (below)
Octastyle (8) e.g. the Parthenon
Decastyle (10) e.g. University College London
Cella: the internal, main area of a temple
Pronaos: the entrance part
Pilaster
A purely decorative column which is in "two dimensions" so to speak
Dentils
Those small decorative supports that look like teeth running along the bottom of a cornice
Superimposed Order
When two or more orders are placed above one another in a building
Attic Story
An additional element between the entablature and the pediment (if there is one at all) usually used for decorative purposes
Aedicule
A small recess with its own columns and pediment.
Acroterion
Decorative element at the corners or top of a pediment
Triglyphs are the three-banded clusters along the frieze in a Doric order.
And metopes are the empty spaces between, usually used for sculptures and decoration.
That's probably enough for now.
This has covered some of the fundamentals of classical (and therefore also of neoclassical) architecture.
Look out for these elements in future.
Knowing what things are called is the first step to understanding them better.
Indeed, in a very simple way, being able to point out a pediment rather than "that triangular bit" allows you to engage much more deeply with a building.
And it brings architecture to life.
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Some of the strangest and most frightening paintings ever made:
1. The Dog by Francisco Goya (1823)
2. Stormtroopers Advancing Under Gas by Otto Dix (1924)
The First World War was filled with horrors previously unknown, and few artists captured them more vividly than Otto Dix.
These, and his other portrayals of warfare in the trenches, are nightmarish.
3. The Heavy Basket by Tsukioka Yoshitoshi, from The Thirty-Six Ghosts (1892)
A wonderfully strange, deeply unnerving example of yūrei-zu, a subgenre of Japanese art dedicated to depicting the ghosts and peculiar creatures of folklore.
You've probably heard his name before — but who was Erasmus and why does he matter?
This is the story of history's greatest educator...
The first thing to know about Erasmus is that he was born in 1469 and died in 1536.
So his life coincided with one of the most turbulent and influential periods in history: the Renaissance, the Reformation, the rise of the printing press...
And Erasmus was involved in it all.
Erasmus was born in Gouda, the Netherlands, and by the age of 14 both his parents had died.
His guardians, who couldn't be bothered to raise the child themselves, sent him to a monastery.
In 1492 he was ordained as a priest, though books interested him much more than preaching.
The story begins over two thousand years ago with the architecture of Greece and (later) Rome.
The Ancient Greeks had first built their temples with wood, and — influenced by the Egyptians and Mycenaeans — slowly developed a codified way of building.
Classical Architecture.
What defined Classical Architecture?
Many things, but the most important are round arches, symmetry, extremely specific rules about proportion, and the famous "Classical Orders" — five kinds of column with their own rules for size and decoration.
It's the perfect example of a "jali", an intricately carved stone window common in Indian Architecture.
And it's just one of the many things that make Indian Architecture so special...
The term "Indian Architecture" is impossibly broad — it covers thousands of years, dozens of styles, and countless wonders, from the Hawa Mahal to Kirti Stambha.
But, as a basic introduction, there are certain design methods and types of building that can be mentioned.
Beginning with the jali — as stated, a finely carved screen made of stone.
Jalis are both decorative and functional.
Decorative for the obvious reason of their intricate patterns, whether floral or geometric, like these at the 16th century Sidi Saiyyed Mosque in Ahmedabad: