one of modern capitalism's most horrifying things -- the reinvention of indentured servitude in the form of things like Lambda School/BloomTech, and its found Austen Allred, who's startup famous for living out of his car for a few months in front of the Safeway on Market St
allred previous worked as a manager at a payday loan company called LendUp
so yeah
and the ironic thing is, this is also a form of being abused by capitalism, because spending $100k is STILL cheaper than buying an apartment in SF
you'd have to spend at least a 10x more to do that
for me, p2p is harder to take to task in the same way as I did for federation and indieweb because p2p doesn't really have the same explicitly political goals like federation and indieweb
but the problems that I have with p2p stuff, and the community, are still there, so
firstly, let me sing the praises of some p2p projects, because i do think that some of these have understood certain aspects
for instance, filesharing apps, freenet, these have always understood the need to build a tool that is dead simple to use
ok indieweb you get a reprieve for tonight, i'm going to sleep
ok let's talk issues that i have with indieweb
first, let me just preface this with saying that i think indieweb stuff is cool and i do all of my non social media stuff that way. indieweb is good! but... it's super misleading and deceptive actually
I promised @aaronpk and @jackyalcine a rundown of my critiques of federation so here goes~
i have a vague haze of a constellation of issues with mastodon-style federation, not just one or two, and they're all kind of vaguely interrelated to some degree, so bear with me
one problem i have is... its not decentralized in any important sense
like, yes, there are different instances you can join, but there's a handful that are large, like REALLY large, and people will tend to gravitate to big well-known instances
i mean the music video is like David Lynch directed it, but also its incredibly orientalist
but the SONG? its like wtf
it opens sounding like some 1950s production of Lawrence of Arabia, turns into some weird normie white guy doing early rap about chess, with a majority of the remainder being swedish discopop