1) listing cumulative degrees in the signature instead of having actual real bios on their website OR (1.5) any evidence of previous mentorship or sales
2) gaslighting writers into thinking they aren’t the ones who have the power in an author/agent relationship
3) refusing to compete with other agencies, which is an industry standard
4) “educated, motivated, qualified, experienced” x2. The lady doth protest too much, methinks
4) equating questions and an interview (meant for both parties to gauge fit and vision) as “doubting” capabilities
5) conflating authors exploring their options while querying with them not being serious about their book, when any reputable agent will believe the opposite
6) using the QueryManger submission form to ask superfluous and silly questions, which is bad from a business perspective and also limits access, generally
7) unstandardized em-dash usage.
This brings us to the end of the 🚩 of this screenshot. I’m happy to weigh in on the actual website but tbh after 7 red flags it seems a bit mean (if y’all want to post some here I totally will lol. One thing I do NOT put up with is people taking advantage of new writers)
Anyway no one submit to them please. Being serious about your career means actually treating literary agents like business partners and not gods. Don’t let anyone tell you otherwise.
Okay I know I said I was done but one bio said the agent didn’t like choppy stories which, like, in what world is this a #mswl???
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I'm starting my morning with a gigantic pot of tea and my slush pile, so let's talk about queries for a few minutes!
Every query needs a metadata paragraph, where you tell an agent the data (material information) about your data (the book itself). Most of this metadata is super easy to provide...
Title--I bet your book has one, even if it's a working title!
Word count--just look at the bottom of your word doc!
But then you get to the tougher stuff that, frustratingly, feels like it should be simple: category and genre
I've been talking with authors a lot about how they're frustrated that writing in a panini isn't getting easier. So here is my guide to writing in a global pandemic/when life is hard and uncertain/in late-stage capitalism/in a climate crisis:
Write your 1) most marketable idea 2) as best as you can 3) as fast as you can
If you can't write your most marketable idea, write the idea that you're the most excited about
I'm making the curry from That Episode of @printrunpodcast today and in honor of that, let me do a quick thread on agents and their biggest red flags!
An agent/agency should NEVER ask an author for money. Not for reading. Not for submission. Not for marketing.
If you're signing with an agent, you should LITERALLY SIGN A CONTRACT. A good contract will lay out what books of yours they'll represent, what happens to the money, and what happens if either party wants to end the relationship
I drank too much tea and can now hear my heartbeat in my ears, so instead of sending nice, measured emails, let’s do a quick thread on manuscript word counts!
Every book genre (and category) has industry-standard word count ranges.
Before we go further, what this does NOT mean: your book will automatically be thrown out if you’re a few hundred words outside this range
What it DOES mean: the traditional industry (agents, editors, publishers, and yes, readers) will come to expect some things from your book which are easily distilled into a word count “rule”. Let’s go into detail!
Up early going through queries with a huge pot of tea. I'm thinking, as always, of different ways to make querying easier and more successful for all kinds of writers.
I think a lot of writers find hard-and-fast rules about querying useful. But many don't. (thread)
In teaching queries, I've embraced a method of teaching "best practices", which allows for an author to intentionally deviate from the rules, with the understanding that such deviation should be logical and necessary in communicating the reality of your project
For example, it's better to use comps than to not use them, better to use recent (5ish yrs) comps than old ones, better to use moderate successes than blockbusters, better to limit yourself to 2-3 comps, better to use comps to communicate tone or theme than to rehash plot
I’m not going to RT the biphobic YA take but a bi person is literally never in a “straight” relationship. Every relationship they have is queer. Even a relationship they might have with someone of a different gender is still going to be very, very different from a hetero one!
“This bi woman has only ever been in relationship with men!” Well guess what, they’re still not straight, and their relationships still aren’t straight.
“But has she ever even KISSED a girl?” Well sexuality is based on attraction and not action, so GTFO with that intellectually dishonest, acephobic take.