One painting from every year of the 20th century, in chronological order.
1900: Sunbeams by Vilhelm Hammershøi
1/100
1901: Hay Harvest at Éragny by Paul Cezanne
2/100
1902: Notre-Dame, une fin d'après-midi by Henri Matisse
3/100
1903: Polish Hamlet (Portrait of Alexander Wielopolski) by Jacek Malczewski
4/100
1904: Portrait of Leonid Nikolaievich Andreyev by Ilya Repin
5/100
1905: Queen Eleanor and Fair Rosamund Evelyn de Morgan
6/100
1906: Coucher de Soleil No. 1 by Jean Metzinger
7/100
1907: The Kiss by Gustav Klimt
8/100
1908: The Grand Canal by Claude Monet
9/100
1909: At the Dressing-Table (Self-Portrait) by Zinaida Serebriakova
10/100
1910: The City Rises by Umberto Boccioni
11/100
1911: Nostalgia of the Infinite by Giorgio de Chirico
12/100
1912: Man on a Balcony by Albert Gleizes
13/100
1913: Self-Portrait with Nude by Laura Knight
14/100
1914: Bride of the Wind by Oskar Kokoschka
15/100
1915: The Kensingtons at Laventie by Eric Kennington
16/100
1916: Suprematist Composition by Kasimir Malevich
17/100
1917: The Paths of Glory by CRW Nevinson
18/100
1918: Over the Top by John Nash
19/100
1919: L.H.O.O.Q. by Marcel Duchamp
20/100
1920: City of Workers by Hans Baluschek
21/100
1921: The Elephant Celebes by Max Ernst
22/100
1922: Twittering Machines by Paul Klee
23/100
1923: The Blue Room by Suzanne Valadon
24/100
1924: Dempsey and Firpo by George Bellows
25/100
1925: House by the Railroad by Edward Hopper
26/100
1926: Self-Portrait in a Velvet Dress by Frida Kahlo
27/100
1927: Menin Gate at Midnight by Will Longstaff
28/100
1928: Autoportrait (Tarama in a Green Bughatti) by Tamara de Lempicka
29/100
1929: La Fuensanta by Julio Romero de Torres
30/100
1930: American Gothic by Grant Wood
31/100
1931: The Persistence of Memory by Salvador Dali
32/100
1932: The Detroit Industry Murals by Diego Rivera
33/100
1933: The Human Condition by Rene Magritte
34/100
1934: Stranded Brig by Edwin Dickinson
35/100
1935: Hand with a Reflecting Sphere by MC Escher
36/100
1936: Jimson Weed by Georgia O'Keefe
37/100
1937: Guernica by Pablo Picasso
38/100
1938: Stalin and Voroshilov in the Kremlin by Aleksandr Gerasimov
39/100
1939: Haytime in the Cotswolds by James Bateman
40/100
1940: Midnight Sun by Eric Ravilious
41/100
1941: Totes Meer by Paul Nash
42/100
1942: A Balloon Site, Coventry by Laura Knight
43/100
1943: Going to Work by LS Lowry
44/100
1944: Victory Boogie Woogie by Piet Mondrian
45/100
1945: Christmas Tree by Hyman Bloom
46/100
1946: Glow of Hope by SL Haldankar
47/100
1947: Sofala by Russell Drysdale
48/100
1948: Christina's World by Andrew Wyeth
49/100
1949: Head VI by Francis Bacon
50/100
1950: One Number 31, 1950 by Jackson Pollock
51/100
1951: Vir Heroicus Sublimis by Barnett Newman
52/100
1952: The Green Lady by Vladimir Tretchikoff
53/100
1953: The Founding Ceremony of the Nation by Dong Xiwen
54/100
1954: Breaking Home Ties by Norman Rockwell
55/100
1955: The Disintegration of the Persistence of Memory by Salvador Dali
56/100
1956: Portrait of Queen Elizabeth II by Annigoni
57/100
1957: The Queuing Continues by Andrzej Wroblewski
58/100
1958: Untitled by Zdzislaw Beksinski
59/100
1959: Die Fahne Hoch! by Frank Stella
60/100
1960: Thermal by Peter Lanyon
61/100
1961: To You, Humanity by Tahir Salahov
62/100
1962: Campbell's Soup Cans by Andy Warhol
63/100
1963: The Big Night Down the Drain by Georg Baselitz
64/100
1964: Oh, Jeff... I love you you... but... by Roy Lichtenstein
65/100
1965: Spatial Concept "Waiting" by Lucio Fontana
66/100
1966: Quince and Teapot by Victor Teterin
67/100
1967: Secret Painting by Mel Ramsden
68/100
1968: Young Gardeners by Malle Leis
69/100
1969: Seascape (Cloudy) by Gerhard Richter
70/100
1970: Untitled (Black on Grey) by Mark Rothko
71/100
1971: The Destroyer by Frank Fazetta
72/100
1972: Portrait of an Artist (Pool with Two Figures) by David Hockney
73/100
1973: The Badminton Game by David Inshaw
74/100
1974: Library Burning by Maria Helena Vieira da Silva
75/100
1975: Return from the Front by Borisoglebsky
76/100
1976: The Evening of Ashura by Mahmoud Farshchian
77/100
1977: Warlugulong by Clifford Possum Tjapaltjarri
78/100
1978: The Murder of Andreas Baader by Odd Nerdrum
79/100
1979: Malaya Sadovaya Street by Arseny Semionov
80/100
1980: El Abrazo by Jorge González Camarena
81/100
1981: Bird on Money by Jean-Michel Basquiat
82/100
1982: Sax A.D. 832 by Michael Andrews
83/100
1983: The Student of Prague by Julian Schnabel
84/100
1984: Gubernatorial portrait of Jerry Brown by Don Bachardy
85/100
1985: And the Saved World Remembers by Mai Dantsig
86/100
1986: The Master's Rhythm by Nabil Kanso
87/100
1987: Early Bourgeois Revolution in Germany by Werner Tubke
88/100
1988: Apocalypse Now by Christopher Wool
89/100
1989: Untitled by Jack Goldstein
90/100
1990: September Defeat by Tadeusz Kantor
91/100
1991: Diptych by Anatol Stepanenko
92/100
1992: Naked Man, Back View by Lucian Freud
93/100
1993: The Great Bear by Simon Patterson
94/100
1994: Blotter by Peter Doig
95/100
1995: Execution by Yue Minjun
96/100
1996: The Holy Virgin Mary by Chris Ofili
97/100
1997: Kali by Tyeb Mehta
98/100
1998: Untitled by Ellen Gallagher
99/100
1999: Greek Island Landscape by King Charles III
100/100
I hope you enjoyed this journey through a century of art.
If so, you may be interested in my free newsletter, Areopagus. It features seven short lessons every Friday, including architecture, classical music, rhetoric, and art.
A strange word, one of few that famously cannot be rhymed.
It comes to modern English from Middle English, itself from Old French, via a host of other languages, originating in Sanskrit and before that Dravidian, as a name for the fruit.
So the word orange was originally used in English to refer to the fruit.
From there, at some point in the 16th century, it was adapted to refer to the colour of that fruit.
Before that? The colour orange was simply called red-yellow.
150 years ago today, at precisely 8pm, the world of art changed forever.
What happened? A small, independent art exhibition opened in Paris.
It was a financial failure and barely 3,000 people went — but, in time, these artists would come to be known as "the Impressionists"...
15th April. 1874. Paris.
On the top floor of the studio of a photographer called Nadar, at No. 35 on the Boulevard des Capucines, about 170 works of art have been gathered for an exhibition.
It is hosted by the "Société anonyme des artistes peintres, sculpteurs, graveurs, etc."
Some of the artists whose works are being shown might be familiar to you: Edgar Degas, Camille Pissarro, Berthe Morisot (the only female artist), Alfred Sisley, Pierre-Auguste Renoir, Paul Cézanne, and Claude Monet.
It sounds oddly specific, but 19th century drain pipes were quite something...
You probably wouldn't notice these if you walked past them — we are accustomed to ignore drain pipes, of course — but, stop for a minute, and you'll find peculiar monsters staring back at you.
Perhaps not pretty, but certainly interesting.
Some of these old drain pipes were rather maximalist:
It was made by a Swedish illustrator called John Bauer, one of the most important artists you've never heard of.
His revolutionary art influenced everything from graphic novels to animated films to video games, and here's why...
John Bauer had a short but wonderfully creative life that ended in tragedy.
He died in 1918, at the age of just 36, along with his wife and son in a shipwreck on Lake Vättern.
But, in the time he was given, Bauer gave plenty back to the world.
Bauer, who spent his schooldays doodling caricatures, studied at the Royal Swedish Academy of Arts.
There he set himself the goal of finding a new way to illustrate fairy tales, especially for children — he believed they had become conventionalised and lifeless.
This is the Cloaca Maxima in Rome, a sewer built 2,000 years ago.
But it isn't unique — there are other subterranean wonders just like it.
So from the hidden cities of Turkey to the inverted temples of India, here is a brief dive into the world of underground architecture...
Since the dawn of human civilisation — and even before it — we have been going underground.
The oldest art in the world is found in caves, from France to Indonesia, some of them hundreds of metres from the surface.
Bison or handprints daubed in the darkness.
And cities around the world are inevitably built on a labyrinth of subterranean architecture, some ancient and some modern, some of it infrastructure and some of it more mysterious.
Take the sewers beneath Vienna, made famous by the climax of the 1949 film The Third Man: