Ancient Iran Profile picture
Oct 6, 2022 16 tweets 12 min read Read on X
A question arose re headwear of ancient Iranians. So I will try to provide a clear answer:

Ancient Iranian beliefs provided that the elements should not be polluted. That includes earth & fire

There were 2 general ways to achieve this: 1) Kyrbasia; 2) Padām (MP) = Padan

⤵️ Part of Greek figure depict...Sogdian Ossuary, depicting ...
1) Kyrbasia: (Old Persian: *kurpāsa) was a type of headgear with additional fabric to cover the mouth or part of face

It is erroneously referred to as a Bashlyk, the Turkic word for a similar headwear

⤵️ Achaemenid DascyliumImage
It appears in Achaemenid era and close to that time, the Kyrbasia was preferred, or at least we see it in surviving depictions.

Here we see the complete Iranian riding attire, @mihomuseum

⤵️ https://www.miho.jp/booth/h...
Someone, not necessarily a priest, is wearing the Kyrbasia, kandys or long coat, over a short, belted tunic, pants, short boots with rounded toes



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We generally see servants, soldiers, and priests wearing face coverings, never the king of kings

Examples of Kyrbasia from Achaemenid era

⤵️ ImageImageImageAltıkulaç Sarcophagus-Boar ...
A few other Achaemenid examples. 1-2: Greek depictions of Persians

⤵️ ImageImageImageImage
A few other Achaemenid examples of Kyrbasia

1: in open form

And why write about history in these difficult and tragic times? Because we ought to learn about ourselves, our history & culture. That is my role here. And not everything should be about tragedy. We also need hope

⤵️ ImageImageImageImage
In the most tragic of times, we also need voices telling us about our past and our future. About our ancestors and how they lived.

The Achaemenid satraps and early Arsacids continued use of Kyrbasia. Here Seleucid Governor of Parthia

⤵️ Image
Among the Frataraka

en.wikipedia.org/wiki/Frataraka

⤵️ ImageImage
And early Arsacids: all in open form, on the back the king is still wearing Iranian clothing (long, riding coat), even though there are Greek elements and Greek writing on the coin

⤵️ Arsaces IArsaces_IIImageImage
2) Padan, padam, padām (MP): A white cloth mask used by a mobed during ceremonies to keep breath from directly touching the fire. Av. equivalent is 'paitidana'. PGuj. 'penom'. (Var: Paz. 'panãm', 'penûm'

These from Mount Khajeh: early Sasanian period, are likely Padam

⤵️ ImageImageImage
The full Kyrbasia is really not as common, if ever used, in later Parthian, Sasanian and later eras.

In its place are various ways to cover mouth or part of face not to pollute the elements, including fire

Here for example 1: Sogdian; 2: Sasanian servant covering his mouth

⤵️ ImageImage
In #Sogdian depictions (1-2),

Akchakhan-Kala, Khwarazm, Pairs of assistant priests of Sraosha with barsoms (top part) (3)

⤵️ ImageImageImage
And modern use of padām by Zoroastrian priests (mobeds)

Perhaps we could call image 4 types of ancient Kyrbasia and could argue this headwear was used until recently among Zoroastrians. But it's hard sometimes to distinguish Padām from Kyrbasia in some depictions. ImageImageImageImage
Also see these Achaemenid-era examples

1: "Clay sculpture of a male head (Bactrian Satrap) with beard and Persian kyrbasia (cap) in a naturalistic style" photo from @hausibek ImageImage
3 more examples

1-2: post-Sasanian, appears to be Padam
3: Sasanian, also awkward depiction of face covering in the style of Padam and not as part of the headwear ImageImageImage

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Please forgive me, but I'm getting excited here... I may have connected some dots that were left unconnected before... Image
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and "The interrelation between Indo-Parthian and Kushan chronology", 1992. This second article seems to provide some clues:

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Detailed Study: Let's talk about this important motif & standard in ancient Iran 🧵⤵️ Image
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2: like others in Eurasia, Indo-European or not, Iranians valued various types of crosses for thousands of years, including the "swastika" ... 4000-3500 BCE, Susa, Louvre
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1: largely in Achaemenid period; 2: with a long history
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Rhytons are rather rare in Sasanian Iran. But one known shape shared with others in Central Asia as well is the compact horn & gazelle's head protome

This one only entered the Smithsonian in the 80s, though it was known since the 60s ... ⤵️ https://asia.si.edu/explore-art-culture/collections/search/edanmdm:fsg_S1987.33/
Based on the analysis in "Ancient Iranian metalwork in the Arthur M. Sackler Gallery and the Freer Gallery of Art" it's likely early Sasanian

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Partho-Sasanian rhyton, excavated @ Babylon ... Image
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Jan 7
Achaemenid amphora & amphora-rhytons

Depiction: Armenian delegation, Persepolis

⤵️🧵 Image
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4: Medes


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Sep 13, 2023
Some additional notes on Sasanian instruments, from the MP text Khosrow and Ridak:

A) This instrument is the barbat (with later changes called oud (photo 3)), not "win"/ ون, I made detailed notes on it in multiple threads



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B) Some sources note "win" and "win-kenār" are types of harp, e.g.,

بررسی ابزار موسیقی دوره ی ساسانی بر پایه ی متن پهلوی خسرو قبادان و ریدگ

Although some sources note these could be instruments from India

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"Le joueur de (petite) harpe, le joueur de harpe (droite?), le joueur de lyre"

C) An interesting consideration is this: could we use the maxim of interpretation/ construction Noscitur a Sociis: “know a thing by its associates”?

It would make sense for tambur and barbat Image
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Jun 18, 2023
Achaemenid Royal Audience Scene, inside shield of Persian soldier on so-called 'Alexander Sarcophagus'

4th C BCE, from Sidon, @ Istanbul Archaeology Museums, Photos: Fluorescent UV & Reconstruction

⤵️ Imagehttps://www.metmuseum.org/a...
An older drawing without some of the details (1);

There are parallels, precedents to #Achaemenid royal scenes in Assyrian, Elamite, other Near Eastern art. Drawing in photo 2 for example is likely of an older, Elamite seal which continued to be used in Achaemenid court

⤵️ ImageImage
We see examples of this royal audience scene @ Persepolis, here reconstructed from the fuller image @ Apadana, and another modern recreation @ Zinat al-Molk House

⤵️ ImageImage
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