"I know my destiny. There will come a day when my name will recall the memory of something formidable—a crisis the like of which has never been known on earth, the memory of the most profound clash of consciences,
and the passing of a sentence upon all that which theretofore had been believed, exacted, and hallowed. I am not a man, I am dynamite. And with it all there is nought of the founder of a religion in me.
Religions are matters for the mob; after coming in contact with a religious man, I always feel that I must wash my hands.... I require no "believers," it is my opinion that I am too full of malice to believe even in myself; I never address myself to masses.
I am horribly frightened that one day I shall be pronounced "holy." You will understand why I publish this book beforehand—it is to prevent people from wronging me. I refuse to be a saint; I would rather be a clown. Maybe I am a clown.
And I am notwithstanding, or rather not notwithstanding, the mouthpiece of truth; for nothing more blown-out with falsehood has ever existed, than a saint. But my truth is terrible: for hitherto lies have been called truth.
The Transvaluation of all Values, this is my formula for mankind's greatest step towards coming to its senses—a step which in me became flesh and genius.
My destiny ordained that I should be the first decent human being, and that I should feel myself opposed to the falsehood of millenniums. I was the first to discover truth, and for the simple reason that I was the first who became conscious of falsehood as falsehood—
that is to say, I smelt it as such. My genius resides in my nostrils. I contradict as no one has contradicted hitherto, and am nevertheless the reverse of a negative spirit. I am the harbinger of joy, the like of which has never existed before;
I have discovered tasks of such lofty greatness that, until my time, no one had any idea of such things. Mankind can begin to have fresh hopes, only now that I have lived. Thus, I am necessarily a man of Fate.
For when Truth enters the lists against the falsehood of ages, shocks are bound to ensue, and a spell of earthquakes, followed by the transposition of hills and valleys, such as the world has never yet imagined even in its dreams.
The concept "politics" then becomes elevated entirely to the sphere of spiritual warfare. All the mighty realms of the ancient order of society are blown into space—for they are all based on falsehood: there will be wars, the like of which have never been seen on earth before.
Only from my time and after me will politics on a large scale exist on earth.
• • •
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It's disingenuous to call Prince a "neocon" when he's one of the most vocal critics of moralistic nation building and pseudo democracy and instead advocates for East India Company style overt contracting.
But maybe for Niccolo Salo the word "neocon" is just a slur for "uncastrated Anglo-American with global ambitions." It's a nice complement to Thomas7's Third Worldist role play. We should all be LARPing as Viet Minh or preening around like caponized Hobbits presumably
Imagine Francis Parker Yockey, but different… Imagine a Yockey who spent his career in service of French Algeria and Indochina, Angola… Imagine Yockey in our day, with the same heroism directed towards Western causes... Thomas and Niccolo would no doubt deride him as a "neocon"
The original Renaissance and Enlightenment distinction was "the Ancients" vs "the Moderns" with the middle ages belonging to the Moderns. This two part division is both more correct and harder for Christians to strawman and ridicule than the meme ancient-medieval-modern scheme
The ancients-moderns division is preeminent from Machiavelli to Benjamin Constant and Gibbon. It goes hand in hand with the seeing the origins of modern world in the harsh proto republican virtue of Germanic barbarians
It's a lie to say people like Gibbon or the "Enlightenment" in general portrayed history as effortlessly improving away from superstition at any point. The most famous like in Gibbon is the one about the human race reaching its peak in the age of the Antonines
Schopenhauer has argument that Purgatory and Hell are not depictions of another world, but metaphors for this world, for its suffering and boredom. This is true of most products of the modern mind, they are metaphors for ugly truths that can't be approached directly
Encoded "fictional" horrors like Lovecraftian horror, contagion, and especially the myth of the "uncanny valley" (look up its provenance) dominate the modern mind in the same way that elements of popular Christianity dominated the medieval mind
The helpless man cannot face the stark reality of his horrifying condition, so he encodes his plight into myth and transfers it to another world or another time. The same phenomenon occurs where Leftists pathologize all eras of history before an arbitrary date
A causal relationship can be drawn between the Office (2005-2013) and the explosion of Hermaphroditism in the United States among those who were impressionable teenagers when the show aired
The Office is fundamentally about laundering human brokenness through a pernicious Cult of Normalization. The UK Office is too bleak for most Amerikwans to watch because it is openly depressing: the US version instead pretends to celebrate the waste of life it depicts
Novels, literature are obsolete because flattening of human personality types has destroyed any sense of mystery from the "real" world. There are maybe 5 types of humans left in normie society and they are all aggressively dull.
Many develop personas online, but even with this element of artificiality/self-consciousness you still come across more "literary" human types online than you would in the carefully managed existence of the normie:
school->college->job->drinks with coworkers->marriage->death
Only sources of romance left in the world: fading regions untouched by social media culture distortion (and even these have limited appeal, as Museums of Authenticity they attract worst kind of Redditors) and the 'underworld,' however defined…
“Everyone evades obligations and regulations as much as possible; crime arouses sympathy, so that those condemned to death or exile remain free and go about in public; education is neglected; a man is honoured merely for saying he loves the people.
The frivolity of government is paralleled by that of the democratic citizen, who is as wild and capricious as the State; he lives for the desire of the moment,
one day drunk and enjoying flute music, sober the next, now at the gymnasium, then idle and apathetic, sometimes philosophizing, but spending most of his time in political discussion, jumping up and saying or deciding on the first thing that comes into his head.