Tonight is #BonfireNight, an event that puzzles many readers from outside the UK. What is this festival of anarchy and why do the Brits keep doing it?
Let me try to explain...
Guy Fawkes Night is a traditional re-enactment of naked sectarianism, domestic terrorism, licensed beggary, arson, anarchy and disrespect. It's all very quaint and happens each year on the 5th of November - #BonfireNight!
BonfireNight 'celebrates' the disruption of an attempt to blow up the Houses of Parliament in 1605; a time in British history when everyone hated everyone else due to religion, nationalism and politics that would culminate 40 years later in a massive civil war. Like you do...
Effegies of the plot leader Guy Fawkes are burnt on huge public bonfires to commemorate the event, accompanied with fireworks, disgusting jacket potatoes and moaning about how early they advertise Christmas nowadays.
But the real meaning of Bonfire Night is explosives! We're really commemorating the time when citizens had ready access to military grade ordinance - like we did in the war. It's a special moment when a father first presents gunpowder and matches to his kids...
Another reason we celebrate Bonfire Night is because it's NOT American! Unlike Halloween with it's trick or treating - exposing children to 'stranger danger' and type-2 diabetes - we prefer British children to play with powerful explosives in front of a massive conflagration.
#BonfireNight cuts across Britain's strict class hierarchy; public schoolboys delight their teachers by setting fire to their school, whilst street urchins merrily steal anything not nailed down for a wasteground bonfire - the cheeky scamps!
British parents force their children to stare at the local bonfire on Bonfire Night in the same way Time Lords force their children to stare into the burning vortex of time itself. The results are much the same: no permanent psychic damage ever occurs.
Alas the British fireworks industry, like the British Space Programme, is in decline. Foreign brands now flood the market and whilst they 'say' they will sparkle and delight they rarely deliver. Apparently they blame the weather over here.
Fireworks are of course very dangerous and parents are meant to follow the Fireworks Code: keep them in a biscuit tin and set them off all at once with a lit Benson & Hedges or something. It's hard to read this thing at night you know!
Many people want to ban Bonfire Night: it terrifies pets, threatens wildlife and causes many injuries. These are all valid concerns, and soon bonfires - like asbestos blankets, lead paint, mercury tooth fillings and fireworks boxing matches - will become relics of our history.
Time passes, and many traditions pass with it. After all "It is Guy Fawkes who is remembered today, and King James who is forgotten."
More stories another time...
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It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.
This is the story of Agatha Christie's 11 lost days...
By 1926 Agatha Christie's reputation as a writer was starting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage.
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard.
Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.
Let me try and set it out.
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing.
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines.
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.
Al Hartley may have been famous for his work on Archie Comics, but in the 1970s he was drawn to a very different scene: God.
Today in pulp I look back at Hartley's work for Spire Christian Comics - a publisher that set out to spread the groovy gospel...
Spire Christian Comics was an offshoot of Spire Books, a mass-market religious paperback line launched in 1963 by the Fleming H. Revell company. The point of Spire Books was to get religious novels into secular stores, so a move into comic books in 1972 seemed a logical choice.
The idea was to create comic book versions of popular Spire Books like The Cross and the Switchblade; David Wilkinson's autobiographical tale of being a pastor in 1960s New York. It had already been turned into a film, but who could make it into a comic?