Opened up Twitter at the end of a long, creative weekend to see the many tweets to #SaveLegendsofTomorrow & #ReleaseTheAyerCut & fan support for other DC projects over the years. The majority of these requests were enthusiastic & respectful.
As the new (& first ever) CEOs of DC Studios, Peter & I think it’s important we acknowledge you, the fans, & let you know we hear your different desires for the pathways forward for DC.
Although our ability to interact on Twitter has been lessened due to the workload of our new positions, we are listening & open to everything as we embark on this journey, & will continue to do so for the next few years.
But all our initial focus is on the story going forward, hammering out the new DCU, & telling the Biggest Story Ever Told across multiple films, television shows, & animated projects.
We invite all of the DC fandoms from across the multiverse — and everyone else as well — into this new universe. We can’t wait to reveal more.
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The answer to your 1st question is all the time. The answer to your 2nd is no. Many times scenes are very tonally specific to themselves, so it makes it difficult to find good temp. That doesn’t mean there’s a problem with the scene. A good composer can smooth all that out.
On my sets we play the chosen songs while we shoot, & also play huge portions of the score which are written ahead of time (John Murphy wrote most of our primary Vol 3 cues before filming). That way everyone on set is on the same page with mood & tempo.
If you saw how disorganized most productions are, & how unfinished most scripts are on big movies as they start shooting (the number one reason for the deteriorating quality of feature films in my opinion), you’d see why usually this isn’t an option.