I had a negative reaction to Andor at first. I checked out after the first three episodes. I couldn't figure out why Cassian Andor was the main character. But I went back to it after a few weeks, picked it up, and I quickly understood. 🧵
Cassian Andor is not sympathetic, he's not particularly likable, although Diego Luna is incredibly charismatic. He has friends, but it's not obvious why. They seem mostly put-upon. They do for him, he does what he wants.
They like him, or maybe they want to like him, but he is too selfish and unreliable.
He seems to view every relationship in the show as transactional. With one exception. He often has to remind his friends that he has done something for them in the past.
And you can see that he did those favors, to trade on in the future. Not because he's a good person.
He believes in nothing, he wants nothing except his own survival. (And maybe the answer to a question about his sister.)
That's why he's the main character.
The show is about how people get radicalized. About how one becomes awakened to revolutionary consciousness. So if you're going to tell that story, the best main character is the person hardest to radicalize.
Everyone else around him is radicalized in a more straightforward way.
Ultimately, and I think brilliantly, what we've seen in ep 10 is that there isn't actually a specific moment where the rebellion begins. Or when Cassian Andor is radicalized.
He uses a phrase I don't think he meant revolutionarily. But then someone else uses it in front of him.
Him watching someone else using his phrase to lead a rebellion causes him to think rebelliously. Before then he was just trying to survive. He was trying to escape. Which lots of prisoners have tried to do without joining rebellions.
If we had a more likable or sympathetic main character, then it would be too easy to radicalize that person by hurting them. Cassian Andor has built a life around him that makes it very difficult to hurt him. Because it doesn't care about anything. With one exception.
It's a brilliant character, incredibly well written, and well acted. The same reason he's so hard to radicalize, is why he's so effective as a rebel. He only ever lives in the moment. Alone among the cast, he can act instantly as soon as he sees the shape of the future.
We know what's going to happen to him, and that's one of the things that makes it interesting. Because no one in Rogue One seems to think that Cassian Andor started the rebellion. But he did. But it's not even clear that he realizes it.
It's like the whole rebellion is an analog for his experience in the jail facility. People in that facility have heard about what happened in the heist. But he does not tell them he was there for that. He was just one cog in a machine anyway. One person amount seven.
When all is done, he will have been at every significant moment in the birth of the rebellion, without realizing his actions birthed it.
Which is the point. No one person, no one event was the beginning. It emerged dynamically out of the background radiation of oppression.
Lucas liked to fuck with the original movies. It's time Disney fucked with them. Re-edit Return of the Jedi, and put back in the stuff they filmed with women pilots. Old people pilots.
Then those three movies belong to the same world as Andor. It's about a rebellion.
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Lucas watched the Western, which he thought as a kind of American Myth, dissolve in the popular consciousness. He thought America needed its own myths and so he tried to conjure one up. It remains to be seen if he succeeded, but I think Andor sort of shows how maybe he did. 🧵
So he makes a Mash-up. Star Wars is not Space Opera, it's not a Western, it's not a Jidaigeki drama, it's not a Swashbuckler, it's not a Hidden Monarch story. It's all of these.
That's part of its success. It's a mash-up.
Anyone who tries to tell you it's This One Thing is just focusing on some small part that spoke to them, and ignoring the rest.
Ok, so it's a Mash-up, so what? Well that means it's very flexible. It was flexible enough that Lucas could use it to tell a story, like a Fairy Tale.
Reading stories of the rapid collapse of this site. Unclear what the reality on the ground is, but this site runs on servers that cost money. Unless things turn around, sooner or later they will not be able to pay those bills.
However, we should see this as...
... inevitable. Twitter did not consistently make more money than it cost to operate. I believe they had two quarters in the black back in 2019 and I don't even think they were consecutive quarters.
They did their best, they were unable to make the site turn a profit. 2/
Current Ownership just accelerated that process. They had been looking for a buyer for quite a while and were unable to find one. No one in a position to make an offer believed the site could be turned into a profitable venture.
Remember; Twitter was the social media platform of choice for Journalists. By a lot.
As long as people stop trusting everything on Twitter, stop believing anyone here is a journalist or an expert, Current Ownership will be happy.
Journalists tend to report on things. People in power, political power, economic power, don't like that. We had a President who literally said "What you are seeing, is not what's happening."
In other words, "Listen only to me. Trust only me. Only I can save you."
Journalists tend to report on things like...the build quality of your products. The number of times you lied about what your products would do and when. They report on lawsuits against you from minorities you harassed or discriminated against.
Telling a story about the forging of the rings in the Second Age. That is, in principle, a good idea. It's cool.
Making Middle-earth look more like...Earth, i.e. casting more women and POC is also good, any modern take on that setting should follow suit, it's a no brainer.
My issues are both more pedestrian and more esoteric than the rest of twitter, I think.
I don't think Spending Money automatically makes something good, in fact in this case, the opposite. My favorite adaption of the novels is the cheapest. The BBC Radio Play.
My LEAST favorite adaptations are the MOST expensive. The Hobbit movies. This series looks way more like the Hobbit than the Fellowship and miles and miles away from the brilliance that is the BBC Radio Play.
I think the d20, binary, hit-or-miss mechanic is best for a game with very fast rounds, and pulp sword & sorcery stories where life is cheap.
But modern players expect their PCs to be more heroic. Which means they expect dope shit to happen on their turn. Not: 1 roll, “I miss.”
Modern players don’t have wargaming roots. They don’t expect their heroes to miss 35% of the time.
I think they expect failure to be “dramatic setback!” Not “I miss, next.”
In other words, I think modern players aren’t happy with “I miss, next.” I think it feels wrong.
“I miss, next” comes from wargaming. From winners and losers. But the promise of an RPG is a story and your character is the hero. When the hero just fails outright, it feels bad. In a way a game should not. it feels uncinematic. Unheroic. Anti-heroic, even.