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Nov 22, 2022 19 tweets 16 min read Read on X
Some lesser known Pazyryk Scythian finds

1) Some of the clothing: this style with a tail is fairly unique to Pazyryk culture & this era. But also something you will likely see in the next decade at a fashion show...

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Belts

Belt buckles and decorations, whether among Parthians or other Iranian groups, were similarly placed on the belts

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2) Pointed caps, headwear & hair

The Massagetae, likely the same as the Sakā tigraxaudā (Old Persian: 𐎿𐎣𐎠 𐏐 𐎫𐎡𐎥𐎼𐎧𐎢𐎭𐎠 Sakā tigraxaudā, "wearer of pointed caps") were an ancient Eastern Iranian Saka people who inhabited the steppes of Central Asia

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Not every Scythian tribe & group had these massive caps & hair decorations

But the Pazyryk group seems to have had long hair decorations, at least for women

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We can also see the long caps & headwear among some other Scythian groups,

4: Issyk kurgan, Kazakhstan

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We can for example compare the long headwear from Issyk kurgan, ~ 4th or 3rd century BCE

to photo 4: reconstruction from Arzhan, site of early #Scythian kurgan burials in the Tuva Republic, Russia: ~ 8th–7th C BCE

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To some other examples of headwear among Scythian groups

3-4: Bosporan

Some of these are shorter caps that many Iranian groups wore, and which included extra fabric that at least the Achaemenids used to cover their face & mouth

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Some other examples of Scythian headwear

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And surviving examples from Pazyryk

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And finally to Achaemenid depiction of Scythians with pointed caps

4: the different Saka groups

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Behistun, Darius Inscription & Relief

Possible depiction of Skunkha, king of the Sakā tigraxaudā ("Saka who wear pointed caps")

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The Sarmatians generally didn't wear pointed caps from surviving depictions.

The Achaemenids also did not generally wear pointed caps, though there are a couple of examples of longer caps & hats from Central Asia

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From Seleucid & Parthian eras, there are some depictions of more pointed caps (nowhere as long as Pazyryk & other Scythian examples), though their origin is likely different

4: Priest from Hatra

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Also see these Parthian-era examples, all from Syrian cities

We see women wearing a headwear called tantour, though with similarities to other groups in the region

2-4: Edessa

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Even among the Kushan, another group in Central Asia who had connections with & influences on various Iranian groups, we see depictions of pointed caps at times

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1: Kushan
2: Indo-Scythian or Kushan
3: Khwarezmian, another Iranian group
4: Khwarezmian

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The Sasanians also didn't generally wear pointed caps, though in some depictions we see longer caps (Kolah), with various shapes

1: @ Miho Museum

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More Sasanian examples of bigger headwear

1: al Sabah Collection
2: Hajiabad
3: Wyvern Collection, helmet or cap

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Finally, in some depictions we do see Sogdians or other groups depicted by Sogdian artists with pointed caps (1-2: not the best examples here)

3-4: Alanic Sarmatian Iranians: generally did not wear pointed caps (many other pieces of headwear survive from ~ 7-10 C CE)

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More from @iran_antigua

Mar 30
Rhytons are rather rare in Sasanian Iran. But one known shape shared with others in Central Asia as well is the compact horn & gazelle's head protome

This one only entered the Smithsonian in the 80s, though it was known since the 60s ... ⤵️ https://asia.si.edu/explore-art-culture/collections/search/edanmdm:fsg_S1987.33/
Based on the analysis in "Ancient Iranian metalwork in the Arthur M. Sackler Gallery and the Freer Gallery of Art" it's likely early Sasanian

In any event, similar ones were used for centuries in West & Central Asia

Partho-Sasanian rhyton, excavated @ Babylon ... Image
Rhyton in private collection, Russia ... Image
Read 7 tweets
Jan 7
Achaemenid amphora & amphora-rhytons

Depiction: Armenian delegation, Persepolis

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Other depictions @ Persepolis:

1: Armenian
2: Lydian
4: Medes


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Amphora with griffin handles, Karaburun ...
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Read 15 tweets
Sep 13, 2023
Some additional notes on Sasanian instruments, from the MP text Khosrow and Ridak:

A) This instrument is the barbat (with later changes called oud (photo 3)), not "win"/ ون, I made detailed notes on it in multiple threads



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B) Some sources note "win" and "win-kenār" are types of harp, e.g.,

بررسی ابزار موسیقی دوره ی ساسانی بر پایه ی متن پهلوی خسرو قبادان و ریدگ

Although some sources note these could be instruments from India

Azarnouche translates the first 3 to French as... Image
"Le joueur de (petite) harpe, le joueur de harpe (droite?), le joueur de lyre"

C) An interesting consideration is this: could we use the maxim of interpretation/ construction Noscitur a Sociis: “know a thing by its associates”?

It would make sense for tambur and barbat Image
Read 7 tweets
Jun 18, 2023
Achaemenid Royal Audience Scene, inside shield of Persian soldier on so-called 'Alexander Sarcophagus'

4th C BCE, from Sidon, @ Istanbul Archaeology Museums, Photos: Fluorescent UV & Reconstruction

⤵️ Imagehttps://www.metmuseum.org/a...
An older drawing without some of the details (1);

There are parallels, precedents to #Achaemenid royal scenes in Assyrian, Elamite, other Near Eastern art. Drawing in photo 2 for example is likely of an older, Elamite seal which continued to be used in Achaemenid court

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We see examples of this royal audience scene @ Persepolis, here reconstructed from the fuller image @ Apadana, and another modern recreation @ Zinat al-Molk House

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Read 9 tweets
Jun 17, 2023
History of Dogs in Iran

Treatment of dogs was very different in ancient Iran. They were considered beneficial, helpful animals and were to be treated well.

Photo: Persian hound or Saluki, 16th C CE

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I started this research to show Simurgh should not be called the "dog-bird". Along the way, I found ancient & modern breeds across the Near East and Central Asia regions, with a lot of continuity

For example see these Assyrian (1-3) & old Babylonian examples (@britishmuseum) ImageImageImageImage
likely hounds and the last one in the last tweet being an older type of mastiff

Also consider this Kassite Mastiff, @metmuseum

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Read 30 tweets
Jun 10, 2023
Study of Colour in #Sasanian Iran

We have enough reference materials for study & recreation of colours in Parthian-Sasanian eras

Photo: Etchmiadzin Gospels, likely 6-7 C CE depiction of 3 magi

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Together with refs to royal colours, like Hamza al-Isfahani's Tarīk̲h̲ sinī mulūk al-arḍ wa ’l-anbiyā, we can work on recreating colours of that era

I've talked about colours in Achaemenid era, though that needs updating. Previous threads on motifs etc:
Some references from Parthian era: we can certainly assume the colours did not change in Sasanian era, and like many other ways, the same colours were used later on as well

Ref 1: Parthian era textile with colours like purple

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Read 43 tweets

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