kViN 🌈🕒 Profile picture
Nov 29 12 tweets 10 min read
Yama no Susume (Mama no Susume?) NS #09-B was led by the opening team of Irei Eri direction x Yusei Koumoto supervision. The former's processing is the show at its prettiest & the latter offers the most lavish art, so it's no wonder they got called *2 years later* to make the OP ImageImageImageImage
Hinata's view of Aoi's back as they climb brings to mind all the POV shots in that sequence. Irei's camera's movement emulates the eye so in this case it's got rhythmic swaying, while in the OP there's a wider variety with appropriate tracking, more stationary takes, etc
The most impressive aspect has to be the animation direction. There are many valid approaches to YamaSusu's design work and the show embraces that, but this is the most fully-realized one, obscenely detailed and still not compromising the usual expressiveness. Sasuga Yusei....... ImageImageImageImage
He seems to have had a hand (and a meaningful one) in every shot in the episode. Most apparent in the clothes, since he's exceptionally good at making them attractive but also feel actually worn - he nails the balance between conforming to the body and having shapes of its own ImageImageImageImage
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Apart from that, more personal quirks of his also make it obvious just how many corrections he offered. The extremely intricated ears with specific patterns (like that shadow on the upper corner) are a fun tell that's absolutely everywhere in the episode ImageImageImageImage
This level of thoroughness is more impressive considering that, given the schedule and the skill of the key animators, he was likely working off already strong drawings. Even the more stylized Super Mom parts (first animated by h.s, second by Okubo?) have noticeable corrections
😌 ImageImageImageImage
And the first minisode was nice too! Solo key animation by Mitsutoshi Kubo, direction by Kosaka, and nice to see a more vibrant setting for a change since they weren't climbing high ImageImageImageImage
It's the most jealous I've been of the staff for their location scouting, because the way to make the fish look tasty was eating those tasty fish they caught ImageImageImage
Aninari corner: lol, lmao, his brain is so large ImageImageImageImage
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More from @Yuyucow

Nov 29
A month ago, Yuki Kamiya / uki directed his first Chainsaw Man ending sequence so I pointed out how much he loves the orange & blue contrast

You're not going to believe who directed this week's ending
Beautiful sequence regardless, a bit of an alternative retelling of the relationship the episode is all about. The looming Makima eye in their moment of intimacy got me good
She
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Nov 28
Checked credits to see which of KyoAni's new hires are already officially part of their productions, and which department they're in for that matter

Yuri Taniguchi, Mizuho Masaki, Kou Tsunashima, and Haruka Sato are all doing animation at the studio, as in-betweeners for now
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Sou (?) Nojiri was also credited as in-betweener. Missed the chance to watch the student film he had a huge hand in, but the animatics are around and his public art is very analog so I feel he might've worked on the fun sequences where you can see traditional layouts in the back
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Nov 27
Recurring layouts in Bocchi #08 give that tangible contrast to make the difference between the two performances clear. Nijika's body language & looser smears are more joyful, Ryo enters her zone, Kitachan's more aware, Bocchi's more involved & energized, the stage shines brighter
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Nov 25
Pretty amazing how Takuya Yamamura directed exactly one movie (a recap at that, though hardly one given how much new material it seems to have) and then simply decided to apply those standards to a TV show. Tsurune season 2 looks so damn good it's nuts
Kyoto just different
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Nov 25
Happy that Tengoku Daimakyou's team is finally public because it's very interesting - so is the fact that it got a TV show, it's a wild ride, lol. Even with a newbie series director, the stunning teaser shows why I'm confident about the immediate execution
As storyboarder and episode director, Hirotaka Mori's work has been evocative & charismatic, and now we get those sensibilities translated to a higher level while leading top talent. The real challenge will be more structural, since this is such an intricately knit, dense series ImageImageImageImage
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Oct 16
I love Suletta because she can barely afford to breathe in the vicinity of another human being, but at the same time piloting a robot is such a source of confidence that she kept bodying Guel without even thinking about it. Just inconceivable to her that she'd lose to him
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Since 93% of Suletta's knowledge of the world comes from anime, this gave me a vision of her rushing into her robot toast in mouth because she's late. Okouchi I trust your genius writing
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