As they were in life, the enslaved are almost always marginalized in other people’s records, including wills, land records and court trials. This is true of a witchcraft trial that took place in 1606 among the first colonists in New Mexico. Image
María de Zamora is the defendant in this witchcraft trial who was accused by her son-in-law, Diego Robledo and Lucía, his 12-year-old bride who was also Zamora's daughter.
Zamora was originally from Atzacoalco in Mexico-Tenochtitlan and the spouse of Bartolomé Montoya, common ancestors to many New Mexicans.
Lost to most in this drama are the notations of the Indigenous enslaved who are either identified in the unfolding narrative testimony or whose testimony was requested in the trial. Each of those noted will be entered into the database and are noted below.
María, is identified as the servant of Zamora. In her testimony, she provided her name, her age (16-years-old) and indicated that she was “otomita.” She also noted that she had lived in Zamora’s household since she was a young child. Image
Inés, servant of Ana Ortiz, who was the wife of Cristóbal Baca. Inés indicated that she was from Tuluca. Image
An unnamed servant is simply identified in the documents as “yndia loca de Juan de Medina.” Image
The goal of NBU is to recover these lives, which often requires identifying other documents. María, the Otomi for instance may in fact be the individual identified in a 1600 muster roll, but as a 10-year-old in service to this family is identified simply as Ysauel of Tecama.
Archivo General de la Nación, Méxicoramo Inquisición, tomo 467, expediente 78-79, fols. 342r-353r. Transcription and translation of this set of documents are thanks to the Cíbola Project, University of California, Berkeley.
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More from @NatBoundUnbound

Jan 7
Understanding slavery requires revealing how kings & popes created laws and how officials used them or ignored them as it suited circumstance. We will share a chronology in time, but will also post about this legal foundation here, including about the Siete Partidas. 🧵
King Alfonso X ‘El Sabio’ and his court developed the Siete Partidas, a medieval legal code meant to replace the previous Fuero Real code, a fragmented (and often self-contradictory) amalgamation of various municipal and royal laws.
The code governed the treatment and behavior of enslaved people in Spanish society, including Indigenous people of the Americas.
Read 7 tweets
Jan 6
As we work to identify names, places, events and stories that reflect the enslavement of Indigenous people of the Americas, our focus is on primary sources. The work of scholars is also instrumental, not only for identifying sources, but also interpreting them. Citation: The general locat...
According to historian Camilla Townsend, "We know with certainty that at least some local Lenape peoples were aware of the presence of the Indian slaves and distressed by it.”
(cont) “In January of 1706, the Pennsylvania legislature passed a law outlawing the importation of enslaved natives “from Carolina or other places” because it “hath been observed to give the Indians of this province some umbrage for suspicion and dissatisfaction.”
Read 6 tweets
Dec 8, 2022
Armond Lara's 'Flying Blue Buffalo'

In 2018, the artist Armond Lara collaborated with Santa Fe gallery, form & concept (@formandconcept) to create Flying Blue Buffalo, a creative installation reflecting the lives of Indigenous captives. Armond Lara's 'Flying Blue Buffalo'Armond Lara's 'Flying Blue Buffalo'
Lara was inspired by family history that told of a Diné grandmother that had been kidnapped as a small child and enslaved by a Mexican family. He was also inspired by an 1865 register that lists 149 enslaved Indigenous people held in families in Colorado's San Luis Valley.
The exhibition consisted of 77 Flying Blue Buffalo marionette sculptures. He chose to depict the lives of the enslaved in the form of buffalos, who he recognized as "masters of survival."
Read 6 tweets
Dec 2, 2022
(1/8) While it may be rare, the enslaved were sometimes captured twice, once when separated from their family and communities and once when depicted upon an artistic canvas. Portrait of Lady María Luis...
(2/8) The Prado Museum recently pulled from its storerooms an amazing baroque portrait completed around 1670 in Mexico City.
(3/8) The portrait centers upon a young girl who museum officials were able to identify as Lady María Luisa de Toledo y Carreto, marquis of Melgar de Fernamental, daughter of Don Antonio Sebastián de Toledo, viceroy and captain general of New Spain.
Read 10 tweets
Nov 23, 2022
Indigenous slavery is a critical part of the history of slavery in Canada. The natives are the first to be enslaved on the territory and represent 66% of the enslaved individuals listed.

How was this information compiled? 👇 Image
This is the work of Marcel Trudel (1917-2011), the first to paint a complete history of enslavement in Canada. In 1960, he published "L’esclavage au Canada français" and then the "Dictionnaire des esclaves et de leurs propriétaires au Canada Français" in 1990.
The latter includes individual biographies of the enslaved in French Canada, including a large amount of information from many Quebec archives, particularly parish archives.
Read 8 tweets
Nov 23, 2022
L’histoire de l’asservissement au Canada est étroitement lié à l’histoire de l’asservissement des autochtones. Les autochtones sont les premiers à être asservis sur le territoire et représentent 66% des individus asservis recensés.

Comment ont été recensées ces informations? 👇 Image
Il s’agit du travail de Marcel Trudel (1917-2011), le premier à dépeindre une histoire qui se veut complète de l’asservissement au Canada. Il publie en 1960 "L’esclavage au Canada français" puis le "Dictionnaire des esclaves et de leurs propriétaires au Canada Français" en 1990.
Ce dernier comporte des biographies individuelles des individus asservis au Canada français, comportant un grand nombre d’informations provenant d’une multitude d’archives du Québec, particulièrement les archives paroissiales.
Read 9 tweets

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