By all accounts, glass was not used in windows. Light was also brought into spaces by means of central courtyards & other open spaces
For example see recreation of open space & arch from Sasanian Kish, Iraq
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Domes appear to also have had an opening at times to allow more light in. The placement of small holes, slits, windows etc. have continued in Iranian architecture of bazaars, baths, other spaces
For example see placement of high windows in palace of Ardashir
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I will focus on #Sasanian era to compare various types of architecture. But this design for windows has continued in Near East for millennia
Here for example from Babylonian Tel Asmar, both a window grille and small window
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Here from Dura Europos
"window glass appears at Dura, but only in structures directly associated with the Roman army, and does not seem to have been taken up more broadly"
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Also see types of doors excavated @ Dura Europos
Similar wooden doors were likely used in various Parthian & Sasanian cities as well, along with doors made of stone, metals etc.
A number of door jambs were excavated @ Persepolis & elsewhere
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At Persepolis, for example @ Palace of Darius the Great (Tachara), the "hall had 16 windows & niches, each from a single rectangular block of stone... Each bears on its frames a trilingual inscription, stating: “Stone window-frames made for the royal house of King Darius.”
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Going back to Sasanian era, we see windows placed fairly high up to bring light in while protecting the privacy of those inside
1-2: Sasanian salver
3: Iwan Karkheh Recreation
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Placement of windows @ Taq Kasra
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Windows @ now destroyed Nahavand Castle, possibly with later modifications to add glass in front of building
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Rudkhan Castle, from end of Sasanian era to post-Sasanian era, northern Iran
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Sarvestan "Palace"
Once again, we see windows placed high in structure above arches, along with holes in dome for more light
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More details of Sarvestan palace with placement of windows in structure
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The same types of architectural elements were employed in other types of buildings, including fire temple, caravansary...
Here the Espakhoo temple ( آتشکده اسپاخو) in northern Khorasan
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And a few other examples from religious buildings in Sasanian era
In short, given the overall climate & lighting in most parts of Near East, this design was sufficient & the need for glass for windows didn't really arise
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Similar design for a caravanserai
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In terms of surviving elements, we can refer to this interesting grille from Qasr-i Abu Nasr, Sasanian or earlier, @metmuseum
"This window screen would have been used to allow air circulation in the octagonal domed building in the Western Area of Qasr-i Abu Nasr."
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As well as these elements likely used to bring light into rooms from Ctesiphon @ MET & Berlin
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And possible architectural elements with a similar function,
Photo 3 from Sasanian Kish, Iraq
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As mentioned, these types of high & small windows & holes have continued to modern Iran, in architecture of various bazaars, other building around Iran
1: Shiraz Vakil bazaar, Bazar, by Jane Dieulafoy, 1881
2-3: Tabriz bazaar, of course now with addition of glass to windows
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1) Some of the clothing: this style with a tail is fairly unique to Pazyryk culture & this era. But also something you will likely see in the next decade at a fashion show...
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Belts
Belt buckles and decorations, whether among Parthians or other Iranian groups, were similarly placed on the belts
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2) Pointed caps, headwear & hair
The Massagetae, likely the same as the Sakā tigraxaudā (Old Persian: 𐎿𐎣𐎠 𐏐 𐎫𐎡𐎥𐎼𐎧𐎢𐎭𐎠 Sakā tigraxaudā, "wearer of pointed caps") were an ancient Eastern Iranian Saka people who inhabited the steppes of Central Asia
When we want to recreate Sasanian military, armour, clothing... we need to consider new finds, lesser known sites & artefacts to really understand the evolution & use of various components
Let's say for example multiple friezes from Bishapur showing riders
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who appear to be in full gallop based on other depictions. We would need access for better photos of various smaller representations to do the best recreation
Here for example an archer from Chal Tarkhan, Iran
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That is my role. I go, dig and find the rarest pieces so others can use them in their artistic work. I like the research & investigation part
I also enjoy putting various disparate pieces together
Photo: rare coins of Kavad I (473 – 531) with better depiction of clothing
comment on a culture, or on an era like Sasanian, Achaemenid etc. in Iranian history, needs to also consider other aspects of Iranian culture, what "stylized wings" meant in ancient Iran and why they were used.
The meaning of Farr/ divine glory, is unique to Iranian
culture and a deeply rooted concept in Sasanian era
3) We have numerous examples of Sasanian kings referring to the past and interacting with Achaemenid past, be it in adding inscriptions to places like Kaabe Zardosht, Persepolis, even reusing parts of Achaemenid architecture