Thread by @marwabenrabeh

Acting involves imitation, but not only! For any physical emotional expression, shaking hands for example, you basically need to not only be in character, but be yourself in the character’s situation. How do you feel/react in that situation?
#YalıÇapkını #bucebusekahraman

Then find the mental posture and muscular technique that makes your hands shake the way you want, for the reason they are supposed to be shaking. The expression of the whole body and hands must be interconnected.
What I saw was a stiff body and a voluntary trembling!

When someone expressing rage or is on the edge of a breakdown the whole world is not enough place for them, their own body is not enough place, it can’t contain their emotions inside any longer, so we witnesses a torn body about to explode in movement in the all space around them

If their own personal space is not enough they can’t invade other personal space to express themselves (P shouldn’t be that close to Z screaming in her face, she should’ve been agitated in the whole space and Z is the one trying to contain her and hold her).

The way from the door the Z is a long way to take in that state of mind and corporal expression is supposed to start erupting. A walk in a stooped posture may show sadness sorrow or a state after a breakdown but never rage or the edge of a breakdown.

Hyperventilation is very common when expressing heavy emotions BUT it is physiologically impossible to switch from that to calm breathing within a second and then to intermittent breathing with no tears, as maybe a reason for the intermittent breathing.

This is my objective constructive criticism detached from any influence, only as a simple spectator and a person who used to do theatre and took theatre classes.
Efforts to improve the acting skills are highly recommended!
#YalıÇapkını #bucebusekahraman