The most canceled woman in the world: Camille Paglia
In Sexual Personae, she attacks liberalism, feminism, and Nature-worship like no other writer before or since
On her 76th birthday today, discover her insights on why science is cope, how civilization is masculine, and more👇🏻
1/ Liberalism's great paradox
Paglia: "Liberalism defines government as tyrant father but demands it behave as nurturant mother"
Feminism wants the tyrant father to solve all grievances (mean words on twitter) while being an all-permissive mother otherwise
A big contradiction
2/ For Paglia, art, religion, and civilization are man's half-solutions to the eternally chaotic nature: "Religion, ritual, and art began as one." Man chants a hymn, sketches a painting, & erects a city wall for the same reason: to buffer against, AND impose his vision, on nature
3/ Religions go from "Earth-cults" to “Sky-cults”
When powerless against Mother Earth, humans worship the chaotic but fertile feminine
Example: The Venus of Willendorf
As human control expands, religions become Sky-Cults
We worship a Male God that designs, instructs, orders
4/ Science is cope
Science is a male attempt to use labels, data and the "cold light of intellect" to beat back the "archaic night" of nature
Science is our "quest for form"
Paglia: "To know is to control"
But nature, writes Paglia, "breaks its own rules whenever it wants"
5/ East v/s West
The West invented the gun even though China invented gunpowder centuries ago
Western mind is more interested in "phallic projection"
The western psyche wants to pin reality down
But the Eastern psyche, Paglia writes, goes for "compliance, not confrontation"
6/ Art is about creating order out of chaos, not promoting morality:
Paglia: "It is the order in morality rather than the morality in order that attracts the artist"
An artist's greatest motivation is to turn nature's madness into a coherent story using the alchemy of his work
7/ Art rises from the "deranged egotism and orderliness" of the male mind
Most criminals and geniuses are men because both crime and art involve imposing one's personal masculine will on the world
Paglia: "There is no female Mozart because there is no female Jack the ripper"
8/ Paglia on beauty:
"Beauty is our weapon against nature; by it we make objects, giving them limit, symmetry, proportion. Beauty halts and freezes the melting flux of nature."
Beauty is one of humanity's great tools
It makes the world holier and worth sacrificing for
9/ The worldview in your pants
Paglia: "Sexual physiology (sets) the pattern for our experience of the world"
The penis underlines "linearity, focus, aim, directedness"
But females must make peace with hidden genitals - which makes them at ease with "greater subjectivity"
10/ How to become nature's favorite
Paglia on the aggressive underbelly of life:
"Sperm are miniature assault troops, and the ovum is a solitary citadel that must be breached. Weak or passive sperm just sit there like dead ducks. Nature rewards energy and aggression."
Paglia's Sexual Personae is a dense, provocative, and deeply rewarding read
1/ Love precedes lovability: "Men did not love Rome because she was great. She was great because they had loved her."
1/ Love precedes lovability because a "primary devotion" to a place, thing, or person is the source of the creative energy that transforms it. Begin with love, not scorn. Commitment beautifies
2/ Modern streets are "noisy with taxicabs and motorcars," but that's the noise of "laziness and fatigue," not activity. If everyone walked, streets would be quieter but more alive. Modern thought is like a modern street - noisiness, long words, loud ideas...hiding laziness
You can do almost anything with a phone - and that's Bad, Actually
Because you can do anything, you end up doing nothing
The best tools are constrained and specific. They do you a favor by limiting you...
Thread:
1/ On a typewriter you cannot stream movies, check stock prices, or play online chess. You can only write. On a camera you cannot tweet, google trivia, or order groceries. You can only click. These older tools gave you a tunnel vision that their advanced alternatives just cannot
2/ If the only tool you have is a hammer, then all your problems look like nails. If the only tool you have is a 7 inch flat screen, then all your problems look like pixel arrangement problems. That is Objectively False. Real problems demand more than tapping, clicking, coding
1/ One line from an 1883 philosophy book gets to the heart of the matter: "Of all that is written I love only what a man has written with his blood" (Nietzsche). Writing comes not just from your brain but from your guts, balls, sinews, feelings, blood. AI has none of that
2/ Chesterton wrote in Heretics (1905) that if you want exciting art, you have to go to the ideologues. To the men who have actual convictions. Only a "doctrinaire" - someone with a doctrine, a POV, a set of values - can tell a story worth hearing. A data server has no doctrine
1/ Einstein fell seriously sick at 5. Bed-ridden. His father brought home a toy compass to entertain him. He was transfixed by the magnetic needle. It made him wonder—what were the "deeply hidden" forces controlling the needle...and the world? He spent his life chasing the answer
2/ The Wright brothers were gifted a toy helicopter when they were 7 and 11. They played with it until it broke, and then they built their own model. Years later they credited this toy for sparking off their life-long obsession with flight
Why do old buildings and weathered objects look so much more charming than the plastic creations of our time?
Because of a Japanese concept called Koko...
Thread:
1/ Charm is a hard thing to pin down - because it is not a thing but a spirit. The Japanese have thought about it for thousands of years. In the Zen philosophy of aesthetics, there is something called "Koko" - a certain weathered but attractive vibe that old objects develop
2/ Older things have history - which means they have stories, details, and finally, a MYSTERY, that a newly minted factory object simply cannot possess. Japanese art critic Yanagi Sōetsu put it well: "there is...a little something left unaccounted for"