The strain of critique of the trans project which seeks to distinguish between “biological” sex and “socially constructed” gender seems to me largely misguided, because its premises are nearly identical to those of the project it opposes.
Both sides start by accepting a radical separation between the biology of the body and the social meaning of being a man or a woman.
While the trans project is often accused of biological denialism, it in fact comports a form of biological absolutism.
To replace “woman” with “uterus-haver” and man with “sperm-producer” (vel sim.) is to discard the whole social and spiritual weight of the terms “man” and “woman” in favour a of purely biological perception.
The trans project then reclaims “man” and “woman” as terms that refer 𝘦𝘹𝘤𝘭𝘶𝘴𝘪𝘷𝘦𝘭𝘺to social and spiritual aspects of our being, with this sphere conceived as entirely separate from the biological one.
In that sense, the trans project agrees with the radical feminist critique that “gender is bullshit”. Only the latter seeks to discard the bullshit entirely, while the former sees its immaterial essence as meaning it to be up for grabs for whoever wishes to grab it.
Of course, there is then an incoherence in the trans project’s pushing modifications of the body: why is 𝘢𝘯𝘺 material, fleshly basis to the statement “I am a man” or “I am a woman” needed?
And in fact the project answers that they are not 𝘯𝘦𝘦𝘥𝘦𝘥: hence the rule that no bodily modification or characteristic is required to claim to be a man, a woman, or something else.
Rather, bodily modifications are embraced by granting to some aspects of the body the same fluid, up-for-grabs aspect as is granted to the social and spiritual concepts “man” and “woman”.
This is a falsehood, but the deeper falsehood is that the distinction between “biological sex” and “gender” is meaningful for humans ...
... that we have some sort of purely "biological" nature that can be separated from the social and spiritual significance of being in the world as men and women.
A mother is not a womb-haver, or a birth-giver, or a feeder-by-lactation. A father is not a sperm-contributor. A mother is a mother. A father is a father. To seek to reduce these terms to a “biological” significance is to negate their true meaning.
Gender is protean and mysterious, but it is not bullshit. The belief that this protean mystery can be abolished or solved is the source of all the other derangements.
The trouble with trying to argue about the Covid response in terms of cost/benefit analysis is that it involves comparing things are not fundamentally comparable.
What’s truly at stake is not whether certain measures can be justified in terms of their pay-off, but rather two different visions of the good.
What was the justification for lockdowns, masking, social distancing and vaccine mandates?
In essence: saving lives and protecting health systems.
“Ever will be” has proven wrong. When such statements are made today, they are generally made about science.
I’ll get back to that, but first some remarks on Dryden’s own statement.
By “heroic poetry” Dryden meant what we now generally call “epic poetry” – primarily Homer, Virgil and Milton, then the lesser Greek and Latin epic poets, then Dante, Ariosto, Tasso, Spenser, Camões, etc.
The problem with rejecting the lab-leak hypothesis is that you're left with either -
(1) Covid just *happened* to emerge in the city with the world's largest coronavirus research lab, in possibly the most remarkable coincidence in recorded history;
or
(2) The Chinese Communist Party (and co-conspirators?) pretended Covid had emerged in Wuhan, in order to give the false impression that Covid leaked from a lab, as part of some unfathomable game of geopolitical 3D chess.
Ultimately, both these hypotheses are quite ludicrous.
This is why I don't think we need any further virology papers to conclude that Covid leaked from the Wuhan Institute of Virology.
It would of course be false to maintain that 𝘯𝘰artists opposed the Covid lockdowns and vaccine mandates. Many did, and many paid a high price for doing so.
2.
It’s impossible to get an overall sense of the diversity of artists’ views on the Covid response, because our media were not interested in finding this out.
Only one sort of practice and knowledge was anointed to tell us what to think about Covid: The Science.
The reason the arts and humanities became dominated by left-leaning people was not a hostile takeover followed by rigorous gate-keeping.
Rather, people on the left tended to care more about the arts and humanities than people on the right.
Or, if you don’t like that framing, people who cared more about the arts and humanities tended to be on the left.
I don’t know exactly why this was, but it was observable. Someone who cared deeply about Dante or Bach or Kandinsky or Spinoza was more often than not also someone who voted to the left.