Today in pulp I'm looking back at one of the best loved albums of the '70s.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.
In January 1976 - working closely with his musical parents - Wayne completed the score and script for his concept work. Like an opera it would have a leitmotif - the chilling 'Ulla' sound of the Martians!
Wayne wanted a voice 'like an instrument' for the part of the journalist narrator, so he wrote to Richard Burton in New York asking if he was interested. A few weeks later Wayne and Essex flew over to record Burton's part.
Amazingly Richard Burton refused to listen to the music while he recorded his words, believing it would put him off. Instead Wayne had to trust that Burton's timing and phrasing would fit with the music - which it did!
War Of The Worlds was one of the first albums recorded on 48 tracks, using two synced Studer A80 recorders at the Advision Studios in Gosfield St, central London.
A number of musicians contributed to War Of The Worlds, including David Essex, Phil Lynott, Julie Covington, Chris Thompson and Justin Hayward - his song 'Forever Autumn' actually started out as a jingle for a LEGO commercial.
Special effects artist Michael Trim was asked to help with album artwork, and his drawings of the Martian war machines would become the iconic image of the album.
As well as Trim, Geoff Taylor and Peter Goodfellow also provided artwork for the album, making it a genuinely captivating package.
When Wayne approached CBS Records with his War Of The Worlds album they didn't know how to market it. It was a continuous recording, but fortunately Wayne had already recorded radio edits of a number of key songs.
War Of The Worlds was released on 9 June 1978 to epic reviews and is one of the top 40 best-selling albums in the UK to this date.
A number of international versions were also released. Anthony Quinn played the part of the journalist narrator on the Spanish edition of War Of The Worlds.
A live stage show of War Of The Worlds is still touring, so do try an get tickets if you can - with a live orchestra and animatronic war machines it looks unmissable!
Otherwise turn off the TV, put down your phone, pour yourself a drink and listen again to War Of The Worlds this evening. I guarantee it will be time well spent.
More stories another time...
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Today in pulp: how do you write a novel in two weeks?
Pulp writing that has to work within specific constraints, which in turn shape the nature of the story. And speed is the biggest constraint of all: you have to write quickly!
But there are ways to make it work for you...
Today a prolific author may write a book every year, but in the 1950s and '60s pulp writer sometimes had as little as two weeks to complete a 50,000 word story and have it ready for print.
That’s 25 novels a year: but at least they got Christmas off!
Writing that quickly is hard, but surprisingly liberating. Pulp writers had to go with their first ideas and had to make them work. There wasn’t time to ‘kill your darlings’ - instead you had to toughen them up and send them into battle!
Today in pulp I'm taking a look back at the Regency Romance series from Signet Books!
Signet's Regency Romance series started in the late 1970s and ran until 2006. Like its rivals Harlequin and Mills & Boone, Signet Regency Romance published a number of titles each month, often to the same formula...
Most (but not all) Signet Regency Romance covers were by Allan Kass, and I can heartily recommend Rhonda Whiting's wonderful blog about this artist, featuring hundreds of scans of his work allankass.blogspot.co.uk
What are the pulp archetypes? Pulp novels are usually written quickly and rely on a formula, but do they use different archetypal characters to other fiction?
Let's take a look at a few...
The Outlaw is a classic pulp archetype: from Dick Turpin onwards lawbreakers have been a staple of the genre. Crime never pays, but it's exciting and trangressive!
Some pulp outlaws however are principled...
As Bob Dylan sang "to live outside the law you must be honest." Michel Gourdon's 1915 hero Dr Christopher Syn is a good example. A clergyman turned pirate and smuggler, he starts as a revenger but becomes the moral magistrate of the smuggling gangs of Romney Marsh.
Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?
Let's find out...
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say.
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile.