Prof. Ravikant Kisana's article on caste and dating has clearly been provocative enough to push several people on social media to debate on his arguments. I too was reflecting on the piece and wondered about a few things. 1/15
Any possibility of romance between Bahujans and Brahmin-Savarnas is possible only in the elite educational and workspaces. This is where a miniscule population of Bahujans have managed to enter because of reservations. 2/15
And because of proximity, socialization between Bahujans and Brahmin-Savarnas is made possible in these spaces. It is a subset of this population that populate the dating apps too. 3/15
But the question is, do Brahmin-Savarnas and Bahujans interact as equals in these elite spaces. However tempting, this cannot be measured or extrapolated on the basis of good or bad behaviour of individuals. 4/15
Because caste is a structural problem and is beyond the good and bad nature of individuals. So, it is pointless to address it at an individual level. But can only be addressed at a structural level. 5/15
To know if the educated Brahmin-Savarnas in these elite spaces truly stand for anti-caste ideals, we just have to look back and see if they have made any serious effort to weaken the caste structure. 6/15
Unfortunately, Brahmin-Savarnas have never ever mobilized themselves together to fight against caste. They might force fit themselves as 'allies' in anti-caste movements spearheaded by Bahujans. But they have never spearheaded any anti-caste effort themselves. 7/15
This doesn't mean that Brahmin-Savarnas are incapable of mobilizing themselves. We have seen them do that often in the past. They were able to mobilize themselves and take to the streets in the case of Mandal commission - to protest against the OBC reservations. 8/15
They came together during the Anna Andolan, which sort of was responsible for displacing the Congress and bringing the BJP to power at the centre. In fact, during that phase, several Brahmin-Savarnas in the corporate sector quit their jobs to join AAP. 9/15
And even recently, they came out in huge numbers with their plates and spoons to fight against corona.
But there is absolutely no evidence of educated Brahmin-Savarnas mobilizing themselves against caste. 10/15
At best, there have been individual star celebrities among them who write or speak against caste. So, we have an Arundhati Roy, TM Krishna or V Geetha. But they have only remained as individual stars. 11/15
Even if we assume that these celebrities are well-intentioned, there is no evidence that their activism has weakened the caste structure. If anything, it has only helped in pushing their book sales or concert ticket sales. 12/15
If the educated Brahmin-Savarnas haven't made any concerted effort to dismantle the caste structure, it can only mean that they want the structure to remain as it is. That they enjoy the hierarchal caste structure that bestows disproportionate privileges on them. 13/15
Where the labour, opportunities and livelihood of the majority Bahujans are stolen and distributed as privileges among a minority Brahmin-Savarna class.
Which makes me wonder again. 14/15
Can it even be a fruitful exercise to indulge in a conversation about desire with someone who is literally stealing your livelihood. 15/15
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Watching Mani Ratnam's 'Ponniyin Selvan - 2', reminded me of the masala dosas at Saravana Bhavan restaurants. In the 90s, their masala dosas were absolutely magical. 1/21
The dosa's texture, thickness, flavor, crispness - just everything about it was perfect. The potato masala was neither too subtle nor overpowering. It made your dosas richer but at the same time allowed you to experience the sambar and the chutneys without any hindrance. 2/21
And the sambar was to die for.
But today, the Saravana Bhavan restaurants are only a poor imitation of what they used to be in the 90s. When you occasionally choose to try their masala dosas these days, it ends up as a heartbreaking affair. 3/21
The supreme court's upholding of the EWS quota is not really a surprise. India is after all a Brahmin state and it tries its best to serve those at the top of the caste hierarchy.
But what is truly surprising is the laidback response of the Bahujans to it. In contrast, think about the Mandal Commision protests of the 90s. When OBC reservation was recommended, the Brahmins and other Savarnas came out to the street and protested with all their might.
They were able to capture the attention of the nation, with of course the support of the academia, media and state machinery.
On why the specialness of @ikamalhaasan lies in his choices than his performances - A thread.
What we consider as a great acting performance is often a very subjective thing. Not just of the audience's subjective opinion.
But also, a function of the performance's time, place and medium. What is celebrated as great performance in a geography during a time period can be laughable to someone distanced from it. Which is why it is silly to claim that a particular actor is the greatest or such.
But within these subjective parameters, actors do deliver great performances. And in my personal opinion, Kamal Hassan's best performances existed roughly between the early 80s and mid 90s. There might be exceptional performances beyond this period.
Adding to the Indian Express piece on 'Ponniyin Selvan - 1' - On why it might be Mani Ratnam's weakest film. - A thread.
'Ponniyin Selvan - 1' might be Mani Ratnam's most ambitious project. But unfortunately, it also comes across as his most amateur attempt.
Kalki's novel is essentially a historical pulp fiction. And it works because of its twists, turns and thrills. But in the process of faithfully condensing it for the screen, Mani Ratnam and Elango Kumaravel's screenplay flattens every moment in the book.
Which is why the film feels like a 'Konaar Urai' or the 'Made Easy' version of Engineering books. They might be enough get 'pass marks', but one cannot become a state rank holder with their help.
Mani Ratnam, Vairamuthu & the curious cas(t)e of the English media. - A thread.
Watching the several interviews of Mani Ratnam prior to the release of his 'Ponniyin Selvan' - 1', one couldn't help but notice that not a single English media journalist or film critic has asked him anything about dropping Vairamuthu from the film and replacing him with other…
…lyricists. It is only during a Chennai press meet, one Tamil reporter asked Mani Ratnam about not collaborating with Vairamuthu for the film and another asked why such an important Tamil poet was not invited to the film's audio launch.