For #LegendaryWednesday this week, let's take a look at some of the beliefs about fire, and fire deities of Pakistan's Parsi community - a short thread:
The Zoroastrians see the fire is seen as a symbol of life, energy, and growth. It is also associated with the sun and is believed to have healing powers.
Atar, the God of Fire, in Parsi tradition, is considered a powerful deity who has the ability to purify and cleanse the world with fire. He has battled several demons of darkness like Azi Dahaka & Apaosha to restore order to the world.
Fire is believed to be the visual representation in this world of Ahura Mazda, the supreme god in Zoroastrianism. It can also be a messenger of the gods and is associated with prophecy and divination.
The Parsi temple in Karachi is one of the most sacred fire temples in the world. Built in 1918, it houses three grades of fire that are tended by priests. Open to both, worshippers and visitors, non-Zoroastrians are not allowed to enter the inner sanctum where the fire is kept.
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In most parts of Pakistan, it is common for young girls to braid their hair parted in the centre, with two braids. Older women however, tie up their hair in one single braid.
A thread on plaiting hair:
Kalasha women however, a unique ethnic group, wear several braids in their hair throughout their lives. Little girls may wear their hair in one or two braids, but older woman have more plaits.
Mongol maidens tie their hair in several braids, but as they grow older, they make two braids. Mongols see the hair as an extension of the body, which is why Mongol women cover their braids.
With #Heera_Mandi trending, perhaps it is time to introduce you to Azeezun: the real-life courtesan and freedom fighter from the 1857 War of Independence: a thread
Following the British recapture of Kanpur, Lt. Col. Williams was tasked with investigating the events. Nanak Chand, a loyalist lawyer, and Janakee Prasad, a merchant, provided recorded testimonies mentioning Azeezun, a courtesan. Who was she, and what do we know of her?
She was nicknamed "the Demoisello Theroigne of the revolt" by the British for she rode on horseback, dressed in the uniform of the 2nd cavalry, armed with pistols and decorated with medals.
Muslin, an ancient cloth from Bangladesh, renowned for its fine, gossamer finish, has a history of trade which spans as far back as to ancient Greece. While much has been documented about its historical significance, folklore surrounding it is less frequently discussed. A thread:
In later times, the fabric was a favourite for Mughal royalty. Nicknamed “baft-hawa” which means “woven air” – travellers recorded that it was so fluid that one could pull 91m through the centre of a ring. Another said that 18m of Muslin could be fit into a pocket snuff box.
The fabric was weaved with thread so delicate that it was often invisible to older people. Hence, spinning the thread was almost exclusively done by young women.
Pakistan is home to a handful of educational institutions with stunning architectural heritage. A short thread:
1/ GCU Lahore; Est. 1864
The building was designed by W. Purdon, Superintendent Engineer, and constructed under the supervision of Executive Engineer Kannhaiya Lal. It was completed in 1877 at a cost of Rs. 320,000.
2/ FCU; Est/ 1864
Initially founded by Dr Charles W Forman, a Presbyterian missionary, as the Lahore Mission College, in 1894 its name was officially changed to Forman Christian College in honor of the founder.
Engaged since childhood, Momin Khan & Shireeno grew up to fall in love He is tragically murdered, and she loses first her sanity, and then her life. Not meant to be in this life but were laid to rest together. - a Pashto folktale for #WyrdWednesday folkloristan.com/post/momin-kha…
Sohni drowned swimming through the dark waters of the Chenab river, to meet Mahiwal on the other riverbank. Mahiwal drowned whilst trying to save her - a Pashto folktale for #WyrdWednesday
📸: @AbeerKasiri folkloristan.com/post/sohni-mah…
From silkworms and sheep's wool to skilled artisans, carpets journey through colourful dyes and beautiful weaves, carpet production is an ancient art rooted in the subcontinent and Central Asia for centuries.
A thread on Indo-Persian carpets:
In Safavid Iran's 'Golden Age,' Persian carpet craftsmanship soared, fueled by royal patronage and exported to elite markets across Europe. Each weave became symbolic of a narrative, many of which echoed Islamic concepts rooted in Sufi philosophy.
The Indo-Persian culture can be defined by the influence of Persian culture on the Subcontinent and vice-versa through language, literature, and even mannerisms, from the Mughals, with Turkic-Mongol-Persianate ancestry to Bihar and the Deccan.