For #LegendaryWednesday this week, let's take a look at some of the beliefs about fire, and fire deities of Pakistan's Parsi community - a short thread:
The Zoroastrians see the fire is seen as a symbol of life, energy, and growth. It is also associated with the sun and is believed to have healing powers.
Atar, the God of Fire, in Parsi tradition, is considered a powerful deity who has the ability to purify and cleanse the world with fire. He has battled several demons of darkness like Azi Dahaka & Apaosha to restore order to the world.
Fire is believed to be the visual representation in this world of Ahura Mazda, the supreme god in Zoroastrianism. It can also be a messenger of the gods and is associated with prophecy and divination.
The Parsi temple in Karachi is one of the most sacred fire temples in the world. Built in 1918, it houses three grades of fire that are tended by priests. Open to both, worshippers and visitors, non-Zoroastrians are not allowed to enter the inner sanctum where the fire is kept.
• • •
Missing some Tweet in this thread? You can try to
force a refresh
In medieval Muslim astrology, each Zodiac Sign had a Jinn associated to it. A thread on Zodiac Jinns from the Ajaib al Makhlooqat wa Gharaib al Maujoodaat, one of the most important works on Islamic cosmology and mythology:
Königin Pauline Württemberg wearing a Kashmir Paisley Shawl. Painting by Joseph Karl Stieler – ca. 1825. She was born a Württemberg and married a Württemberg. She is holding her son Karl who married Grand Princess Olga, and a Morris Rug
A short thread on the history of paisley:
In the Indo-Persian world, the Paisley, originally known as the Boteh/Ambi/Koyari/Kalka was influenced by the shape of a Cypress tree, or small, unripe Mango, both of which have strong cultural connotations of life and prosperity.
The Paisley motif, which evolved from the original buta design, became particularly prominent as it was adopted by Scottish weavers in Paisley, who produced imitations of Kashmiri Pashmina shawls.
Music has historically been at the forefront of resistance around the world.
During the 1940s, Urdu poetry took centre stage as protests erupted across British India, with calls for Independence louder than ever. A thread:
During the Pakistan Movement (1940-47), amid calls to join the Muslim League, Fateh and Mubarak Ali Khan sang the Qawalli, “Muslim Hay tou Muslim League Main Aa” - it not only became a hit but also became a slogan for the Muslim League.
Kaifi Azmi penned the poem: Aurat. It centres female agency, and participation in the Pakistan movement. Both revolutionary and romantic, it is reminiscent of what Jinnah thought and said about the political participation and agency of women.
When Sikandar conquered parts of the Indian Subcontinent, he appointed one of his men there, and went back.
Soon after, the people of the Subcontinent rebelled against him, and appointed a new King.
However, he soon turned tyrannical, and no one dared to utter a word against him. A great philosopher at the tome, tried to make the King see sense, however, he was imprisoned.
When the King needed the philosopher, he freed him again, and the scholar then wrote the book, Kaleela Wa Dimna. Kaleela and Dimna are two jackals, the main characters in the story.
In most parts of Pakistan, it is common for young girls to braid their hair parted in the centre, with two braids. Older women however, tie up their hair in one single braid.
A thread on plaiting hair:
Kalasha women however, a unique ethnic group, wear several braids in their hair throughout their lives. Little girls may wear their hair in one or two braids, but older woman have more plaits.
Mongol maidens tie their hair in several braids, but as they grow older, they make two braids. Mongols see the hair as an extension of the body, which is why Mongol women cover their braids.