This is the city of Timgad in Algeria, built by the Romans nearly 2,000 years ago.
Though the grid plan might seem like a modern invention, it's ancient.
From the Aztecs to the Egyptians, from Greece to China to the USA, here's why your city is (probably) built as a grid...
What do you picture when you imagine an "old" city?
Perhaps something like this — a labyrinth of streets in all shapes and sizes, some narrow and winding, others broad and majestic. Odd angles, dead ends, plazas, alleys... no apparent logic.
A jungle of organic urban growth.
Well, here's what the city of Babylon looked like, according to the Ancient Greek historian Herodotus — a clear and ordered urban plan in the shape of a square, organised on a grid.
His description may have been fanciful, but many ancient cities really did look like this.
The same is true of all ancient civilisations, right across the world, from the Indus Valley to Mesopotamia and Egypt to South America.
Whenever we build an ordered city, whether four thousand years ago or today, a grid is what we go for.
When the Yongle Emperor of China made Beijing his capital in the early 1400s he had it designed according to the Kao Gong Ji, a sort of encyclopaedia written in the 4th century BC.
It describes the ideal city as a square with streets laid out at right-angles to one another.
The first urban planner whose name we know was a Greek called Hippodamus, who lived and worked in the 5th century BC.
His major projects included the design or reconstruction of cities like Piraeus, Rhodes, and Miletus.
Hippodamus built them all on a grid of rectangular blocks.
Hippodamus' principles — inherited from Mesopotamia, seemingly — were applied right across the ancient world for centuries.
After Alexander the Great founded Alexandria in Egypt it was laid out by the architect Dinocrates according to the Hippodamian plan.
These ideas were then inherited by the Romans.
A Roman architect called Vitruvius, who wrote the only surviving architectural treatise from the ancient world, describes the ideal layout of a city.
Once again... a grid. Perfectly ordered and rational.
Such rigorous urban planning may have disappeared in Europe, to be replaced by disorderly Medieval towns, but the grid remained a fixture of cities around the world — Kyoto in Japan is but one example.
And, of course, the Hippodamian plan made a soaring comeback in the 1700s...
Edinburgh's New Town, built in the late 18th century, is a fine example of the return of grids.
This startlingly rational urban design made for a stark contrast with the city's winding Medieval quarters.
But it was in the USA where grids were used most widely for the design of new towns and cities, whether New York or Philadelphia.
Grids which have endured to this day and now define the cities of America, as opposed to the disordered cities in older parts of the world.
What do all these grid plans have in common, ancient or modern?
They were created either when a city was newly founded or an old city underwent large-scale reconstruction or expansion.
Timgad in Algeria, a perfect example of Roman urban planning, was founded in 100 AD.
In the 19th century Barcelona demolished its Medieval walls and, through a vast construction project known as the Eixample, spread out and connected to six surrounding towns.
All that space was filled with Ildefons Cerdà's famous grid of chamfered blocks.
After the Great Fire of London in 1666 initial proposals for rebuilding involved a grid.
This didn't happen, for various interesting reasons, but the point is that such a vast and regulated plan was only made possible by the opportunity for reconstruction.
The grid, whether in Ancient Mesopotamia or China, in Kyoto or Mohenjo-daro, Manhattan or Edinburgh, is always a consequence of top-down urban planning.
It is the result of a blueprint, of the plan of a committee or individual with the power to impose it.
Which explains why the city of Rome itself, which had grown slowly over centuries, was not on a grid plan typical of new Roman towns.
There was plenty of demolition and reconstruction, but at no point was a single person's vision — which usually ends up as a grid — imposed.
Unlike, say, the Roman colony which became modern-day Cologne, in Germany.
Why has the grid appealed to urban planners for millennia? In short, because it makes sense. Everything has its place and everything is much easier to manage.
Order, rather than chaos.
After all, if somebody set out to build a city from scratch, they would never propose something like this.
Or, in reverse, people working without an overall plan would never produce a grid.
Such cities only arise where growth and construction are piecemeal and spontaneous, where each new generation meddles with it, where there is never a central authority with enough power to redesign and rebuild everything.
You can't plan the unplannable.
But the great benefit of top-down planning is also its greatest curse.
A single error in the underlying concepts of a blueprint can ruin a city forever, and it gives individuals huge power to control life in the city.
As Aristotle noted when writing about Hippodamus.
To plan a city from scratch necessarily involves decisions about who lives where and how life in the city will function.
And so beyond dictating how people must live, such plans have often resulted in segregation, intentional or otherwise.
These problems are not exclusive to top-down urban plans, but the danger is more acute. Still, though some have been miserable failures, others have been a lasting success.
Such are the stories streets tell: order and chaos, progress and inheritance, power and people.
So grid plans in cities are older — way older — than we might think. They represent humanity's ancient and enduring instinct for imposing order on the world.
But grid plans are necessarily imposed from above; they also represent the exercise of authority and control...
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This painting has no brush strokes — it is made from over 2,000,000 individual dots of colour.
And although it looks like nothing more than a sunny afternoon in Paris, it has a much darker hidden meaning...
In the 1870s the Impressionists, led by Claude Monet, burst onto the French art scene.
Rather than painting classical themes in studios according to the principles of the Renaissance, as they had been taught in the Academy, the Impressionists took art outside...
And there they painted the world as they actually saw it, with all the changing light, shadow, blur, and movement of real life — rather than how they were "supposed" to see it.
And instead of the grand subjects of Academic art, they painted scenes from ordinary life.
The Eiffel Tower was completed 136 years ago today.
It's now a global symbol of France and over 7 million tourists visit it every year.
But people hated the Eiffel Tower at first — they called it humiliating, modern, and "too American"...
The Eiffel Tower was started in 1887 and finished two years later, on 31 March 1889.
This was an unprecedented structure and a challenge to engineering unlike anything attempted before.
Upon completion it was 300 metres tall and immediately became the world's tallest building.
No structure in history had ever been more than 200 metres tall, let alone 300, and the Eiffel Tower's record wasn't overtaken until the Chrysler Building was finished in 1930.
It still dominates the skyline of Paris nearly a century and a half later.