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May 11, 2023 23 tweets 8 min read Read on X
This is the city of Timgad in Algeria, built by the Romans nearly 2,000 years ago.

Though the grid plan might seem like a modern invention, it's ancient.

From the Aztecs to the Egyptians, from Greece to China to the USA, here's why your city is (probably) built as a grid... Image
What do you picture when you imagine an "old" city?

Perhaps something like this — a labyrinth of streets in all shapes and sizes, some narrow and winding, others broad and majestic. Odd angles, dead ends, plazas, alleys... no apparent logic.

A jungle of organic urban growth. Image
Well, here's what the city of Babylon looked like, according to the Ancient Greek historian Herodotus — a clear and ordered urban plan in the shape of a square, organised on a grid.

His description may have been fanciful, but many ancient cities really did look like this. Image
The same is true of all ancient civilisations, right across the world, from the Indus Valley to Mesopotamia and Egypt to South America.

Whenever we build an ordered city, whether four thousand years ago or today, a grid is what we go for. Image
When the Yongle Emperor of China made Beijing his capital in the early 1400s he had it designed according to the Kao Gong Ji, a sort of encyclopaedia written in the 4th century BC.

It describes the ideal city as a square with streets laid out at right-angles to one another. Image
The first urban planner whose name we know was a Greek called Hippodamus, who lived and worked in the 5th century BC.

His major projects included the design or reconstruction of cities like Piraeus, Rhodes, and Miletus.

Hippodamus built them all on a grid of rectangular blocks. Image
Hippodamus' principles — inherited from Mesopotamia, seemingly — were applied right across the ancient world for centuries.

After Alexander the Great founded Alexandria in Egypt it was laid out by the architect Dinocrates according to the Hippodamian plan. Image
These ideas were then inherited by the Romans.

A Roman architect called Vitruvius, who wrote the only surviving architectural treatise from the ancient world, describes the ideal layout of a city.

Once again... a grid. Perfectly ordered and rational. Image
Such rigorous urban planning may have disappeared in Europe, to be replaced by disorderly Medieval towns, but the grid remained a fixture of cities around the world — Kyoto in Japan is but one example.

And, of course, the Hippodamian plan made a soaring comeback in the 1700s... Image
Edinburgh's New Town, built in the late 18th century, is a fine example of the return of grids.

This startlingly rational urban design made for a stark contrast with the city's winding Medieval quarters. Image
But it was in the USA where grids were used most widely for the design of new towns and cities, whether New York or Philadelphia.

Grids which have endured to this day and now define the cities of America, as opposed to the disordered cities in older parts of the world. Image
What do all these grid plans have in common, ancient or modern?

They were created either when a city was newly founded or an old city underwent large-scale reconstruction or expansion.

Timgad in Algeria, a perfect example of Roman urban planning, was founded in 100 AD. Image
In the 19th century Barcelona demolished its Medieval walls and, through a vast construction project known as the Eixample, spread out and connected to six surrounding towns.

All that space was filled with Ildefons Cerdà's famous grid of chamfered blocks. Image
After the Great Fire of London in 1666 initial proposals for rebuilding involved a grid.

This didn't happen, for various interesting reasons, but the point is that such a vast and regulated plan was only made possible by the opportunity for reconstruction. Image
The grid, whether in Ancient Mesopotamia or China, in Kyoto or Mohenjo-daro, Manhattan or Edinburgh, is always a consequence of top-down urban planning.

It is the result of a blueprint, of the plan of a committee or individual with the power to impose it.
Which explains why the city of Rome itself, which had grown slowly over centuries, was not on a grid plan typical of new Roman towns.

There was plenty of demolition and reconstruction, but at no point was a single person's vision — which usually ends up as a grid — imposed. Image
Unlike, say, the Roman colony which became modern-day Cologne, in Germany.

Why has the grid appealed to urban planners for millennia? In short, because it makes sense. Everything has its place and everything is much easier to manage.

Order, rather than chaos. Image
After all, if somebody set out to build a city from scratch, they would never propose something like this.

Or, in reverse, people working without an overall plan would never produce a grid. Image
Such cities only arise where growth and construction are piecemeal and spontaneous, where each new generation meddles with it, where there is never a central authority with enough power to redesign and rebuild everything.

You can't plan the unplannable. Image
But the great benefit of top-down planning is also its greatest curse.

A single error in the underlying concepts of a blueprint can ruin a city forever, and it gives individuals huge power to control life in the city.

As Aristotle noted when writing about Hippodamus. Image
To plan a city from scratch necessarily involves decisions about who lives where and how life in the city will function.

And so beyond dictating how people must live, such plans have often resulted in segregation, intentional or otherwise. Image
These problems are not exclusive to top-down urban plans, but the danger is more acute. Still, though some have been miserable failures, others have been a lasting success.

Such are the stories streets tell: order and chaos, progress and inheritance, power and people. Image
So grid plans in cities are older — way older — than we might think. They represent humanity's ancient and enduring instinct for imposing order on the world.

But grid plans are necessarily imposed from above; they also represent the exercise of authority and control...

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More from @culturaltutor

May 21
When Vincent van Gogh started painting he didn't use any bright colours — so what happened?

It isn't just about art.

This is a story about how we're all changed by the things we consume, the places we go, and the people we choose to spend time with... Image
The year is 1881.

A 27 year old former teacher and missionary from the Netherlands called Vincent van Gogh decides to try and become a full-time artist, after being encouraged by his brother Theo.

What does he paint? The peasants of the countryside where his parents lived. Scheveningen Woman Sewing (1881)
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May 13
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Like Frederic Edwin Church and the rest of the Hudson River School.

During the 19th century they painted colossal, almost photorealistic, luminescent views of the American landscape: Image
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There's a certain quality to life in the city — its solitude, its strange stillness — that nobody has portrayed better. Image
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May 5
Napoleon died 204 years ago today.

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This is the life of Napoleon, told in 19 paintings: Image
1. Bonaparte at the Pont d'Arcole by Antoine-Jean Gros (1796)

Napoleon's life during the French Revolution was complicated, but by the age of 24 he was already a General.

Here, aged just 27, he led the armies of the French Republic to victory in Italy — his star was rising. Image
2. The Battle of the Pyramids by François-Louis-Joseph Watteau (1799)

Two years later Napoleon oversaw the invasion of Egypt as part of an attempt to undermine British trade.

At the Battle of the Pyramids he led the French to a crushing victory over the Ottomans and Mamluks. Image
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Apr 27
It took 8 architects, 21 popes, and 120 years to build and finish St Peter's Basilica in Rome.

And, four centuries later, it's still the largest church in the world.

So here's a brief introduction to St Peter's... Image
The first impression anybody has when they see St Peter's Basilica in Rome, in real life or in a photo, is awe.

Because this is an immensely impressive building — it was and remains the world's largest church by volume.

Others are taller, but none are so vast. Image
The same is true of the inside — a cornucopia of art and architecture, of gold and bronze and marble and mosaic and sculpture.

And, again, it has proportions beyond gargantuan.

The baldachin alone (a kind of ornate canopy, below) is 30 metres tall. Image
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Apr 22
The Sistine Chapel is one of the world's greatest buildings, and it has the most famous ceiling in history.

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Where did the Sistine Chapel get its name?

It was commissioned in 1473 by Pope Sixtus IV and completed nine years later.

His name in Italian was Sisto and the chapel was named after him, hence "Sistine" Chapel. Image
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It's within the Apostolic Palace — the Pope's official residence — in the Vatican City.

But, for such a famous and important building, it isn't very noteworthy or impressive from the outside. Image
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And so Hohenzollern is a perfect introduction to Neo-Gothic Architecture... Image
If you want to understand Neo-Gothic Architecture then the best place to begin is with something like Hohenzollern.

It seems too good to be true — and that's because it is.

What you're looking at here isn't a Medieval castle; it's not even 200 years old. Image
There has been some kind of fortification on this hill, at the edge of the Swabian Alps, for over one thousand years.

An 11th century castle was destroyed and replaced in the 15th century, but that second castle soon fell into ruin. Image
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