How did the blandly inexpressive, vacantly infantile modern style become so widespread?
Does it have to do with our broader modern culture emphasizing cooperation over competition, conformity over ambition?
Consider the sociological effect of Tumblr on young cartoonists…🧵
Young cartoonists on Tumblr exist in a virtual community of 1000s of other cartoonists. Many of them watch/read a wide visual variety of cartoons & comics - so why do they only draw like their friends?
Is this a simple socialization effect?
Or is it over-socialization?
Young cartoonists learning to draw online begin to see drawing as a non-confrontational, social interaction, a means of fitting into a group.
Overtly expressive, "out there" art is seen as too aggressive.
Competition becomes based around whose art is the most friendly & squishy
In an "online community" the incentive is to get along - not to stand out.
Complex character designs, difficult dimensional angles, even highly exaggerated poses & animation becomes "showing off" or "tryhard"
& no longer just Having Fun Making Cartoons With Your Friends Online
I've heard that Tumblr cartoonists have gotten more into 90s/2000s "in-your-face" aesthetics lately. Maybe, but if they get into the industry?
Cal Arts actually does require good technical skills to enter, but modern animation requires them to draw way below their skill level
The most striking thing about the online cartooning community, to people who aren't acclimated to it, is that past a certain point, there isn't much difference between the "amateur" level you see on Tumblr & what you see on actual pro-level Hollywood TV productions
The modern softboi style trickled up from Tumblr into the industry just like other online movements invaded the mainstream- "Shucks Im just a smol lil scribbly cartoon doodler fella"
It's not about striving for excellence but being part of a "community" - even at the pro level!
The anime / western cartoon fan schism exists partly because anime fans see the animators & artists still have some sense of healthy competition to outdo each other whereas in Hollywood if you create something exceptional the “animation community” just kind of politely ignores it
The planted axiom in "the online cartooning community" is everyone has their own "style" - but if you point out that many of them seem to be the same, well - they know that, they just think it's good there’s a popular, easy style. That's "inclusive"
Nobody has to feel inadequate
In sum, I think Tumblr socialized a generation of cartoonists to draw "cute" (bland) & "chill" (stiff) so no-one in "the community" (pros & amateurs merged online) would have hurt feelings
A social construct of false naiveté about skills, to passive-aggressively hide competition
"Every era has it's own look, The industry never really changes, Nobody's art is any better than anyone else's, past or present, it's just a matter of taste"- This is the imposter snydrome of cartoonists who know how interchangeable / disposable the modern style has made them
Anyways, I take back everything I just said, drawing's really hard so every cartoon that gets made is like a precious little miracle to be celebrated. Remember to contribute to the Boxtown Kickstarter & help support independent animation artists who are following their dreams /🧵
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Don’t know if this counts but my pet peeve about “character design” is the endless pedantry about “character design” like it’s a blueprint for a building, rather than something that should evolve naturally from an experimental iterative process that changes with different artists
But hey, the tv executives want the show to look just like the pitch artwork - for however many decades the show lasts.
People might get confused - even though when I was a kid I knew I was watching porky pig, regardless of whatever version he was
“Character designer” is a fake job born out of the unnecessarily over-compartmentalized world of TV production. And of course every aspiring cartoonist wants to be one because it’s higher status & more creative freedom for less work
I think a reasonable definition of Wokeness is "Exploitation of identity politics, over class differences." But most conservatives wouldn't make that distinction because they consider even mentioning "class" to be a lefty thing, which it was until the civil rights era eclipsed it
The whole game is given away when a woke guy explains why dirt poor white trash are still more privileged than the black middle class, or when you notice how passionate they are about "protecting trans kids" compared to ending debt slavery
OH, SO NOW "THE JOHN K RESPECTER" IS GONNA LECTURE US ABOUT SEXUAL DEVIANCY IN CARTOON FANDOM
(thread)
the online "Animation Community" (insofar as it even is a "community") & the Toon Biz proper both have a problem w/ sexual deviancy. if you don't think they do, skip this thread, I'm not going to try convincing you. and I don't have any SOLUTIONS, just some rambling observations
to begin with, cartoons are POWERFUL because they have the ability to EXAGGERATE & IDEALIZE our world, to bend its rules, into something resembling a schizophrenic alternate reality. Live action filmmaking has this ability too, of course, but in cartoons / animation it was innate
You've probably noticed I use YA as a catch-all insult for modern cartoons. I think someone asked me what it means & it hadn't occurred to me that it's not universally understood, but YA stands for "Young Adult" & it's a term referring to "Young Adult 'Literature’”…(thread)
"Young Adult" was/is a marketing term created to sell more books, and much like the "PG-13" rating for movies it's now reduced everything to the same lowest common denominator of immaturity by flattering average normies into thinking their taste is SO MATURE for their age
Before the PG-13 rating, movies were basically either for kids or adults. But over time, studios realized that by toning down the sex, violence & language a lil bit, they could get a rating which would mean more kids could buy tickets - so over time, movies for adults disappeared