As it's #WorldGothDay there's really only one tale to tell; a legendary Hammer Horror that mixed the groovy with the ghoulish.
This is the story of Dracula: 1972 A.D...
Peter Cushing had a long career in drama and horror. He played the lead in the BBC's 1954 adaptation of Orwell's 1984. Quatermass author Nigel Kneale wrote the screenplay and the Room 101 scene was apparently so horrific one viewer died of shock.
Christopher Lee had took a more unusual route into acting. He was (probably) a member of the SAS during WWll; he always declined to discuss this. He did fight at Monte Cassino and was a post-war Nazi hunter in Vienna.
Christopher Lee and Peter Cushing had previously appeared together in the 1958 film Dracula, based on the original Bram Stokes novel. The film was well received and set the template for future Dracula movies.
But it was the success of another vampire film, Count Yorga (1970), that prompted Warner Bros to commission a modern Dracula story from Hammer Films. The timing was fortuitous...
In 1970 Britain's tabloid press was full of tales about a sinister ghostly figure - 'The Highgate Vampire' - and bizarre occult rituals taking place at the famous North London cemetery. Two rival vampire hunters, Sean Manchester and David Farrant, fuelled the stories.
Writer Don Houghton used these ideas to bring the Dracula story up to date, and try to inject fresh blood into what was then seen as an old-fashioned and period story. Christopher Lee wasn't a fan of having a modern-day Count, but production went ahead.
The Dracula: 1972 A.D. story starts in 1872, as Count Dracula and vampire hunter Lawrence Van Helsing fight to the death atop a movie carriage. Both are later buried nearby by locals.
A century later a groovy gang of Chelsea hippies leaves their swinging party to take part in a black mass at an abandoned church, which brings Dracula back to life.
Leader of the satanic groovy gang is Johnny Alucard, the descendant of the man who originally buried Dracula. Johnny wants to bring Dracula back to life so that he can gain immortality himself.
Also in the group is Doctor Van Helsing’s great, great grand daughter, Jessica. Her grandfather Lorrimer Van Helsing is an occult expert, although Jessica refuses to believe in such nonsense!
In the end Johnny Alucard is killed by running water - he's pushed into a bathroom shower - and Dracula is finally finished off in a pit of sharpened stakes. "Rest in Final Peace" appears on screen as Van Helsing leads Jessica away.
Christopher Lee was cast as Dracula, with Peter Cushing playing both Laurence and Lorrimer Van Helsing. Stephanie Beecham took on the role of Jessica.
Dracula: 1972 A.D. was also Caroline Munro's Hammer debut, and convinced her to focus on a career in acting rather than modelling.
Location filming took place on the King's Road, Chelsea and in Notting Hill. Former Manfred Mann member Mike Vickers composed the rather funky soundtrack and early electronic group White Noise performed the main theme “Black Mass: An Electric Storm in Hell."
Critical reception for Dracula 1972 A.D. was not great: many saw it as the low-point of the Hammer Dracula series. Swinging hippies were also out of date by 1972, and the funk soundtrack seemed out of place.
However there are many great things about this film, not least the fight scenes between Peter Cushing and Christopher Lee. It was a worthy attempt to update the Dracula story and it's also pretty fun to watch.
The 1973 follow-up movie The Satanic Rites of Dracula only happened due to contractual obligations. "I'm doing it under protest" said Christopher Lee, "I think it is fatuous!"
But that's a story for another time. Happy #WorldGothDay everybody...
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In the 1970s a fascinating engineering battle took place between America and Japan for control of the future. The prize was the world we live in now. And one of the key battles took place on your wrist.
This is the story of the digital watch...
'Digital' is a magical marketing word. Like 'laser' or 'turbo' it suggests progress, mastery and the future. People like those ideas. They like them enough to spend a lot of money on products that have them, especially if they can be a first adopter.
And so it was with the wristwatch. Electronic quartz watches were already a thing by the 1960s: an analogue movement driven by a quartz crystal resonator, powered by a small button battery.
But one American company was setting out on a new timekeeping odyssey...
Today in pulp... let's look back at a Shōjo manga artist whose work celebrated friendships between women: Jun'ichi Nakahara.
Jun'ichi Nakahara was born in Higashikagawa in 1913 and worked as an illustrator, a fashion designer and a doll maker. His work is highly regarded in Japan and he was a significant influence on modern manga art.
In the '20s and '30s Nakahara often drew for Shōjo no Tomo ("Girl's Friend") magazine. The style at the time was for demure, dreamlike imagery, but Nakahara added to this large expressive eyes, often reflecting the light.
Today in pulp I try to decipher 1980s Japanese street style, with the help of Olive: The Magazine for Romantic Girls!
This may involve frills...
Street style is an ever-changing mix of styles, brands, attitudes and poses with various influences. And you normally have to be in the right place at the right time to capture it.
Which is where magazines come in! Photograping, documenting and deconstructing fashion never goes out of style, and in the late 1970s Japanese youth had one key guide to help them: Popeye!
In February 1974 something profound and inexplicable happened to author Philip K Dick that changed his life forever. Was it an illness, a psychotic reaction, or something truly mystical?
Today in pulp I look back at the exegesis of Philip K Dick...
Philip K Dick was both prolific and influential. In his youth he came to the conclusion that, in a certain sense, the world is not entirely real and there is no way to confirm whether it is truly there.
By the end of the 1960s Philip K Dick had published over 40 novels and stories, as well as winning the 1963 Hugo Award for The Man In The High Castle. But he still struggled financially.
What with you being so busy and everythign you may not have visited your local library in a while.
So come with me on a virtual library tour, courtesy of stock photography, to see what we do for a living...
The enquiries desk is normally your first stop in a library, and this is where you will meet The Angry Librarian!
Why is she angry? Because people keep asking her stupid questions!
"Are you open?"
"Do you have a toilet?"
"That chair's wobbly!"
"Why isn't it available in audiobook?"
"Someone else is on the computer and that's not fair!"
Today in pulp I look at the original white stripes: the world of dazzle camoflague!
Traditional pattern camoflague had been used by the British Royal Navy to break up a ship's outline for some time. But in 1917 artist Norman Wilkinson presented the Admiralty with a different idea - camoflague that confused enemy rangefinders.
Dazzle - known in the US as Razzle Dazzle - would use high contrast colours in irregular patterns to make it difficult for enemy gunners to calculate a ship's range and bearing. This would (hopefully) lead to them taking up a poor firing position when they attacked.