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May 22, 2023 18 tweets 7 min read Read on X
As it's #WorldGothDay there's really only one tale to tell; a legendary Hammer Horror that mixed the groovy with the ghoulish.

This is the story of Dracula: 1972 A.D...
Peter Cushing had a long career in drama and horror. He played the lead in the BBC's 1954 adaptation of Orwell's 1984. Quatermass author Nigel Kneale wrote the screenplay and the Room 101 scene was apparently so horrific one viewer died of shock. Image
Christopher Lee had took a more unusual route into acting. He was (probably) a member of the SAS during WWll; he always declined to discuss this. He did fight at Monte Cassino and was a post-war Nazi hunter in Vienna. Image
Christopher Lee and Peter Cushing had previously appeared together in the 1958 film Dracula, based on the original Bram Stokes novel. The film was well received and set the template for future Dracula movies. Image
But it was the success of another vampire film, Count Yorga (1970), that prompted Warner Bros to commission a modern Dracula story from Hammer Films. The timing was fortuitous... Image
In 1970 Britain's tabloid press was full of tales about a sinister ghostly figure - 'The Highgate Vampire' - and bizarre occult rituals taking place at the famous North London cemetery. Two rival vampire hunters, Sean Manchester and David Farrant, fuelled the stories. Image
Writer Don Houghton used these ideas to bring the Dracula story up to date, and try to inject fresh blood into what was then seen as an old-fashioned and period story. Christopher Lee wasn't a fan of having a modern-day Count, but production went ahead. Image
The Dracula: 1972 A.D. story starts in 1872, as Count Dracula and vampire hunter Lawrence Van Helsing fight to the death atop a movie carriage. Both are later buried nearby by locals. ImageImage
A century later a groovy gang of Chelsea hippies leaves their swinging party to take part in a black mass at an abandoned church, which brings Dracula back to life. Image
Leader of the satanic groovy gang is Johnny Alucard, the descendant of the man who originally buried Dracula. Johnny wants to bring Dracula back to life so that he can gain immortality himself. Image
Also in the group is Doctor Van Helsing’s great, great grand daughter, Jessica. Her grandfather Lorrimer Van Helsing is an occult expert, although Jessica refuses to believe in such nonsense! Image
In the end Johnny Alucard is killed by running water - he's pushed into a bathroom shower - and Dracula is finally finished off in a pit of sharpened stakes. "Rest in Final Peace" appears on screen as Van Helsing leads Jessica away. Image
Christopher Lee was cast as Dracula, with Peter Cushing playing both Laurence and Lorrimer Van Helsing. Stephanie Beecham took on the role of Jessica. Image
Dracula: 1972 A.D. was also Caroline Munro's Hammer debut, and convinced her to focus on a career in acting rather than modelling. Image
Location filming took place on the King's Road, Chelsea and in Notting Hill. Former Manfred Mann member Mike Vickers composed the rather funky soundtrack and early electronic group White Noise performed the main theme “Black Mass: An Electric Storm in Hell."
Critical reception for Dracula 1972 A.D. was not great: many saw it as the low-point of the Hammer Dracula series. Swinging hippies were also out of date by 1972, and the funk soundtrack seemed out of place. Image
However there are many great things about this film, not least the fight scenes between Peter Cushing and Christopher Lee. It was a worthy attempt to update the Dracula story and it's also pretty fun to watch. Image
The 1973 follow-up movie The Satanic Rites of Dracula only happened due to contractual obligations. "I'm doing it under protest" said Christopher Lee, "I think it is fatuous!"

But that's a story for another time. Happy #WorldGothDay everybody... Image

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More from @PulpLibrarian

Jun 30
Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?

Let's find out... Image
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say. Image
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile. Image
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Jun 29
Time once again for my occasional series "Women with great hair fleeing gothic houses!"

Let's see what's in the library... Image
The Voice of the House, by Margaret Erskine (an Inspector Finch Gothic Mystery). Ace Gothic, 1973.

She'll fall over if she leans like that. Image
The Three Sisters of No End House, by Mona Farnsworth. Ace Gothic, 1972.

I said she'll fall over if she leans like that! Image
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Jun 27
Today in pulp I look back at the publishing phenomenon of gamebooks: novels in which YOU are the hero!

A pencil and dice may be required for this thread... Image
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Gamebooks are a simple but addictive concept: you control the narrative. At the end of each section of the story you are offered a choice of outcomes, and based on that you turn to the page indicated to see what happens next. Image
Gamebook plots are in fact complicated decision tree maps: one or more branches end in success, but many more end in failure! It's down to you to decide which path to tread. Image
Read 22 tweets
Jun 18
Time for a pulp countdown now, and today it's my top 10 public relations campaigns! Image
At no 10: prunes! Let's get this party started. Image
At no 9: butter! Don't suffer from a lack of it. Image
Read 12 tweets
Jun 15
You know what I haven't done in a while? Bad book covers!

Let's change that... Image
Ooh you little lyre... Guardian Angels, by Joseph Citro. Zebra Books, 1988. Image
How I answer the door in the mornings... Encounters With Aliens, by George W. Earley. Charter House, 1978. Image
Read 13 tweets
May 11
He was the terror of London; a demonic figure with glowing eyes and fiery breath who could leap ten feet high. The penny dreadfuls of the time wrote up his exploits in lurid terms. But who was he really?

Today I look at one of the earliest pulp legends: Spring-Heeled Jack! Image
London has always attracted ghosts, and in the 19th Century they increasingly left their haunted houses and graveyards and began to wader the capital's streets.

But one apparition caught the Victorian public attention more than most... Image
In October 1837 a 'leaping character' with a look of the Devil began to prey on Londoners. Often he would leap high into the air and land in front of a carriage, causing it to crash. It would then flee with a high-pitched laugh.

The public soon named him "Spring-Heeled Jack." Image
Read 14 tweets

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