What happened with Dark Universe is so fascinating to me because we've never seen anything like it. This wasn't even the first attempt. Far from! Universal kept making monster reboots that were meant to start something. None of them ever did. Let's go over the history (thread)
VAN HELSING is an obvious place to start because it was a blockbuster monster mash of Universal Monster icons. In a "cinematic universe" world, it would now probably the movie that other movies build toward. Famously, it didn't do great.
Given the massive success of THE MUMMY from the same director, Universal had expected VAN HELSING to be a surefire hit. They planned a sequel bringing in more monsters, theme park attractions, and a TV series TRANSYLVANIA to launch in the fall after the movie's release.
After the VAN HELSING universe was scrapped, Universal embraced the remake trend of the '00s and decided on (at least comparatively) more straightforward updates of their classics. Starting with THE WOLFMAN, which was famously troubled LONG before it ever hit the screen.
With a bloated budget, several release date changes, a director quitting and another coming in, last second rewrites, but adhering to a shooting schedule already in place, THE WOLFMAN kind of had its fate etched on its palm before it ever even hit theaters.
While not meant to kick off a universe, per se, WOLFMAN was meant to be the first of a bunch of lavish monster remakes. While it was in production, Universal was developing CREATURE FROM THE BLACK LAGOON with Breck Eisner, and had begun talking with Del Toro about FRANKENSTEIN.
Neither of those movies happened. OK, so they kept overdoing it with movies and decided to do something small for TV. In 2013, Universal put together a DRACULA limited series for NBC. Just a nice little thing, impossible to overdo. You'd think.
Early interest was so strong that all of a sudden "limited series" became "season 1" and not only that, they planned on following it with a WOLFMAN series, too. Only lack of viewership and star troubles led a miniseries to become another canceled one season show w/ a cliffhanger.
So a TV monsterverse didn't work. But in 2014 the MCU was everything. This was it! DRACULA UNTOLD was explicitly meant to be the start of a monster universe. In fact, it underwent reshoots just to be that, to throw in references to other monsters and tease the promising future.
This is when things started to stick out like a sore thumb. After it came out, they said "Just kidding!" that wasn't really the start of our shared universe. The next movie, THE MUMMY will be the REAL start of our shared universe.
With that being the second time they had said this in three years, they needed to show that they were REALLY super serious this time, and may have overcompensated just a bit, revealing an official name and logo, announcing the stars of each film before even the first had come out
We had Russell Crowe as Dr. Jekyll, Javier Bardem as the Frankenstein Monster, Tom Cruise as Tom Cruise, Johnny Depp as the Invisible Man and Sofia Boutella as The Mummy, plus Angelina Jolie doing BRIDE OF FRANKENSTEIN with Bill Condon. HUGE Hollywood names, it must be stressed.
A-list stars took to the Dark Universe like a space religion whose leader's wife hasn't been seen in public in 16 years, but when THE MUMMY, once again, did not do wonders critically or financially, the Dark Universe was pretty literally dead on arrival.
Finally, there was a silver lining. After THE MUMMY, we got Leigh Whannell's fantastic THE INVISIBLE MAN. No universe. No big picture. No blockbuster budget. Just a movie. But then, when it was successful and people really liked it, they just had to do what they do...
Clearly the attempt to go loosey goosey with just a cool INVISIBLE MAN was out the window. Suddenly, it was gonna be the first of a BUNCH of cool, one-off monster flicks. A slate! Karyn Kusama's DRACULA! Ryan Gosling as THE WOLFMAN! We're not overdoing it, we're playing it cool!
And so for 20 years they've had attempts to Start a Thing with every new take on the Universal Monsters, getting ahead of themselves every single time, this vicious cycle that is wild to witness as each thing has carried its own scrapped slate with it. And yet I'll always show up
10K likes (Thank you!) and I can't resist a plug. No soundcloud but I do have a dirt cheap slasher anthology about a witty, gleefully evil killer named Julie, meant to evoke the feeling of first catching glimpses of a horror franchise on late night cable. amazon.com/Slices-Julie-N…
Or, if you want me to take you on another journey of the ups and downs of a franchise (on a much smaller scale) here's my book on the PUPPET MASTER films. Amazingly, it ALSO involves some unmade movies featuring the classic monsters. amazon.com/Puppet-Master-…
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Just had the brilliant idea to spend the evening reading through what remains of my childhood comic collection. Either through issues I’ve kept, re-bought or (most commonly) trades collecting the stuff I used to regularly collect back then. Let’s see how they hold up.
I’m gonna start with these two issues of the Dark Horse GODZILLA series. They only had the rights to the big guy so they had to make up all the monsters, which I kind of love. That image of Godzilla riddled with arrows and getting up is one of my top favorite comic covers.
Here we have Godzilla fighting, uh, Battle Toads that are also kind of Predators on the mean streets of Portland, Oregon.
Today's the day. The day to finally have a marathon I've been daring myself to do for a long time: The Mighty Marvel Marathon. Sure, lots of people marathon Marvel movies these days, but NOBODY marathons these ones. I'm going back to the before times, for the ones I had pre X-MEN
First movie up in the marathon: 1977's THE AMAZING SPIDER-MAN. In the years before we had a real, big theatrical SPIDER-MAN movie, I had this baby on VHS and absolutely wore it out.