There's an extremely silly reason for this weird stand-too-close behavior that's not uncommon in pre-2000 TV shows, and once you notice it you can't help seeing it EVERYWHERE... 🧵 (1/6)
It's the aspect ratio. When TV was a boxier 4x3, actors were sometimes made to stand bizarrely close so they could fit in the frame. It was so common on TV, viewers (mostly) accepted it as normal, even though if someone did this IRL you'd be like "uhhh could you back up" (2/6)
Also, old TVs had an "action safe" area -- every different model would cut off some amount of picture at the edges. If Willow and Tara weren't sitting leg to leg, on some TVs they'd be half out of frame. (And it's just cute to see them being cozy and gay) (3/6)
Now that we're used to 16x9, close-standy blocking is less common. But when a 4x3 show is converted to 16x9 (UGH) even if you can't put your finger on WHY, the blocking just feels ... odd. In 4x3, this composition is nice. In 16x9 Scully looks squished on his shoulder! (4/6)
Another 4:3-to-16:9 conversion crime is that it often cuts out elements, or reveals goofy nonsense at the margins that was never supposed to be seen. @tvaziri has great documentation of this absolute CRIME:
So interesting to hear Nathan Lane remember how Robin Williams swooped in to protect Nathan from being outed before he was ready during the promo tour for The Birdcage in 1996. Here's the moment when it happened, and Nathan reflecting on it almost 30 years later:
The context is that Nathan was out to friends & family (and had been for years) but there was a big difference between than & talking about it in front of millions of strangers. So for awhile, he talked around the issue, like in this interview. But then...
...a few years later, after the murder of Matthew Shepard, Nathan realized he could use his public platform to help people. So ... he did, and started speaking openly about being gay in 1998. He took gay roles, he gave interviews, and he was, in general, a great gay role model.
This ep of All in the Family really is breathtaking -- a culmination of a 3-year (!) storyline involving a rare recurring queer character (!!) in the mid-70s (!!!). I got to interview Norman Lear about the making of those episodes & he talked about how proud he still is of them.
Lear saw the performer (Don McLean/Lori Shannon) at a drag show in San Francisco in 1974, and decided to put her on TV, essentially playing herself. Here's her introduction in 1975:
A remarkable thing about the character is her evolution over the series. Archie first meets her when she faints in his cab and he does mouth-to-mouth (thinking she's a woman). She comes to the house to repay him and offers a 50-dollar bill in thanks, and this happens: