For past 1 month the mullahs are blocking the traffic on this road which has a masjid using police barricades so that they can do namaz inside the mosque. Police ignored this act. Today Bajrang Dal Karyakartas talked to them and made them remove the barricades. When KCR’s hands
r tied with Owaisis & HM belongs to their Quom what else can u expect? Who knows, they may perform Namaz on the road after few days.
Location:
Road next to Bhima’s hotel, OU colony, shaikpet, Hyderabad
This is how #KaChaRa ‘s rule looks like. Appeasement at every step.
హైదరాబాద్ Shaikpet లోని OU కాలనీ, బీమాస్ హోటల్ పక్క రోడ్డు నుంచి మణికొండ మర్రిచెట్టుకు వెళ్లే రోడ్డును అక్కడ ఉన్న ముస్లిమ్స్ తమ మసీదు లోపల నమాజ్ చేయడం కోసం ఏకంగా రోడ్డుని పోలీసుల బారికేడ్లు వేసి, ట్రాఫిక్ మొత్తం బంద్ చేశారు, నెల నుంచి నడుస్తుంది ఈ దాదాగిరి.
పోలీసులు చూసి చూడనట్లు పట్టించుకోకుండా వదిలేశారు. ఈరోజు వాళ్ళ నమాజ్ కోసం రోడ్లను బారికేడ్లు వేసి ట్రాఫిక్ ఆపారు, రేపు రోడ్డు మీద నమాజ్ కూడా చేస్తారు, ఈరోజు బజరంగ్దళ్ కార్యకర్తలు వచ్చి బ్యారికెట్లు మసీదు వాళ్లకు చెప్పి బ్యారిగేట్లు ముస్లింల తోనే తొలగింపజేశారు.
జాగో హిందూ జాగో🚩
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The Amrutesvara Temple is a notable Hindu temple located in the village of Amruthapura in the Chikkamagaluru district of Karnataka, India. It is an ancient temple dedicated to Lord Shiva and is renowned for its exquisite architectural style.
Built in the 12th century during the rule of the Hoysala Empire, the Amrutesvara Temple is considered a gem of Hoysala architecture. It showcases intricate carvings and detailed craftsmanship, characteristic of the Hoysala style. The temple is constructed using soapstone,
which has allowed the intricate details of the carvings to be preserved over the centuries.
The temple follows a trikuta (three-shrine) plan, with three sanctums dedicated to Lord Shiva. The exterior walls of the temple are adorned with beautifully carved sculptures depicting
The village of Bilhari (बिलहरी) is situated in the Katni district of Madhya Pradesh. The original name of the village was Pushpavati.
An image of a zoomorphic boar or Varaha is placed in the corner of the mandapa. The front portion of the face is broken.
There are a total of six rows of figures carved over the body of this Varaha, the sixth row is on its abdomen and visible only when looked up lying down on the ground. For the purpose of the description of icons, we will take five rows but not the sixth row. A few notable image
groups are the Sapta-matrikas with Ganesha and Virabhadha over the bottommost row, the third row from the bottom has the depiction of the twelve Adityas shown seated in yogasana-mudra holding two lotuses in their two hands, the scene of Samudra-manthan, Narayana lying over
#Garuda abducting Queen #kakati, sculpture from Gandhara.
2nd-3rd century.
There are many jatakas (Buddhist tales) about the former lives of the Buddha. In this one, he was born as the king of Benares and ruled with his beloved queen, Kakati. The royal solar bird Garuda
came to the court disguised as a man and gambled with the king. He then became enamored of the queen and abducted her. But when Garuda heard of the king's great sadness and of his true love for Kakati, he restored her to him.
kidnapping is a lady. She is often shown with a snake, coiled around her and the eagle's beak. The eagle is no longer a representation of #Zeus but of Garuda, the Hindu eagle deity. Garuda's main enemy are Nagas (Hindu mythological snakes), which he eats.
Revanta - the son of Surya
Once, Sangya, the daughter of celestial architect Vishvakarma and wife of Surya, unable to bear the radiance of the Sun-god, went into the forests to engage in devout austerities in the form of a mare (she horse). She placed her shadow Chhaya,
who looked just like Sangya in her position as Surya's wife. When Surya realised that Chhaya was not the real Sangya, he searched for Sangya and finally found her in the forests of Uttar Kuru. There, Surya approached Sangya disguised as a horse. Their union produced the
twin-Ashvins and Revanta.
Surya assigned Revanta as the chief of the Guhyakas (attendants of Kubera like the Yakshas). He is usually seen carrying a sword in his right hand, while seated on a white horse. Revanta is often depicted wearing long boots reaching up to the calves,