Some of America’s most iconic guns came from the mind of one man.
Their creation involved an extermination order, a migration, and a genius.
The story of John Moses Browning. 🧵
In the 1830’s, Jonathan Browning was a gunsmith in Illinois. He is credited with inventing “harmonica gun” a repeating gun which found its way to the western frontier leading up to be Civil War.
Meanwhile nearby in Missouri, a new religion had ruffled feathers with the local population.
The Mormon population grew exponentially as the church attempted to build a head quarters. This rapid population change made many seekers nervous, leading to conflict.
In 1838, the Governor of Missouri issued an “extermination order”, which stated “the Mormons must be treated as enemies, and must be exterminated or driven from the State.”
As a result, they fled to Illinois and created a new settlement in a city named Nauvoo.
Jonathan Browning interacted with many of these exiles as they crossed into the state. He eventually paid a visit to their swampy city and met their prophet, Joseph Smith.
The meeting was very impactful, with Browning converting to the church and moving to Nauvoo.
There, Browning acted as the gunsmith and was busy. He armed the militia there, who felt under threat from mobs, and state militias.
The rifles Browning produced had a special plate on the buttstock of the rifles inscribed “Holiness to the Lord - Our Preservation”
In 1844, Joseph Smith was assassinated by a mob, leading to a migration away from Illinois and into what was then Mexico.
Browning fled with his fellows and eventually settled in Northern Utah.
When the US went to war with Mexico, they asked for a battalion of men from the exiled Mormons. Incredibly, they obliged. Browning volunteered to go, but was told good talents were needed at home.
Browning was a polygamist who married three wives and had 22 children. One of these was a son named John Moses Browning.
John started helping out at his father’s shop by seven, and by age 13 he had invented his first rifle.
Browning was a polygamist who married three wives and had 22 children. One of these was a son named John Moses Browning.
John started helping out at his father’s shop by seven, and by age 13 he had invented his first rifle.
In the 1870’s John started creating guns for Winchester, inventing many iconic western guns. Most notably he created important shotguns like the Winchester 1897 pump shotgun (aka the “trench gun”).
This gun was so effective in WWI that Germany tried to have it banned.
He also invented the first real machine gun, important pistol cartridges such as .380 and .45, and over 40 firearms.
His most famous and enduring creation was the 1911 pistol. This gun was used in both world wars and is still commonly used today, over 100 years after creation.
John was a master of his craft and a brilliant inventor. Having been born into a family and religion which faced constant violence, he was well acquainted with human nature. He funneled this knowledge into creating devastating instruments of war and protection.
A true master of his craft, John died of a heart attack in 1926 working on his final design: a double stack 9mm pistol.
This design would be finished by his Belgian partner company, Fabrique National de Herstal (FN) and dubbed the P-35. Today we call it the Browning Hi-Power.
The Hi-Power was an innovative marvel, doubling magazine capacity. It was fielded on both sides of WW2.
When the Nazi’s took over Belgium they adopted the pistol as their own. In theory you could have had British and Nazi soldiers shooting at each other with Browning’s pistol.
The Winchester 1897 shotgun, 1911, and Hi-Power are all guns designed by Browning which are still in use today, both privately and by militaries.
These designs were born out of the intersection of conflict, faith, genius, and opportunity.
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You think this movie is goofy action movie. Some guy thought: “what if we fought dragons with helicopters?”
But I am here to tell you this movie is actually an insightful drama about the modern world. One might, in fact, call it based.
A 🧵 for your consideration (1/11)
The movie introduces us to the protagonist, Quinn (Christian Bale) as a young boy. He’s looking for his mother, who is working a male-dominant, manual labor job. We learn dad’s out of the picture, and mom can’t afford to pay for good skewl Quinn’s accepted to.
Out of this broken familial circumstance, the long-hibernating dragon awakens, killing Quinn’s mother and quickly destroying human civilization. Quinn’s broken home, his mother’s employment, missing father are crucial.
Out of the modern disjointed family comes destruction.
Livy notes the Romans were only prepared for citizenship in a Republic after their character as a people was forged over 244 years of monarchy. He refers to the early kings of Rome as “successive founders”.
He rhetorically asks what would have happened if the plebs, a “mix of shepherds and adventurers” had won the privileges of republican citizenship in their first generation of asylum? He answers the city would have been torn apart at its birth.
The first generations of asylum seekers in Rome had not yet developed a love for being Roman. They would have fought a class war in a city not their own. Uniting a people requires careful intermarriage and love for the soil, love that takes generations to grow.
“My wish is that each reader will pay the closest attention to the following: how men lived, what the moral principles were, under what leaders and by what measures a home and abroad our empire was won and extended…”
- Livy (1/4)
“…let him follow in his mind how, as discipline broke down bit by bit, morality at first foundered; how it next subsided in ever greater collapse and then began to topple headlong in ruin-“
(2/4)
“until the advent of our own age, in which we can endure neither our vices nor the remedies needed to cure them.
The special and salutary benefit of the study of history is to behold evidence of every sort of behaviour set forth as on a splendid memorial;…”
🧵 Beowulf’s Christianity Part 3: Fate, The Last Supper, and Redemption
I have previously posted about the poetic use of the words “wyrd” (fate) and “wyrm” (dragon) in Beowulf.
The poet combines a common Norse vision of fate with Christian symbolism to deliver his message.
Many Norse sagas revolve around fate, though it’s not presented as discouraging. The heroes are not judged by their eventual defeat, but rather by the nobility of spirit they exhibit in the face of their doom. Consider Odin’s preparations for Ragnarok.
Jackson Crawford (@Norsebysw) has referred to this literary device as “Positive Fatalism”. Here is an excellent video from him if you’re interested in more on this subject:
In a letter to a friend, Teddy Roosevelt once said: “Unless we keep the barbarian virtues, gaining the civilized ones will be of little avail.”
This observation is central to Shakespeare’s Macbeth. (1/10)
The play begins and ends with foreign armies in Scotland.
In the first act, we have thane’s revolting against the gentle King Duncan using Irish and Norwegian mercenary armies. These are referred to as the “villainies of nature”. (2/10)
These are the barbarians. Hobbesian nature. Domain and sovereignty to the strongest.
Macbeth uses demonic revelation to thrive in this nature. (3/10).
🧵Beowulf’s Christianity Part 2: Partnership between the hero and God
The Beowulf poet reconciles the might and merit of classic heroism with the Biblical command to rely on God and not the arm of the flesh.
He presents the hero as a servant of God, anticipating the knight.
As Beowulf prepares for his battle with Grendel, we are told that he “trusted confidently in his valiant strength, God’s grace to him.” (Line 545)
This line is vital to the poem. The poet later doubles down on Beowulf’s mighty valor being a gift from God (line 1054).
The poet does not believe strength or martial virtues are inherently sinful. He does not present them as prideful indulgences but as good gifts from God. Beowulf is heroic because he uses these gifts for God’s purposes.