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Pulp Librarian Profile picture
@PulpLibrarian
May 29, 2023 • 11 tweets • 5 min read • Read on X
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Some artists leave us too young. But they leave behind a wonderful collection of work and a wistful sense of what could have been.

One such artist is Virginia Frances Sterrett (1900-1931). This is her story... Image
Virginia Frances Sterrett was born in Chicago in 1900. From an early age she preferred to draw rather than play with other children. Image
After Sterrett's father died she began to study at the Art Institute of Chicago. Sadly she left in 1916 after her mother became ill. Image
At 17 Sterrett was responsible for supporting her whole family, working in art advertising agencies around Chicago to earn her living. Two years later she was diagnosed with tuberculosis. Image
Sterrett received her first commission at the age of 19 to illustrate Old French Fairy Tales for Penn Publishing, earning $500 for eight watercolors and 16 ink drawings. Image
In 1920 Penn Publishing asked Sterrett to illustrate Tanglewood Tales by Nathaniel Hawthorne. After completing the work her family moved to Pasadena, hoping the climate would aid her health. Image
As Sterrett's tuberculosis grew worse she found she could only draw for a short period each day. In 1925 she started what would be her final completed work - her own interpretation of Arabian Nights. Image
Arabian Nights took Virginia Frances Sterrett three years to complete, working for a couple of hours each day. It was finally published by Penn in 1928. ImageImageImageImage
In 1930, Sterrett started her last commission - Myths and Legends. Sadly it was never completed.

Virginia Frances Sterrett died of tuberculosis on 8 June 1931, at the age of 30. Image
The St Louis Post-Dispatch said of Sterrett's work: "Her achievement was beauty, a delicate, fantastic beauty, created with brush and pencil... she made pictures of haunting loveliness." Image
Virginia Frances Sterrett's first book - Old French Fairy Tales - is available free online. Do take a look at her wonderful work if you can: publicdomainreview.org/collections/ol……

More stories another time... Image

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More from @PulpLibrarian

Pulp Librarian Profile picture
Jun 30
Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?

Let's find out... Image
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say. Image
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile. Image
Read 16 tweets
Pulp Librarian Profile picture
Jun 29
Time once again for my occasional series "Women with great hair fleeing gothic houses!"

Let's see what's in the library... Image
The Voice of the House, by Margaret Erskine (an Inspector Finch Gothic Mystery). Ace Gothic, 1973.

She'll fall over if she leans like that. Image
The Three Sisters of No End House, by Mona Farnsworth. Ace Gothic, 1972.

I said she'll fall over if she leans like that! Image
Read 10 tweets
Pulp Librarian Profile picture
Jun 27
Today in pulp I look back at the publishing phenomenon of gamebooks: novels in which YOU are the hero!

A pencil and dice may be required for this thread... Image
Image
Gamebooks are a simple but addictive concept: you control the narrative. At the end of each section of the story you are offered a choice of outcomes, and based on that you turn to the page indicated to see what happens next. Image
Gamebook plots are in fact complicated decision tree maps: one or more branches end in success, but many more end in failure! It's down to you to decide which path to tread. Image
Read 22 tweets
Pulp Librarian Profile picture
Jun 18
Time for a pulp countdown now, and today it's my top 10 public relations campaigns! Image
At no 10: prunes! Let's get this party started. Image
At no 9: butter! Don't suffer from a lack of it. Image
Read 12 tweets
Pulp Librarian Profile picture
Jun 15
You know what I haven't done in a while? Bad book covers!

Let's change that... Image
Ooh you little lyre... Guardian Angels, by Joseph Citro. Zebra Books, 1988. Image
How I answer the door in the mornings... Encounters With Aliens, by George W. Earley. Charter House, 1978. Image
Read 13 tweets
Pulp Librarian Profile picture
May 11
He was the terror of London; a demonic figure with glowing eyes and fiery breath who could leap ten feet high. The penny dreadfuls of the time wrote up his exploits in lurid terms. But who was he really?

Today I look at one of the earliest pulp legends: Spring-Heeled Jack! Image
London has always attracted ghosts, and in the 19th Century they increasingly left their haunted houses and graveyards and began to wader the capital's streets.

But one apparition caught the Victorian public attention more than most... Image
In October 1837 a 'leaping character' with a look of the Devil began to prey on Londoners. Often he would leap high into the air and land in front of a carriage, causing it to crash. It would then flee with a high-pitched laugh.

The public soon named him "Spring-Heeled Jack." Image
Read 14 tweets

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