Some artists leave us too young. But they leave behind a wonderful collection of work and a wistful sense of what could have been.
One such artist is Virginia Frances Sterrett (1900-1931). This is her story...
Virginia Frances Sterrett was born in Chicago in 1900. From an early age she preferred to draw rather than play with other children.
After Sterrett's father died she began to study at the Art Institute of Chicago. Sadly she left in 1916 after her mother became ill.
At 17 Sterrett was responsible for supporting her whole family, working in art advertising agencies around Chicago to earn her living. Two years later she was diagnosed with tuberculosis.
Sterrett received her first commission at the age of 19 to illustrate Old French Fairy Tales for Penn Publishing, earning $500 for eight watercolors and 16 ink drawings.
In 1920 Penn Publishing asked Sterrett to illustrate Tanglewood Tales by Nathaniel Hawthorne. After completing the work her family moved to Pasadena, hoping the climate would aid her health.
As Sterrett's tuberculosis grew worse she found she could only draw for a short period each day. In 1925 she started what would be her final completed work - her own interpretation of Arabian Nights.
Arabian Nights took Virginia Frances Sterrett three years to complete, working for a couple of hours each day. It was finally published by Penn in 1928.
In 1930, Sterrett started her last commission - Myths and Legends. Sadly it was never completed.
Virginia Frances Sterrett died of tuberculosis on 8 June 1931, at the age of 30.
The St Louis Post-Dispatch said of Sterrett's work: "Her achievement was beauty, a delicate, fantastic beauty, created with brush and pencil... she made pictures of haunting loveliness."
Virginia Frances Sterrett's first book - Old French Fairy Tales - is available free online. Do take a look at her wonderful work if you can: publicdomainreview.org/collections/ol……
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Today in pulp, one of the most influential and outrageous illustrators of the Italian Italian fumetti scene: Emanuele Taglietti!
This will be interesting...
Emanuele Taglietti was born in Ferrara in 1943. His father worked as a set designer for director Michaelangelo Antonioni, often taking Emanuele with him on set.
In the 1960s Taglietti moved to Rome, where he studied stage design. He began a successful career as an assistant art director, working for Federico Fellini and Marco Ferreri.
If the spacesuit is the symbol of progress, the gas mask is the sign of the apocalypse. In popular culture it signifies that science has turned against us. It's the face of dystopia.
Today in pulp I look at the culture of the mask!
The first chemical masks were work by Venitian plague doctors: a bird-like affair, the beak stuffed with lavender, matched with full length coat and hat. It was a terrifying sight - the grim reaper come to apply poultices to your tumours.
But it was poison gas, first used at the Second Battle of Ypres in 1915, that led to the modern gas mask. At first these were cotton masks treated with chemicals. However their protection was limited.