Some artists leave us too young. But they leave behind a wonderful collection of work and a wistful sense of what could have been.
One such artist is Virginia Frances Sterrett (1900-1931). This is her story...
Virginia Frances Sterrett was born in Chicago in 1900. From an early age she preferred to draw rather than play with other children.
After Sterrett's father died she began to study at the Art Institute of Chicago. Sadly she left in 1916 after her mother became ill.
At 17 Sterrett was responsible for supporting her whole family, working in art advertising agencies around Chicago to earn her living. Two years later she was diagnosed with tuberculosis.
Sterrett received her first commission at the age of 19 to illustrate Old French Fairy Tales for Penn Publishing, earning $500 for eight watercolors and 16 ink drawings.
In 1920 Penn Publishing asked Sterrett to illustrate Tanglewood Tales by Nathaniel Hawthorne. After completing the work her family moved to Pasadena, hoping the climate would aid her health.
As Sterrett's tuberculosis grew worse she found she could only draw for a short period each day. In 1925 she started what would be her final completed work - her own interpretation of Arabian Nights.
Arabian Nights took Virginia Frances Sterrett three years to complete, working for a couple of hours each day. It was finally published by Penn in 1928.
In 1930, Sterrett started her last commission - Myths and Legends. Sadly it was never completed.
Virginia Frances Sterrett died of tuberculosis on 8 June 1931, at the age of 30.
The St Louis Post-Dispatch said of Sterrett's work: "Her achievement was beauty, a delicate, fantastic beauty, created with brush and pencil... she made pictures of haunting loveliness."
Virginia Frances Sterrett's first book - Old French Fairy Tales - is available free online. Do take a look at her wonderful work if you can: publicdomainreview.org/collections/ol……
More stories another time...
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He was the terror of London; a demonic figure with glowing eyes and fiery breath who could leap ten feet high. The penny dreadfuls of the time wrote up his exploits in lurid terms. But who was he really?
Today I look at one of the earliest pulp legends: Spring-Heeled Jack!
London has always attracted ghosts, and in the 19th Century they increasingly left their haunted houses and graveyards and began to wader the capital's streets.
But one apparition caught the Victorian public attention more than most...
In October 1837 a 'leaping character' with a look of the Devil began to prey on Londoners. Often he would leap high into the air and land in front of a carriage, causing it to crash. It would then flee with a high-pitched laugh.
Today in pulp I look back at New Zealand's home-grow microcomputer, the 1981 Poly-1!
Press any key to continue...
The Poly-1 was developed in 1980 by two electronics engineering teachers at Wellington Polytechnic, Neil Scott and Paul Bryant, who wanted to create a computer for use in New Zealand schools. Education Minister Merv Wellington liked the idea and gave it the green light.
Backed by government finances, and in partnership with Progeni Computers, Polycorp was formed in 1980 to began work on the prototype for the official Kiwi school computer.
It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.
This is the story of Agatha Christie's 11 lost days...
By 1926 Agatha Christie's reputation as a writer was starting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage.
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard.
Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.
Let me try and set it out.
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing.
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines.
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.