Time I think to look at some of the art nouveau illustrations by J.R. Witzel for Jugend magazine...
Josef Rudolf Witzel was an illustrator and painter born in Frankfurt in 1867. He was also one of the pioneers of art nouveau in Germany.
Witzel studied art at the Staatliche Hochschule für Bildende Künste in Frankfurt, before moving to Munich in 1890. It was in Munich that J.R. Witzel met Franz Von Stuck and The Secession, a group of artists who stood against official paternalism in art.
In 1896 J.R. Witzel began producing cover art for a new publication. Jugend ("Youth") was a German art nouveau magazine founded by Georg Hirth. Witzel's style fitted well with Hirth's idea of "Jugendstil."
Josef Witzel contributed illustrations to Jugend up to the start of World War One. After that he worked mostly on commercial poster art.
Witzel's illustration style is both intricate and sparing: he uses just enough lines to capture the flow of natural forms.
Josef Witzel passed away in Gräfelfing in 1924. By then Art Deco had replaced Art Nouveau in the public taste, but Witzel will always be remembered as one of the fathers of Jugendstil.
You can browse Jugend online, thanks to the ever excellent University of Heidelberg archives: digi.ub.uni-heidelberg.de/diglit/jugend Do see what you think.
Bis zum nächsten Mal...
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Today in pulp I'm looking back at a very popular (and collectable) form of art: Micro Leyendas covers!
Micro Leyendas (mini legends) are a Mexican form of fumetto, small graphic novels normally pitting the everyday hero against the weird, the occult and the unfathomable.
The art of Micro Leyendas is bold, macabre and very funny. The books often tell a cautionary tale of revenge or humiliation, much like a modern folk tale.
Today in pulp: what makes a good opening sentence for a pulp novel?
Now this is a tricky one…
The opening sentence has an almost mythical status in writing. Authors agonise for months, even years, about crafting the right one. Often it’s the last thing to be written.
Which is odd, because very few people abandon a book if they don’t like the first sentence. It’s not like the first sip of wine that tells you if the Grand Cru has been corked! Most people at least finish Chapter One.
The Time Machine, Brave New World, 1984: these weren’t the first dystopian novels. There's an interesting history of Victorian and Edwardian literature looking at the impact of modernity on humans and finding it worrying.
Today in pulp I look at some early dystopian books…
Paris in the Twentieth Century, written in 1863, was the second novel penned by Jules Verne. However his publisher Pierre-Jules Hetzel rejected it as too gloomy. The manuscript was only discovered in 1994 when Verne’s grandson hired a locksmith to break into an old family safe.
The novel, set in 1961, warns of the dangers of a utilitarian culture. Paris has street lights, motor cars and the electric chair but no artists or writers any more. Instead industry and commerce dominate and citizens see themselves as cogs in a great economic machine.
In January 1919 a new magazine heralded the dawn of the Weimar era. Its aesthetic was a kind of demented Jugendstil, and its stories were dark gothic fantasies.
This is the story of Der Orchideengarten...
Der Orchideengarten: Phantastische Blätter (The orchid garden: fantastic pages) is probably the first ever fantasy magazine. Published in Munich by Dreiländerverlag, a trial issue appeared in 1918 before the first full 24 page edition was published in January 1919.
"The orchid garden is full of beautiful - now terribly gruesome, now satirically pleasing - graphic jewelery" announced the advanced publicity. It was certainly a huge departure from the Art Nouveau of Jugend magazine, which German readers were already familiar with.