Time I think to look at some of the art nouveau illustrations by J.R. Witzel for Jugend magazine...
Josef Rudolf Witzel was an illustrator and painter born in Frankfurt in 1867. He was also one of the pioneers of art nouveau in Germany.
Witzel studied art at the Staatliche Hochschule für Bildende Künste in Frankfurt, before moving to Munich in 1890. It was in Munich that J.R. Witzel met Franz Von Stuck and The Secession, a group of artists who stood against official paternalism in art.
In 1896 J.R. Witzel began producing cover art for a new publication. Jugend ("Youth") was a German art nouveau magazine founded by Georg Hirth. Witzel's style fitted well with Hirth's idea of "Jugendstil."
Josef Witzel contributed illustrations to Jugend up to the start of World War One. After that he worked mostly on commercial poster art.
Witzel's illustration style is both intricate and sparing: he uses just enough lines to capture the flow of natural forms.
Josef Witzel passed away in Gräfelfing in 1924. By then Art Deco had replaced Art Nouveau in the public taste, but Witzel will always be remembered as one of the fathers of Jugendstil.
You can browse Jugend online, thanks to the ever excellent University of Heidelberg archives: digi.ub.uni-heidelberg.de/diglit/jugend Do see what you think.
Bis zum nächsten Mal...
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Today in pulp, one of the most influential and outrageous illustrators of the Italian Italian fumetti scene: Emanuele Taglietti!
This will be interesting...
Emanuele Taglietti was born in Ferrara in 1943. His father worked as a set designer for director Michaelangelo Antonioni, often taking Emanuele with him on set.
In the 1960s Taglietti moved to Rome, where he studied stage design. He began a successful career as an assistant art director, working for Federico Fellini and Marco Ferreri.
If the spacesuit is the symbol of progress, the gas mask is the sign of the apocalypse. In popular culture it signifies that science has turned against us. It's the face of dystopia.
Today in pulp I look at the culture of the mask!
The first chemical masks were work by Venitian plague doctors: a bird-like affair, the beak stuffed with lavender, matched with full length coat and hat. It was a terrifying sight - the grim reaper come to apply poultices to your tumours.
But it was poison gas, first used at the Second Battle of Ypres in 1915, that led to the modern gas mask. At first these were cotton masks treated with chemicals. However their protection was limited.