Time I think to look at some of the art nouveau illustrations by J.R. Witzel for Jugend magazine...
Josef Rudolf Witzel was an illustrator and painter born in Frankfurt in 1867. He was also one of the pioneers of art nouveau in Germany.
Witzel studied art at the Staatliche Hochschule für Bildende Künste in Frankfurt, before moving to Munich in 1890. It was in Munich that J.R. Witzel met Franz Von Stuck and The Secession, a group of artists who stood against official paternalism in art.
In 1896 J.R. Witzel began producing cover art for a new publication. Jugend ("Youth") was a German art nouveau magazine founded by Georg Hirth. Witzel's style fitted well with Hirth's idea of "Jugendstil."
Josef Witzel contributed illustrations to Jugend up to the start of World War One. After that he worked mostly on commercial poster art.
Witzel's illustration style is both intricate and sparing: he uses just enough lines to capture the flow of natural forms.
Josef Witzel passed away in Gräfelfing in 1924. By then Art Deco had replaced Art Nouveau in the public taste, but Witzel will always be remembered as one of the fathers of Jugendstil.
You can browse Jugend online, thanks to the ever excellent University of Heidelberg archives: digi.ub.uni-heidelberg.de/diglit/jugend Do see what you think.
Bis zum nächsten Mal...
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Today in pulp: how do you write a novel in two weeks?
Pulp writing that has to work within specific constraints, which in turn shape the nature of the story. And speed is the biggest constraint of all: you have to write quickly!
But there are ways to make it work for you...
Today a prolific author may write a book every year, but in the 1950s and '60s pulp writer sometimes had as little as two weeks to complete a 50,000 word story and have it ready for print.
That’s 25 novels a year: but at least they got Christmas off!
Writing that quickly is hard, but surprisingly liberating. Pulp writers had to go with their first ideas and had to make them work. There wasn’t time to ‘kill your darlings’ - instead you had to toughen them up and send them into battle!
Today in pulp I'm taking a look back at the Regency Romance series from Signet Books!
Signet's Regency Romance series started in the late 1970s and ran until 2006. Like its rivals Harlequin and Mills & Boone, Signet Regency Romance published a number of titles each month, often to the same formula...
Most (but not all) Signet Regency Romance covers were by Allan Kass, and I can heartily recommend Rhonda Whiting's wonderful blog about this artist, featuring hundreds of scans of his work allankass.blogspot.co.uk
What are the pulp archetypes? Pulp novels are usually written quickly and rely on a formula, but do they use different archetypal characters to other fiction?
Let's take a look at a few...
The Outlaw is a classic pulp archetype: from Dick Turpin onwards lawbreakers have been a staple of the genre. Crime never pays, but it's exciting and trangressive!
Some pulp outlaws however are principled...
As Bob Dylan sang "to live outside the law you must be honest." Michel Gourdon's 1915 hero Dr Christopher Syn is a good example. A clergyman turned pirate and smuggler, he starts as a revenger but becomes the moral magistrate of the smuggling gangs of Romney Marsh.
Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?
Let's find out...
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say.
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile.