You've probably seen this gentleman before... but who was he?
It's Dr Johnson, maybe the most important English writer since Shakespeare...
Samuel Johnson, born to a family of modest booksellers in Staffordshire in 1709, was perhaps the dominant cultural figure of 18th century England.
But this future critic, essayist, poet, scholar, lexicographer, and celebrity was a sickly child who very nearly died in his youth.
He survived these illnesses, albeit scarred for life and nearly blind in one eye, and grew up to be a huge man: tall, strong, burly, and rather intimidating.
Combined with his noticeable tics, vicious wit, eccentric habits, and irascible temper, Johnson was a unique character.
But his career wasn't straightforward.
Johnson had to leave the University of Oxford because he couldn't afford to keep studying there, and inherited very little from his father.
So he worked as a teacher, married a widow 20 years his elder, and starting writing...
And by the 1750s he was an established, prolific, respected writer for whom nothing was out of reach.
Alongside poetry and satires Johnson wrote essays (for magazines or simply on his own) about pretty much everything: literature, politics, philosophy, timekeeping, fashion...
It was through a mixture of sheer will, natural intelligence, astonishingly hard work, and a colossal personality that Samuel Johnson had risen from obscurity.
His friends included all the leading politicians, writers, and artists of 18th century England.
And so Samuel Johnson became a celebrity. Everybody he met was enthralled by this bizarre but brilliant man: eccentric, dangerously witty, frighteningly intelligent.
He was, as much as anything else, a brilliant conversationalist, and everybody wanted to talk to him.
Samuel Johnson is one the most quotable people of all time, not only because of his extensive published works but from what he was reported to have said in conversation, whether wise or simply outrageous.
These are just a few examples; there are thousands more.
But Johnson was not merely a socialite writer; he was a very serious scholar.
In the 18th century there was no definitive English dictionary, so in 1746 he was commissioned by a group of publishers to produce one.
In 1755 it was published — he'd done everything on his own.
Johnson's Dictionary is partially responsible for some of the strange spelling in English, since his sometimes odd and archaic choices helped codify how words were (and still are) spelled.
As for his definitions, they're not what we're used to in modern dictionaries:
Others include...
Tarantula: An insect whose bite is only cured by music.
Oats: A grain, which in England is generally given to horses, but in Scotland supports the people.
Trolmydames: I know not what this word means.
Monsieur: A term of reproach for a Frenchman.
Still, this shouldn't detract from his monumental achievement, which was immediately recognised as a cultural and literary landmark, and one that has shaped the English language as we know it today.
In some sense, Johnson singlehandedly defined the words everyone else was using.
And though it is for his quips and quotes and dictionary that Johnson is now most well-known, this belies a powerful essayist and inspired writer, often regarded as the greatest ever English-language literary critic.
Here is his summary of Shakespeare's genius:
It was in 1763 that Johnson met a young Scot called James Boswell; it was this Boswell who would write and publish The Life of Doctor Johnson in 1791, seven years after his death.
It is usually called the first modern biography, and considered by many the greatest ever written.
It was based on the many years Boswell had spent with Johnson, the many things they'd done, and the thousands of conversations they'd had; Boswell kept detailed notebooks of everything.
He was a great biographer and he had as his subject the greatest personality of the age.
A personality which is revealed, first and foremost, through Johnson's writing itself, then through Boswell's legendary biography, and — of course — through portraits done by Joshua Reynolds, Johnson's friend and the leading British artist of the age.
Quite the character.
It is testament to Reynolds' abilities as a portraitist that his two paintings of Dr Johnson have become so iconic, even out of context.
The fierce critical eye of the brilliant Samuel Johnson lives on, then, still unimpressed with bad writing over two centuries after he lived.
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Escaping Criticism, painted by Pere Borrell del Caso in 1874, is a perfect example of the art technique called "trompe-l'œil", an optical illusion where the painter makes a flat surface seem three-dimensional.
And it will completely change the way you think of art...
The Catalan artist Pere Borrell del Caso (1835-1910) is not particularly famous, but Escaping Criticism has become iconic.
It's an example of "trompe-l'œil", French for "deceiving the eye" — an optical illusion which makes a flat surface seem three-dimensional.
Like this:
Borrell del Caso was drawing our attention to the fact that this is what most art does — imitate reality by appearing three-dimensional.
The impression of depth is part of what makes something like the Mona Lisa seem realistic.
This is the Casa Comalat in Barcelona, one of the most beautiful Art Nouveau buildings in the world.
And, once upon a time, it was modern architecture...
The Casa Comalat is a perfect example of an architectural style usually called Catalan Modernism.
So called because it was unique to Catalonia in Spain, and because it was, at the time, modern.
Antoni Gaudí, of Sagrada Família fame, is the style's most well-known architect.
The Casa Comalat itself was designed by Salvador Valeri i Pupurull, and built between 1906 and 1911 as a private household for the industrialist Joan Comalat Aleñá — it remains private.
This is a panel from The Garden of Earthly Delights, painted by Hieronymus Bosch more than 500 years ago.
It looks impossibly strange to us, but it made perfect sense to people in the Middle Ages...
Hieronymus Bosch is a mysterious man. We know very little about him other than where and when he was born — Den Bosch in the Netherlands, in about 1450.
We can only really piece his identity together from what we know about the society he lived in and the art he left behind.
Oil painting had been invented in the Netherlands in the early 1400s, a few decades before Bosch was born.
Jan van Eyck was an early master of this new format, which allowed for paintings of far greater detail and precision. His Arnolfini Portrait is the most famous example.
Hercules (or Herakles to the Greeks) was the ultimate Classical Hero: a demi-god son of Zeus, a wandering warrior, a father to nations, & a founder of cities.
Zeus seduced the human princess Alcmene by disguising himself as her husband, and he was their child.
Legend says that he strangled two snakes sent by Hera (Zeus' wife) to kill him as a baby, and that the Milky Way was created when Hercules was unwittingly suckled by Hera herself.
He grew up to be a hero with superhuman strength, intelligence, wit, ambition, and courage.
This is Jupiter and Semele, painted in 1895 by a French artist called Gustave Moreau.
It might not look "modern", but Moreau influenced everybody from Picasso to Matisse to Dalí.
Here's how Gustave Moreau invented modern art...
How did modern art — from Surrealism to Cubism to Abstract Art — first appear?
There was no single cause, of course. We could point to the impact of technology (especially photography), to the effects of the First World War, or to any number of socio-cultural changes...
...but one unlikely individual in particular had a colossal influence on what we now call modern art.
His name was Gustave Moreau (1826-1898), who as a young painter was influenced by Romantic artists like Théodore Chassériau and Eugène Delacroix.