"I do desire we may be better strangers."
~As You Like It
"His wit’s as thick as a Tewkesbury mustard."
~Henry IV, Part 2
"I am sick when I do look on thee."
~A Midsummer Night's Dream
"I’ll beat thee, but I would infect my hands."
~Timon of Athens
"More of your conversation would infect my brain."
~Coriolanus
"There’s no more faith in thee than in a stewed prune."
~Henry IV, Part 1
"The tartness of his face sours ripe grapes."
~Coriolanus
"Thou leathern-jerkin, crystal-button, knot-pated, agatering, puke-stocking, caddis-garter, smooth-tongue, Spanish pouch!"
~Henry IV, Part 1
"Thy tongue outvenoms all the worms of Nile."
~Cymbeline
"Thou art a Castilian King urinal!"
~The Merry Wives of Windsor
"You have such a February face, So full of frost, of storm, and cloudiness."
~Much Ado About Nothing
"This sanguine coward, this bed-presser, this horseback-breaker, this huge hill of flesh!"
~Henry IV, Part 1
"I think thy horse will sooner con an oration than
thou learn a prayer without book."
~Troilus and Cressida
"Thou concludest like the sanctimonious pirate."
~Measure for Measure
"Let’s meet as little as we can."
~As You Like It
"[Your] brain is as dry as the remainder biscuit after voyage."
~As You Like It
"Some report a sea-maid spawn’d him; some that he was begot between two stock-fishes. But it is certain that when he makes water his urine is congealed ice."
~Measure for Measure
"He has not so much brain as ear-wax."
~Troilus and Cressida
"Thou art a boil, a plague sore, an embossed carbuncle in my corrupted blood."
~King Lear
"Sell your face for five pence and ’tis dear."
~King John
"You, minion, are too saucy."
~The Two Gentleman of Verona
"I do wish thou were a dog, that I might love thee."
~Timon of Athens
"This kiss is as comfortless as frozen water to a starved snake."
~Titus Andronicus
"Thou crusty batch of nature!"
~Troilus and Cressida
"Away thou rag, thou quantity, thou remnant."
~The Taming of the Shrew
"A weasel hath not such a deal of spleen as you are toss’d with."
~Henry IV, Part 1
"Drunkenness is his best virtue, for he will be swine drunk, and in his sleep he does little harm, save to his bedclothes about him."
~All's Well That Ends Well
"A rare parrot-teacher!"
~Much Ado About Nothing
"Thou lump of foul deformity!"
~Richard III
"Would the fountain of your mind were clear again, that I might water an ass in it."
~Troilus and Cressida
"Not Hercules could have knocked out his brains, for he had none."
~Cymbeline
"Hang him, mechanical salt-butter rogue!"
~The Merry Wives of Windsor
"If you had but looked big and spit at him, he'ld have run."
~The Winter's Tale
"Get thee glass eyes, and like a scurvy politician seem to see the things thou dost."
~King Lear
"Thou damned doorkeeper to every custrel that comes inquiring for his Tib!"
~Pericles
"Thou flea, thou nit, thou winter-cricket thou!"
~The Taming of the Shrew
"You scullion! You rampallian! You fustilarian! I’ll tickle your catastrophe!"
~Henry IV, Part 2
"Truly, thou are damned, like an ill-roasted egg, all on one side."
~As You Like It
"'Sblood, you starveling, you elf-skin, you dried neat's tongue, you bull's pizzle, you stock-fish! O for breath to utter what is like thee! you tailor's-yard, you sheath, you bowcase; you vile standing-tuck!"
~Henry IV, Part 1
"A knave; a rascal; an eater of broken meats; base, proud, shallow, beggarly, three-suited, hundred-pound, filthy, worsted-stocking knave; a lily-livered, action-taking knave, a whoreson, glass-gazing, super-serviceable finical rogue; one-trunk-inheriting slave...
...one that wouldst be a bawd, in way of good service, and art nothing but the composition of a knave, beggar, coward, pandar, and the son and heir of a mongrel: one whom I will beat into clamorous whining, if thou deniest the least syllable of thy addition."
~King Lear
And, to end, a classic from Titus Andronicus:
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People don't use phone boxes anymore, because mobile phones have been invented.
Does that mean these phone boxes are now irrelevant?
No. The fact they're no longer necessary is part of what makes them so important...
Britain's iconic red phone box was first introduced in the 1920s, when the Post Office (who ran the national phone network) held a competition to design them.
It was won by Sir Giles Gilbert Scott, the son of the famous Neo-Gothic architect George Gilbert Scott.
Escaping Criticism, painted by Pere Borrell del Caso in 1874, is a perfect example of the art technique called "trompe-l'œil", an optical illusion where the painter makes a flat surface seem three-dimensional.
And it will completely change the way you think of art...
The Catalan artist Pere Borrell del Caso (1835-1910) is not particularly famous, but Escaping Criticism has become iconic.
It's an example of "trompe-l'œil", French for "deceiving the eye" — an optical illusion which makes a flat surface seem three-dimensional.
Like this:
Borrell del Caso was drawing our attention to the fact that this is what most art does — imitate reality by appearing three-dimensional.
The impression of depth is part of what makes something like the Mona Lisa seem realistic.
You've probably seen this gentleman before... but who was he?
It's Dr Johnson, maybe the most important English writer since Shakespeare...
Samuel Johnson, born to a family of modest booksellers in Staffordshire in 1709, was perhaps the dominant cultural figure of 18th century England.
But this future critic, essayist, poet, scholar, lexicographer, and celebrity was a sickly child who very nearly died in his youth.
He survived these illnesses, albeit scarred for life and nearly blind in one eye, and grew up to be a huge man: tall, strong, burly, and rather intimidating.
Combined with his noticeable tics, vicious wit, eccentric habits, and irascible temper, Johnson was a unique character.
This is the Casa Comalat in Barcelona, one of the most beautiful Art Nouveau buildings in the world.
And, once upon a time, it was modern architecture...
The Casa Comalat is a perfect example of an architectural style usually called Catalan Modernism.
So called because it was unique to Catalonia in Spain, and because it was, at the time, modern.
Antoni Gaudí, of Sagrada Família fame, is the style's most well-known architect.
The Casa Comalat itself was designed by Salvador Valeri i Pupurull, and built between 1906 and 1911 as a private household for the industrialist Joan Comalat Aleñá — it remains private.
This is a panel from The Garden of Earthly Delights, painted by Hieronymus Bosch more than 500 years ago.
It looks impossibly strange to us, but it made perfect sense to people in the Middle Ages...
Hieronymus Bosch is a mysterious man. We know very little about him other than where and when he was born — Den Bosch in the Netherlands, in about 1450.
We can only really piece his identity together from what we know about the society he lived in and the art he left behind.
Oil painting had been invented in the Netherlands in the early 1400s, a few decades before Bosch was born.
Jan van Eyck was an early master of this new format, which allowed for paintings of far greater detail and precision. His Arnolfini Portrait is the most famous example.