BATMAN BEGINS was released 18 years ago today. Acclaimed as one of the great superhero movies and the film that catapulted the career of Christopher Nolan, the making of story is pretty massive…
A THREAD
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Warner Bros had been looking to reboot Batman since the flop of Batman & Robin in 1997. Daren Aronofsky was attached to direct and was interested in casting Clint Eastwood as an older Batman. WB rejected his pitch though.
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After seeing 2002’s Insomnia, WB were impressed with the film as a dark psychological thriller and approached its young director, Christopher Nolan, about Batman.
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A fan of the Adam West TV show and Neal Adams comics from childhood, Nolan was interested and starting working with writer David S. Goyer on a script.
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They wrote in Nolan’s garage and the script was so heavily guarded that WB execs were never given the script, they had to read it at the garage in Nolan’s presence. Nolan also got production designer Nathan Crowley to build a Gotham City model in his garage.
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Christopher Nolan was inspired by Blade Runner from a visual point. Before production started, he screened the film to the Batman Begins cast and crew and said “This is how we’re going to make Batman.” Our SnapShot compilation showcases the great Blade Runner visuals…
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Nolan shot the entirety of the film without a second unit, meaning he oversaw every single shot of the film to keep the vision consistent from script to storyboard to screen.
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In casting his lead, Nolan considered Keanu Reeves, Jake Gyllenhaal, Joshua Jackson and Henry Cavill as a possible Batman/Bruce Wayne.
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He screen tested many actors too. Cillian Murphy and Eion Bailey both screen tested.
When Christian Bale screen tested, Nolan thought he portrayed “exactly the balance of darkness and light” that he wanted, and cast him.
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Bale had just shot The Machinist, where he had lost almost 100lbs. To play Batman. Bale underwent a 6 month regimen of eating and working out and put on too much weight. Some of the crew called him “Fatman” and he trimmed down to his physique in the film.
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Bale had some problems. He didn’t like wearing the batsuit. and called it “painful, heavy and claustrophobic.” He also lost his voice three times during filming from doing the Batman voice.
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Nolan knew he wanted Michael Caine as Alfred the butler so turned up at Caine’s house one morning with the script. Caine asked what the script was and when Nolan said “It's called Batman Begins” Caine said “I'm too old to play Batman, so I guess I’m the butler?”
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Alfred’s sense of duty and loyalty towards Bruce Wayne reminded Caine of the comradeship that exists in the military, so based his character’s voice on a colonel he knew when he was in the army as an 18-year-old.
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Nolan wrote the part of Lucius Fox with Morgan Freeman in mind, but he also needed convincing. Nolan had to fly to Freeman’s Memphis home several times and wasn’t actually convinced he was going to turn up to filming until the first day of production.
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One of the first scenes Bale filmed with Caine and Morgan Freeman involved Bruce waking up in bed. In preparing for the scene, Bale fell asleep for real and woke to find Michael Caine poking him in the rib saying “Look at that! He’s bloody fallen asleep.”
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Nolan had wanted to feature D.A.Harvey Dent in the film, but decided he couldn’t do the character justice in a smaller role. So Dent was rewritten to be Rachel Dawes – Bruce’s love interest – and he cast Katie Holmes in the part.
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Nolan wanted Liam Neeson to play the main villain Ra’s Al-Ghul, but when they met Neeson said “You don’t want me” and started recommending other actors. Nolan had to convince him he was the right person for the part.
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At 6ft4, Neeson towered over the cast. In the training scene the other ninjas had to stand on wooden blocks. Also, in filming the fight on the ice, Neeson and Bale could hear the ice cracking beneath them. The next day it had all melted.
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The first person Nolan thought of to play Ra’s Al Ghul was Gary Oldman. Oldman loved Nolan’s vision but wasn't interested in playing another villain. It was he who suggested playing Jim Gordon and Nolan said “that’s an interesting idea.”
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The second villain is Jonathan Crane, AKA Scarecrow., Christopher Eccleston and Ewan McGregor were all considered. Nolan had loved Cillian Murphy’s Batman audition though, so cast him. Nolan was fascinated by Murphy’s blue eyes so told Murphy to keep removing his glasses.
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Wanting to ground his film in reality, Nolan didn’t want Scarecrow to have a mask. He had to be convinced by David S. Goyer and Nolan had many masks created before seeing one he liked.
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Jack Gleeson, who later played Joffrey in Game of Thrones, also appears. He plays the kid who comes across Batman stalking Gotham.
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To prevent leaks, Batman Begins was titled The Intimidation Game. The film’s actual title went through changes too. It was known as Batman 5 and Batman: The Frightening before co-writer David S. Goyer suggested Batman Begins.
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Hans Zimmer and James Newton Howard composed the score. There were also contributions from Ramin Djawadi, Lorne Balfe, and Mel Wesson. They worked on separate themes to represent the split personality of Bruce Wayne and Batman.
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The names of the tracks are taken from types of bats. Including Barbastella, Artibeus, Tadarida, Macrotus, Antrozous, and Nycterus. Also, the first letters from the titles of tracks 4-9 (the ones just mentioned) spell BATMAN.
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A lot of Batman’s tech was based on real-life technology. The cape was made by electrostatic flocking, taught to the crew by the British Ministry of Defense who used this to decrease visibility of soldiers. The current created a dark sheen across the fabric.
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The Batcave was constructed as a colossal set at Shepperton Studios in England, where the team built rocks from molds of real caves. Measuring 250 feet long, 120 feet wide, and 40 feet high, it was designed by Nathan Crowley and had a pump-driven waterfall installed.
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For the below scene Nolan wanted to use real bats. They couldn’t be controlled though, so CGI was used instead. The scene is basically lifted straight from Frank Miller’s classic comic book Batman: Year One.
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The house which served as Wayne Manor was Mentmore Towers, a former Rothschild estate in Buckinghamshire, England. It also appeared in The Mummy Returns, Brazil and Eyes Wide Shut.
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The Tumbler was 9 feet wide, 16 feet long and designed by Chris Corbould and Andrew Smith. It was built from scratch with a fiberglass body and was actually a fully functional vehicle. It took $150K and a year of engineering to construct and could reach speeds of 106mph.
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While shooting on the streets of Chicago, a drunk driver accidentally crashed into the Batmobile. He said he hit the car in a state of panic, believing the vehicle to be an invading alien spacecraft.
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The film ends with Gordon giving Batman a Joker playing card. This idea for a final scene was taken from Frank Miller’s Batman Year One.
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The film was a big hit, taking $373m from a $150m budget. It spawned two sequels and The Dark Knight Trilogy is now acclaimed as one of the greatest trilogies ever made.
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To finish, the brilliant first appearance of Batman, taking down the bad guys…
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BLAZING SADDLES was released 52 years ago today. Acclaimed as one of the great comedies of the 1970s, and among the most popular of director Mel Brooks, the story of how it was made is a cascading waterfall of creative alternatives...
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The concept originated from Andrew Bergman's 1971 treatment Tex X, purchased by Warner Bros. for $50,000. It was bought as a vehicle for blacklisted comedian Dick Gregory to lead, but plans soon changed.
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Producer Michael Hertzberg recognised Mel Brooks' unique ability to handle racial satire after The Producers released to huge acclaim in 1967, recruiting him in 1972 as director following Gregory's departure.
PIXAR ANIMATION STUDIOS was formed 40 years ago today. A groundbreaking filmmaking studio, and acclaimed as among the greatest storytellers of the last 50 years, their story is one of innovation, near-disaster, and creative genius…
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Pixar's story began in 1979 when George Lucas recruited Ed Catmull to head Lucasfilm's The Graphics Group. The group was tasked with developing cutting-edge computer technology for the film industry, including digital editing systems and computer graphics exploration.
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In 1986, having created the first fully-CGI movie character in Young Sherlock Holmes, The Graphics Group was bought by technology innovator Steve Jobs, who had recently left tech giants Apple, for $10m. The company was quickly rebranded as Pixar Animation Studios.
FROM DUSK TILL DAWN was released 30 years ago this week. A collaboration between filmmaking pals Robert Rodriguez and Quentin Tarantino, and a cult vampire classic, the tale of how it came to be will have you off to visit the Titty Twister…
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In the late 1980s, make-up effects guru Robert Kurtzman had an idea for a film - a crime thriller that, midway through, would morph into an action-horror-vampire film. The idea being it would be a great showcase for Kurtzman’s effects company, KNB.
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Without much money to spend, Kurtzman hired a young aspiring writer-director to pen the script. That was Quentin Tarantino, and Kurtzman paid him $1500. It was Tarantino’s first paid gig as a writer. (KNB later did the effects for the Reservoir Dogs ear scene free of charge).
METROPOLIS was released 99 years ago today. One of the most influential films ever made – and one of the world’s first feature-length science fiction movies – the story behind the scenes is as big as the city’s Tower of Babel…
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In 1924, Austrian filmmaker Fritz Lang visited New York City for the premiere of his film Die Nibelungen and, struck by the Art Deco architecture, began developing ideas of a tale set in a futuristic city. He pitched it to German production company UFA, and they loved it.
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Lang fleshed the idea out with his wife, Thea von Harbou. She then wrote the novel of Metropolis in 1925, drawing drew inspiration from writers such as H.G. Wells and Villiers d'Isle Adam.
DJANGO UNCHAINED was released 13 years ago this week. The 8th movie made by one of Hollywood’s most famous filmmakers in Quentin Tarantino, and his first foray into the western genre, the story of how it was created is classic QT. Just remember the D is silent…
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In the mid-2000s, Tarantino was contributing to a book about western director Sergio Corbucci and was inspired to visit the genre himself. He wanted to make “movies that deal with America's horrible past with slavery… but like Spaghetti Westerns, not big issue movies.”
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QT fleshed out the idea and finished a first draft in 2011. Taking inspiration from Italian classic Django (1966), revenge film Angel Unchained (1970), and blaxploitation flick Mandingo (1975), it was a western about a vengeful former slave, called Django Unchained.
SNOW WHITE AND THE SEVEN DWARFS was released 88 years ago. The first feature length animated film to come out of the United States, and one of Hollywood’s most groundbreaking films, the story of how it was created is worthy of a Disney movie of its own…
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In 1812, German folk storytellers Jacob and Wilhelm Grimm published a collection called Grimm’s Fairy Tales. Tale 53 was a story of a magic mirror, Evil Queen and young princess. Their final story revision came in 1854, by which point the name of the piece was Snow White.
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As filmmaking popularised as a storytelling medium, adaptations of the Snow White began to appear. A now-lost 1902 silent film was made. It was then made for Broadway in 1912, the stage version being adapted as a second silent film in 1916.