OTD 75 years ago, the killing of three plantation managers led to the declaration of a state of emergency in #Malaya.
Often overlooked now, the "#MalayanEmergency" was a major event and inspired a number of big screen features.
A thread on those often forgotten films...
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To depict the plight of planters defending their rubber crop from Communist rebels, Rank enlisted Jack Hawkins and Claudette Colbert for THE PLANTER'S WIFE (1952).
A morally unambiguous take on the conflict, the film was nonetheless popular with the public.
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WINDOM'S WAY (1957) was willing to explore moral ambiguity, as Peter Finch's titular doctor finds himself stuck between a belligerent British planter, the local police and rebels.
Far from perfect - it tries to do too much - but an illustration of a complex situation.
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Hollywood's look at Malaya takes that idea and runs with it as in, THE 7TH DAWN (1964), William Holden adds colonial angst into the mix.
There's plenty of stereotypes here, but a big budget and willingness to look at difficult aspects of the conflict add a lot.
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If it's nuance you're after, don't look for it in THE VIRGIN SOLDIERS (1969) or STAND UP, VIRGIN SOLDIERS (1977).
Coming of age comedies set against the backdrop of the conflict in Malaya, the films give a reminder of the lives and role of national servicemen.
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EAST OF ELEPHANT ROCK (1978) does add something new, using conflict in a "F E Colony" to comment on the decline of Empire.
The story could have been handled better, but it does give a greater insight into the emergency from a non-British perspective.
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Malaysian-made BUKIT KEPONG (1981) does that too, focusing on fighting between the Malayan National Liberation Army and Federation of Malaya Police in 1950.
Director, producer, and star, Jins Shamsuddin, based the film on facts gathered from research and interviews.
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The most recent depiction of the conflict, THE GARDEN OF THE EVENING MISTS (2019), uses the emergency as a backdrop to explore loss and grief.
Set against the impact of the Second World War in the region, it's a reminder that events do not happen in isolation.
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There are relatively few films on what became known as the Malayan Emergency - a complex conflict with plenty to explore, much of it uncomfortable.
Perhaps, for popular (western) cinema, it falls between the "good war" narrative of WW2 and the anguish of Vietnam.
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#OTD in 1944 Flt Lt Jimmy Edwards climbed into his Dakota on a mission to resupply troops at #Arnhem.
After the war, he became a renowned comedian, but his experiences on 21st Sept were no laughing matter...
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Edwards had joined the RAF from Oxford, eventually flying with 271 Squadron in Transport Command.
He'd go on to deliver airborne forces into #Normandy on #DDay, of which he'd later say, "although I was part of it, I felt more like a spectator than anything else."
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Edwards had a similar role on the first day of #OperationMarketGarden, towing a glider as part of the vast armada of aircraft heading for Holland.
Though beset by engine troubles, his Dakota (KG444) returned safely to Britain.
"We were suddenly aware that the crowds were getting bigger and bigger, the cheering was getting louder, the avenue for our passage of jeeps was getting narrower" recalled cameraman, Sgt Ernie Walter.
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"We were brought to a standstill by these huge crowds, who became quite hysterical" (Walter).
Around them, champagne and kisses were the order of the day - one which Capt Roy Boulting's would assess as "for me, I think, the greatest day of the war".
#OTD in 1944, Sgt Bert Hardy photographed a sniper-clearing party of 1/5 Welch "in action".
The images were staged, but give a fascinating insight into counter-sniper work in #Normandy. Let's follow them on a sniper hunt...
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Before setting out, the Intelligence Officer - who, among other duties, was usually in charge of the snipers in his own battalion - briefed the NCOs and men on what to look out for.
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Briefing complete, the men set out, keeping a look out for signs of activity and using what cover was available to them.
#OTD in 1944, the first ATS servicewomen landed in #Normandy and AFPU cameramen were there to capture the scene.
Let's meet five of those stepping onto Juno beach 80 years ago this evening...
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Among that first party of 24 members of the Auxiliary Territorial Service was Pte Marjorie Johnstone from Ruislip. She, like many of those landing, likely acted as a clerk in the beachhead, but some would take on other tasks.
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Cpl Joyce Collins and L/Cpl Celia Strong would carry out duties with the Corps of Military Police.
They are pictured here speaking to MP L/Cpl Martin, a man who had experienced war in France, something at least one ATS servicewoman shared...
Until June 1944, the rich farmland of #Normandy had been relatively untouched by war. #DDay changed that and, as Bert Hardy recorded #OTD 80 years ago, soldiers and farmers sometimes lived side by side...
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When AFPU photographer Sgt Bert Hardy visited M. Bekarot's farm at St Manvieu, he discovered some temporary inhabitants - men of 530 Battery, 190 Field Regiment, Royal Artillery. Part of 15th (Scottish) Division, they'd been in #France for a little under a month.
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The battery's presence wasn't the only sign of war Hardy found that day. Here, a couple of gunners help a farm girl repairing a loft shattered by shell fire.
In June 1944, war came to #Normandy, exerting a high cost on the civilian population. #OTD in 1944 photographer Bert Hardy joined a family returning to their shattered home.
Join me for a powerful piece of #photojournalism...
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Located to the north west of Caen, the village of Buron had been liberated by men of the 3rd Canadian Division on 8th July 1944.
As the Le Du family would discover 10 days later, the fighting had left once familiar streets devastated.
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The family soon began searching through the wreckage of their home, hoping to unearth some of the belongings they'd been unable to take with them when they left the village.