OTD 75 years ago, the killing of three plantation managers led to the declaration of a state of emergency in #Malaya.
Often overlooked now, the "#MalayanEmergency" was a major event and inspired a number of big screen features.
A thread on those often forgotten films...
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To depict the plight of planters defending their rubber crop from Communist rebels, Rank enlisted Jack Hawkins and Claudette Colbert for THE PLANTER'S WIFE (1952).
A morally unambiguous take on the conflict, the film was nonetheless popular with the public.
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WINDOM'S WAY (1957) was willing to explore moral ambiguity, as Peter Finch's titular doctor finds himself stuck between a belligerent British planter, the local police and rebels.
Far from perfect - it tries to do too much - but an illustration of a complex situation.
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Hollywood's look at Malaya takes that idea and runs with it as in, THE 7TH DAWN (1964), William Holden adds colonial angst into the mix.
There's plenty of stereotypes here, but a big budget and willingness to look at difficult aspects of the conflict add a lot.
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If it's nuance you're after, don't look for it in THE VIRGIN SOLDIERS (1969) or STAND UP, VIRGIN SOLDIERS (1977).
Coming of age comedies set against the backdrop of the conflict in Malaya, the films give a reminder of the lives and role of national servicemen.
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EAST OF ELEPHANT ROCK (1978) does add something new, using conflict in a "F E Colony" to comment on the decline of Empire.
The story could have been handled better, but it does give a greater insight into the emergency from a non-British perspective.
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Malaysian-made BUKIT KEPONG (1981) does that too, focusing on fighting between the Malayan National Liberation Army and Federation of Malaya Police in 1950.
Director, producer, and star, Jins Shamsuddin, based the film on facts gathered from research and interviews.
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The most recent depiction of the conflict, THE GARDEN OF THE EVENING MISTS (2019), uses the emergency as a backdrop to explore loss and grief.
Set against the impact of the Second World War in the region, it's a reminder that events do not happen in isolation.
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There are relatively few films on what became known as the Malayan Emergency - a complex conflict with plenty to explore, much of it uncomfortable.
Perhaps, for popular (western) cinema, it falls between the "good war" narrative of WW2 and the anguish of Vietnam.
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They say any landing you can walk away from is a good one.
However, AFPU photographer Captain Ted Malindine would have been forgiven for doubting that when he met Major Dick Harden #OTD 80 years ago...
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Harden (seated, second left) was one of a number of liaison officers employed by Field Marshal Montgomery with the brief to get out, gather information and report back to the Tactical Headquarters of 21st Army Group.
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On Friday 9th February, he and fellow Military Cross recipient Captain Carol Mather climbed into a lightweight Auster bound for Nijmegen to survey the progress of the allied advance.
#OTD 70 years ago, prisoner of war drama, THE COLDITZ STORY (1955) was released.
Packed with pluck and boys own adventure, it cemented an image of that iconic Oflag that's been repeated ever since, but it's not where that popular image began (or ended)...
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THE COLDITZ STORY draws on the smash hit memoir of the film's technical advisor - escaper turned author Major Pat Reid.
Released in 1952, this classic account remains in print, though Reid himself acknowledged it (and his outlook) owe much to another formative influence.
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Long before he'd set foot inside Colditz, a young Reid had been thrilled by stories of #WW1 POW escapes by the likes of A J Evans.
The one time test cricketer felt "escaping was the greatest sport in the world", an outlook writ large in Reid's chronicals of Colditz.
For many, watching The Great Escape (1963) over the #Christmas period has become an annual tradition.
But, with real wartime experiences to draw on, for some of those involved in the film, the production inspired more than memories of seasonal cinema...
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Donald Pleasence (Blythe) knew first hand the lot of a prisoner of war.
A Wireless Operator/Air Gunner in the RAF, he was shot down on a daylight raid over France and, after enduring a long march to the Baltic, found himself in a POW camp alongside American airmen.
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Richard Attenborough (Bartlett) couldn't draw on the same experience, but he had flown over wartime Europe.
A member of the Royal Air Force Film Production Unit, he flew with Bomber Command and filmed the whirlwind being reaped from the exposed turret of a rear gunner.
#OTD in 1944 Flt Lt Jimmy Edwards climbed into his Dakota on a mission to resupply troops at #Arnhem.
After the war, he became a renowned comedian, but his experiences on 21st Sept were no laughing matter...
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Edwards had joined the RAF from Oxford, eventually flying with 271 Squadron in Transport Command.
He'd go on to deliver airborne forces into #Normandy on #DDay, of which he'd later say, "although I was part of it, I felt more like a spectator than anything else."
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Edwards had a similar role on the first day of #OperationMarketGarden, towing a glider as part of the vast armada of aircraft heading for Holland.
Though beset by engine troubles, his Dakota (KG444) returned safely to Britain.
"We were suddenly aware that the crowds were getting bigger and bigger, the cheering was getting louder, the avenue for our passage of jeeps was getting narrower" recalled cameraman, Sgt Ernie Walter.
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🎥 IWM A70 137-2
"We were brought to a standstill by these huge crowds, who became quite hysterical" (Walter).
Around them, champagne and kisses were the order of the day - one which Capt Roy Boulting's would assess as "for me, I think, the greatest day of the war".
#OTD in 1944, Sgt Bert Hardy photographed a sniper-clearing party of 1/5 Welch "in action".
The images were staged, but give a fascinating insight into counter-sniper work in #Normandy. Let's follow them on a sniper hunt...
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Before setting out, the Intelligence Officer - who, among other duties, was usually in charge of the snipers in his own battalion - briefed the NCOs and men on what to look out for.
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Briefing complete, the men set out, keeping a look out for signs of activity and using what cover was available to them.