Martin W Profile picture
Jun 16 9 tweets 5 min read Twitter logo Read on Twitter
OTD 75 years ago, the killing of three plantation managers led to the declaration of a state of emergency in #Malaya.

Often overlooked now, the "#MalayanEmergency" was a major event and inspired a number of big screen features.

A thread on those often forgotten films...

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To depict the plight of planters defending their rubber crop from Communist rebels, Rank enlisted Jack Hawkins and Claudette Colbert for THE PLANTER'S WIFE (1952).

A morally unambiguous take on the conflict, the film was nonetheless popular with the public.

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WINDOM'S WAY (1957) was willing to explore moral ambiguity, as Peter Finch's titular doctor finds himself stuck between a belligerent British planter, the local police and rebels.

Far from perfect - it tries to do too much - but an illustration of a complex situation.

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Hollywood's look at Malaya takes that idea and runs with it as in, THE 7TH DAWN (1964), William Holden adds colonial angst into the mix.

There's plenty of stereotypes here, but a big budget and willingness to look at difficult aspects of the conflict add a lot.

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If it's nuance you're after, don't look for it in THE VIRGIN SOLDIERS (1969) or STAND UP, VIRGIN SOLDIERS (1977).

Coming of age comedies set against the backdrop of the conflict in Malaya, the films give a reminder of the lives and role of national servicemen.

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EAST OF ELEPHANT ROCK (1978) does add something new, using conflict in a "F E Colony" to comment on the decline of Empire.

The story could have been handled better, but it does give a greater insight into the emergency from a non-British perspective.

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Malaysian-made BUKIT KEPONG (1981) does that too, focusing on fighting between the Malayan National Liberation Army and Federation of Malaya Police in 1950.

Director, producer, and star, Jins Shamsuddin, based the film on facts gathered from research and interviews.

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The most recent depiction of the conflict, THE GARDEN OF THE EVENING MISTS (2019), uses the emergency as a backdrop to explore loss and grief.

Set against the impact of the Second World War in the region, it's a reminder that events do not happen in isolation.

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There are relatively few films on what became known as the Malayan Emergency - a complex conflict with plenty to explore, much of it uncomfortable.

Perhaps, for popular (western) cinema, it falls between the "good war" narrative of WW2 and the anguish of Vietnam.

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Apr 15
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Feb 19
I WAS MONTY’S DOUBLE (1958) gave M E Clifton James the opportunity to re-live his wartime experiences on the big screen. But what if his co-stars had done the same, and who were their movie doubles? A thread...

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Great War veteran, Clifton James, was serving with the Royal Army Pay Corps when, in 1944, he received a call from David Niven, which led him to Operation Copperhead. The Hollywood star didn't appear in the film. Instead, John Mills was Niven's (almost) double...

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John Mills (Maj Harvey) had his name in lights for most of the war. Not only did he portray all three services on screen - in many ways, Mills was everyone's double - he also served with RE and RA (Monmouthshire Regt) searchlight units in Britain before being discharged.

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Jan 23
The battle of #RorkesDrift ended 144 years ago today. A distant battle in a long gone war, its place in popular history relies as much on a film as it does the gallantry rewarded with 11 VCs.

But there's more to the story of the #VictoriaCross and cinema. A thread.

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The idea for ZULU (1964) came when Cy Endfield picked up a copy of Lilliput. John Prebble's article "Slaughter in the Sun" became #Zulu a few years later - recounting an underdog action which yielded 11 VCs and launched the career of a cinema great along the way.

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ZULU DAWN (1979) sought to cash in on the success of its predecessor by depicting the Battle of #Isandlwana. Some big names make up a strong ensemble cast, share the story of two more VCs (Melvill and Coghill), and put the events at #RorkesDrift into wider context.

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