Local artists in the kingdom of Makuria created one of Africa's largest corpus of wall paintings.
This unique collection of African self-representation provides us with an internal perspective of how Africans perceived their own society africanhistoryextra.com/p/self-represe…
The art of Nubia was a product of its cosmopolitan culture that linked north-east Africa with the eastern meditteranean
initially influenced by Byzantine models, it later acquired its own local character as Nubian artists created their own styles africanhistoryextra.com/p/self-represe…
From the 8th century, the spread of Christianity across Makuria was done by the Nubian church, its priests and the royals.
local architects constructed monumental churches whose walls are painted by local artists with various saintly and political figures africanhistoryextra.com/p/self-represe…
The most common self-representations in Nubian art are paintings of Royals, the clergy & Nubian subjects
Nubian artists depicted people (both nubian & non-nubian) with a dark-brown complexion, but saints are drawn "colorless" following byzantine models africanhistoryextra.com/p/self-represe…
Paintings of royals figures are the most commonly attested among Nubian self-representations, followed by depictions of the church elite.
Both Nubian figures and non-Nubian biblical figures are shown with a dark-brown complexion, but saints are colorless africanhistoryextra.com/p/self-represe…
Nubian royals were most commonly depicted in "protection scenes" where they are shown underneath or standing next to a divine figure
Royal protection scenes were a distinctly Nubian innovation
Royal protection scenes played an important role in the expression of royal ideology in the iconographic program of the churches.
the Nubian ruler shown with divine beings becomes the main figure of the composition under heavenly protection africanhistoryextra.com/p/self-represe…
representations of Nubian royals include symbols of power and Nubian regalia.
The kings wear horned crowns with crosses, and are shown holding scepters. Their robes are richly decorated and were made in Nubian and Byzantine fashions africanhistoryextra.com/p/self-represe…
There are a few paintings of high ranking royal figures in Nubian art. most of them are shown without the symbols of royal authority africanhistoryextra.com/p/self-represe…
Nubian women enjoyed a relatively high social and economic status
This is reflected in the Nubian paintings depicting high ranking women such as Queen mothers and princesses under the protection of divine figures africanhistoryextra.com/p/self-represe…
the special role of the king and his mother in the mural decoration of Nubian churches mirrored a specific social reality in Makuria africanhistoryextra.com/p/self-represe…
The Nubian clergy are the second most commonly attested figures in Nubian self-representation
The Nubian church was closely associated with the royal court, and like the royals, some Nubian bishops were also shown under the protection of divine figures africanhistoryextra.com/p/self-represe…
Nubian bishops are shown holding items that indicate their office such as headdresses with crosses, long staffs terminating in a cross, gospel books, and censers.
They wear vestments adopted from the eastern churches, and are clad according to their rank africanhistoryextra.com/p/self-represe…
The common subjects of Nubia only rarely appear in wall paintings. Some of these include donors who commission the paintings, and other are characters in wider scenes
portraits of donors include those commisioned by women, who may have been members of the clergy or were related to high ranking men africanhistoryextra.com/p/self-represe…
Atleast two exceptional paintings include representations of Nubian subjects
the most dynamic of these is a dance scene that shows men clad in African and 'Islamic' costumes, reflecting the gradual increase in Islamic influences during the 12th/13th cent africanhistoryextra.com/p/self-represe…
Another painting depicts the biblical story of Tobias in the ‘Book of Tobit’
but the characters are drawn as Nubians wearing clothes which reflect some contemporary Islamic influences and engaging in financial transactions using gold coins africanhistoryextra.com/p/self-represe…
The painting depicts a Nubian rendering of biblical figures but in contemporary fashion, reflecting the gradual increase in Islamic influences of 13th century Makuria
more surprising was Mungo Park's visit to the Ludamar kingdom of the Awlad Mubarak (A Hassani-Arab group) in southern Mauritania
even among these, the women reportedly considered him an "inferior being to themselves" and weren't particulary fond of the whiteness of his skin
less surprising was James Bruce's visit to Sennar (In Sudan)
the royal women;
"Upon seeing the whiteness of my skin, they gave all a loud cry in token of dislike, and shuddered, seeming to consider it rather the effects of disease than natural"
While many images of Africans in popular art history were made by non-Africans, the wall paintings of Makuria were created by African artists living in the kingdom, and they preserve a unique form of African self-representation africanhistoryextra.com/p/self-represe…
"Beginning in the 8th century, the kingdom of Makuria developed a dynamic art tradition in the form of vibrant murals that adorned the walls of ecclesiastical buildings." africanhistoryextra.com/p/self-represe…
"portraits of (living) Nubians and (non-Nubian) biblical figures were depicted with a dark-brown complexion, while saints continued to be depicted as 'colorless' following the older byzantine models" africanhistoryextra.com/p/self-represe…
"Who built these "ksars", fortified villages built of salt stone whose remains haunt the oases of Kawar, a desert and isolated region in the northeast of Niger?
"The inhabitants of Kawar consist mainly of the Tebu and the Kanuri
The Kanuri are the older part of the population that's associated with the earliest settlements"
-first documented by Abd al-Hakam in the 9th cent.
-conquered by Kanem in the 11th cent.
-conquered by Tuaregs in 1760
-occupied by French in 1913
abandoned recently
"After nearly a century of unchallenged political dominance in south-eastern Africa, the Portuguese colonial project in the Mutapa kingdom was ended by the formidable armies of Chagamire Dombo, the founder of the Rozvi kingdom" africanhistoryextra.com/p/a-history-of…
The 'Changamire' title and Dombo himself were both associated with the Torwa lineages of south-western Zimbabwe who built the profusely decorated stone ruins of Khami, Naletale and Danangombe africanhistoryextra.com/p/a-history-of…
"The Rozvi state was made up of many preexisting Kalanga polities. From their impressive stone-walled towns, the Rozvi aristocracy based their rule on ownership of land and cattle, both of which were distributed to subordinate chiefs in return for tribute" africanhistoryextra.com/p/a-history-of…
"Loango artists created intricately carved ivory sculptures which offer direct African perspectives from an era of social and political change on the eve of colonialism"
"The pattern of conquest and consolidation had given Loango a complex government, centered in a core province ruled directly by the king, while outlying provinces remained under their pre-conquest dynasties who were supervised by appointed officials"
"From 1787 to 1870, executive power in Loango was held by the Nganga Mvumbi (in charge of the royal burial),
the latter then became part of the royal council which thus preserved its power by indefinitely postponing the election of the king." africanhistoryextra.com/p/a-history-of…
"For more than five centuries, the kingdom of Loango dominated the coastal region of west central Africa between the modern countries of Gabon and Congo-Brazzaville."
Loango was among the earliest kingdoms in west-central Africa, emerging in the 14th/15th century, not long after its suzerain, the kingdom of Kongo by 1584 it was a fully independent state, challenging Kongo as a major regional power